Category Archives: publication

Parergon 36.2 Preview: Myth, Reality and Revelation: The Performance of Divine Power on Dartmoor

We asked contributors to the current issue of Parergon to give us some additional insights into their research and the inspirations for their articles. In this post, David C. Harvey, Associate Professor in Critical Heritage Studies at Aarhus University, Denmark, discusses the article he co-wrote with Joanne Parker, Associate Professor of Victorian Literature and Culture at the University of Exeter, UK: ‘Myth, Reality and Revelation: The Performance of Divine Power on Dartmoor’. DOI: 10.1353/pgn.2019.0056

Just a few weeks after I first came to Exeter University as an undergraduate student in October 1988, I remember being taken by Vic Ambler, the Warden of the St Lukes Hall of Residence, for an evening walk to Dartmoor. We got dropped off near Challacombe, and walked via Grimspound, the Headland Warren and Bennett’s Cross to the Warren House Inn. Just before we reached the pub, we walked past the Devil’s Playing Cards; four mysteriously shaped fields laid out on the hillside, in the shape of the four suits of a deck of playing cards. I remember Vic telling a story about how these got their name: that during a Great Storm, the Devil crashed through the roof of the Church at nearby Widecombe-in-the-Moor and carried off a man called Jan Reynolds who was playing cards at the back of the Church. As he flew across the moor, Jan dropped the four aces that he had up his sleeve and they fell to earth as four enclosures. I squinted at the hillside – OK; I could pick out the Diamond quite clearly… perhaps the Heart; but one needed to have a bit more imagination to make out the Club and the Spade. It was a good story – though I would have thought that the Devil would have been happy with someone playing cards at the back of a Church Service?

The walk, across Hameldown, between Widecombe and Warren House is one of my favourites, and the legend about the Devil is a nice story to impress visitors. It might even place me as a ‘local’, or at least as someone who ‘knows’ the Dartmoor landscape. Over the following years, I became more and more familiar with Dartmoor and its legends; lots about the Devil, many about ‘hauntings’, and a good few about environmental hazards – deep bogs or terrible storms. Indeed, there’s a story about a ‘Great Storm’ of 1638, written up on a series of tablets in the Nave of Widecombe Church, in which several people were killed – victims of God’s Judgement. I vaguely realised that the Devilish Legend about the Playing Cards was referring to the same storm event as the tragedy of 1638 in Widecombe, but never really followed up on how and why the two stories were connected.

In the Autumn of 2013, I was to run a 3rd year day field trip to Dartmoor to talk about landscape history and archaeology. The Headland Warren, Bennett’s Cross and the Devil’s Playing Cards was an obvious destination to take a group of third years in the Autumn Term of 2013, and all my Landscape Knowledge or Lore comes into its own when running such a student field trip. The legend of the Devil will be memorable for the students – just as it was for myself in 1988 – and if that helps to instil the ‘factual’ elements of landscape history, then all the better. On Friday 18th October 2013, I led a group of 35 students up to Dartmoor, as part of the Undergraduate Level 3 ‘Geographies of Heritage and Memory’ module within the Geography Department at Exeter.

I wrote a blog about this field trip here – and was struck by the juxtaposition of the two stories about the ‘Great Storm’. Of course, the students also asked some tricky questions – surely, they ask me, the Devil should have been happy that people were playing cards in Church(!); and how come the figure of ‘God’ turned directly into the figure of the Devil. These loose ends needed tidying up….

I re-visited the Church at Widecombe and took some photos of the tablets on the wall of the Nave. This story was very clear – that it was God that brought on the Great Storm and God’s Judgement that carried off several parishioners.

I also began talking to my colleague in the English Department, Joanne Parker, who had previously written about Dartmoor stories and legends. We had been working together within the ‘Past-Place’ research team, at Exeter, and so the idea of producing a ‘life history’ of storytelling associated with an event such as the Great Storm took hold.

Together, we started to patch together the accounts of the Great Storm, of October 1638, from the first pamphlet publications only a couple of weeks after, through renditions in poetic and prose form during the 17th, 18th and 19th centuries, and to their re-deployment in tourist legend in the 19th and 20th centuries. The first accounts of the event appeared in London in November 1638, and in this version, the storm is very much associated with God’s Judgement – though we also found the vestiges of some quasi-scientific reflection and interest. The Devil gets a mention in the 18th century, but only starts to dominate the accounts in the 19th century – which is the point at which the stone enclosures (the Devil’s Playing Cards) near the Warren House Inn enter the scene.

Just as my imagination was captivated in 1988 – and just as I have recounted it to many visitors in the last 30 years – the legend of the Devil has good currency through which to support ‘insider’ credentials. In some ways, its slightly comical and clearly mythical nature provides a gloss of specifically ‘local’ landscape knowledge. It is a story of ‘place making practice’, both over the last 380 years over which the legends have been circulated, and also the 30 years over which I have been telling the stories myself – as a ‘professional landscape historian’. And over the last 6 years, the blog on a WordPress site has now become a published journal article!

All images belong to the author.

Parergon can be accessed via Project MUSE (from Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008). For more information on the current issue and on submitting manuscripts for consideration, please visit https://parergon.org/

New issue preview: Parergon 36.2

ANZAMEMS is delighted to advise researchers that the latest issue of the Association’s journal Parergon is now out. Special Issue 36.2, Practice, Performance and Emotions in Medieval and Early Modern Heritage, guest-edited by Alicia Marchant and Jane-Héloïse Nancarrow, features 6 original research articles, a scholarly introduction, a special roundtable contribution, and over 50 book reviews.

ANZAMEMS members will receive print copies of Parergon 36.2 shortly, while digital content can be accessed via Project MUSE.

Here is a preview of the content available in the issue:

Introduction: Practice, Performance, and Emotions in Medieval and Early Modern Heritage
Alicia Marchant, Jane-Héloïse Nancarrow

Between Realism and Re-enactment: Navigating Dramatic and Musical ‘Problems’ in Voyage to the Moon
Joseph Browning and Jane W. Davidson

How do practitioners understand the relationship between performance, history and emotion in Western art music? Based on an ethnographic study of a contemporary pasticcio opera, we take the rehearsal room as an important, yet often overlooked, site in which creative artists imagine and perform different relationships with their musical and cultural heritage. Focusing on the interplay between two performative modes, which we call realism and re-enactment, we describe how the creative team navigated various dramatic and musical challenges associated with the opera, generating a final production that was ambiguous and multi-layered in its
emotional registers and attitudes towards the past.

After Lives: Considering Disembodied Costume via Medieval Copes and Nick Cave’s Soundsuits
Janet Lee and Jo Merrey

Costuming a body for performance both defines and erases boundaries between performer and audience. Historically distinct and creatively oppositional, medieval copes and the soundsuits of contemporary artist Nick Cave work to transcend the everyday and reimagine the self. As the garment subsumes the wearer, the performer’s ‘translated’ presence engages the audience/viewer. But what of costume divested of performer? What is embodied in performance shifts in a costume’s museum afterlives. Postperformance costumes signal vacancy; an uncanny absence. Displacing the performer allows for the renegotiation between object and viewer. Tracememories of performance linger, reconfigured via the costume’s framing and circumstances of viewing.

Hidden Heritage: Concealment, Reuse, and Affective Performance in Historic Buildings and Digital Heritage
Jane-Héloïse Nancarrow

This article considers material heritage of the Middle Ages and early modern period which was deliberately obscured from public view, exploring this concept in light of concealed objects’ emotional impact and cultural meaning, the status of such objects as part of a ‘performance
of concealment’, and the role that concealment played in the creation of heritage. A series of architectural and smaller-scale digital heritage case studies articulate the complex ways that concealment shaped meaningful heritage narratives, both in the past and today—particularly as concealed material culture was often remediated or reused from other heritage settings.

Myth, Reality and Revelation: The Performance of Divine Power on Dartmoor
David C. Harvey and Joanne Parker

This article explores the nexus between the folk heritage of an unusual archaeological site, an early modern account of ‘ball lightning’, and the literary construction of an affective atmosphere. It examines how a violent storm in October 1638 provided a symbolic reservoir for narrative accounts of both the performance of God’s power and the Devil’s trickery, thereby
providing lessons for civil conduct alongside explanations of some unusual archaeological features. Tracing a biographical life history of how the storm has been remembered at different periods since the event, we chart how various narratives of landscape can unfold over several centuries.

Hearing Early Modern Battles: Soundscape Audio as a Way of Recreating the Past
Dolly MacKinnon

This article provides a model of analysis for examining museum exhibitions that specifically incorporate soundscapes for early modern battle histories: one is a local museum at Radway, England, that commemorated the Civil War Battle of Edgehill (1642), and the other is the National Museum of Scotland’s exhibition ʻBonnie Prince Charlie and the Jacobites’ that includes the 1745 rising that culminated in the Battle of Culloden (1746). Using film music diegesis, the article analyses the ways in which emotions are generated, performed and produced through soundscapes created for early modern battlefields in museums, demonstrating how gendered representations of the past can be overturned and democratized by soundscapes.

‘Three cheers to the old apple tree!’: Wassailing and the Affective Performance of Heritage
Alicia Marchant

The ancient practice of wassailing to apple trees has had global resurgence in recent years, including in Tasmania where it is performed at the Huon Valley Mid-Winter Fest. First recorded at Fordwich (England) in 1585, wassailing is performed annually on Old Twelfth Night and involves a parading group moving noisily between orchards. Taking the Huon Valley wassail as a focus, I will examine the performative elements of the modern wassail, tracing a genealogy of practice, to ask: what happens when wassailing is transplanted to Tasmania? What sorts of ‘pasts’ are recalled, and what emotional work does the wassail performance do?

Parergon Roundtable
Future/s Medieval: Perspectives from the ANZAMEMS Community
Susan Broomhall, Andrew Lynch, Clare Monagle, Amanda Power, Helen Young, Louise D’Arcens, Lindsay Diggelmann, Chris Jones

This roundtable responds to the wide-ranging discussions within and beyond the ANZAMEMS community at present about the ways in which our field is currently being understood and used by those in the broader community, as well as how these developments may provoke new lines of enquiry within medieval and medievalism scholarship.

Members of our community, scholars of the medieval, were invited to contribute
short papers reflecting on new directions and pressure points for medieval studies.
These encompass considerations within the academy and as the medieval is
understood and employed beyond it, and indeed as these are in dialogue with each other.

Parergon welcomes article submissions on all aspects of medieval and early modern studies. We are especially interested in material that crosses traditional disciplinary boundaries and takes new approaches. For more information and submission guidelines, visit the Parergon website.

New member publication: Making the Medieval Relevant

Congratulations to current ANZAMEMS president Chris Jones on the publication of a new collection, Making the Medieval Relevant: How Medieval Studies Contribute to Improving our Understanding of the Present (De Gruyter, 2019) co-edited with Conor Kostick and Klaus Oschema. The volume also includes a contribution from ANZAMEMS member and Parergon Reviews Editor Hélène Sirantoine.  

When scholars discuss the medieval past, the temptation is to become immersed there, to deepen our appreciation of the nuances of the medieval sources through debate about their meaning. But the past informs the present in a myriad of ways and medievalists can, and should, use their research to address the concerns and interests of contemporary society.

This volume presents a number of carefully commissioned essays that demonstrate the fertility and originality of recent work in Medieval Studies. Above all, they have been selected for relevance.

Most contributors are in the earlier stages of their careers and their approaches clearly reflect how interdisciplinary methodologies applied to Medieval Studies have potential repercussions and value far beyond the boundaries of the Middle Ages. These chapters are powerful demonstrations of the value of medieval research to our own times, both in terms of providing answers to some of the specific questions facing humanity today and in terms of much broader
considerations.

Taken together, the research presented here also provides readers with confidence in the fact that Medieval Studies cannot be neglected without a great loss to the understanding of what it means to be human.

Making the Medieval Relevant is available for open-access download here: https://www.degruyter.com/view/product/489086. Open access is supported by funding from the British Academy, the Mediävistenverband e.V., the University of Canterbury (NZ) and the Ruhr-University Bochum (Germany).  The book will be discussed on the Pat Kenny show on Irish radio network Newstalk, which will later be released as a podcast.

ANZAMEMS members wishing to promote their research through the ANZAMEMS newsletter are invited to email the editor, Lisa Rolston.

Call for History of Emotions Manuscript Proposals

Announcing a new series on the history of emotions, published by Bloomsbury and edited by Peter Stearns and Susan Matt.

Editorial Board: Rob Boddice, Pia Campeggiani, Angelika Messner, Javier Moscoso, Charles Zika

We are seeking proposals for monographs which explore emotions in history. We seek to create a truly international series, with works on feelings from across the globe, from the ancient world to the present. We really hope to use the series to promote varied and imaginative work in this growing scholarly field. If interested, please send a short précis to pstearns@gmu.edu or smatt@weber.edu.

New member publication: New Saints in Late-Mediaeval Venice

Congratulations to ANZAMEMS member Karen McCluskey on the publication of her new book, New Saints in Late-Mediaeval Venice, 1200–1500: a typological study (Routledge, 2019).

This book focuses on the comparatively unknown cults of new saints in late-mediaeval Venice. These new saints were near-contemporary citizens who were venerated by their compatriots without official sanction from the papacy. In doing so, the book uncovers a sub-culture of religious expression that has been overlooked in previous scholarship.

The study highlights a myriad of hagiographical materials, both visual and textual, created to honour these new saints by members of four different Venetian communities: The Republican government; the monastic orders, mostly Benedictine; the mendicant orders; and local parishes. By scrutinising the hagiographic portraits described in painted vita panels, written vitae, passiones, votive images, sermons and sepulchre monuments, as well as archival and historical resources, the book identifies a specifically Venetian typology of sanctity tied to the idiosyncrasies of the city’s site and history.

By focusing explicitly on local typological traits, the book produces an intimate and complex portrait of Venetian society and offers a framework for exploring the lived religious experience of late-mediaeval societies beyond the lagoon. As a result, it will be of keen interest to scholars of Venice, lived religion, hagiography, mediaeval history and visual culture.

For more information including table of contents please see https://www.routledge.com/New-Saints-in-Late-Mediaeval-Venice-12001500-A-Typological-Study/McCluskey/p/book/9781138478008

ANZAMEMS members wishing to promote their research through the ANZAMEMS newsletter are invited to email the editor, Lisa Rolston

CFP Viator: Looking Ahead: Global Encounters in the North Atlantic, ca. 350–1300

A special dossier in Viator

Co-edited by Nahir Otaño Gracia, Nicole Lopez-Jantzen, and Erica Weaver

In the last few years, several urgent interventions have begun to reshape medieval studies as a more capacious and inclusive field. Scholars such as Geraldine Heng, Monica Green, and Michael Gomez have expanded our understanding of the multifaceted interactions between and among Africa, Asia, Europe, and elsewhere, while Adam Miyashiro and Mary Rambaran-Olm have urged us to reassess the North Atlantic in particular. Traditionally, scholars have tended to work within national borders or to focus on how North Atlantic cultures changed the rest of the globe rather than how they were themselves changed by global interactions, with drastic consequences for our field––especially for our earliest periods.

In order to continue these important conversations and to expand what our scholarship can look like going forward, this special essay cluster seeks to provide a platform for early-career scholars to propose new critical directions for the study of the early medieval North Atlantic, broadly encompassing ca. 350–1300. We thus invite short, rigorous interventions (2000–3500 words each), in the model of the popular conference genre of “lightning talks.” In particular, we seek imaginative new work that expands the contours of early medieval studies and challenges, or transgresses, its standard disciplinary, temporal, and linguistic boundaries. Following the example set by the IONA: Islands of the North Atlantic conferences, we reject the unproductive disciplinary divides that have separated the study of England, Wales, Ireland, Francia, Scandinavia, the Iberian Peninsula, Africa, and even the Mediterranean both from each other and from points further afield along the Atlantic rim and beyond. We also aim to break down the divisions that have artificially separated Late Antiquity and the early and high Middle Ages. We are intentionally leaving this call for papers very broad, because we come from the perspective that the global does not exclude the local, and vice-versa. Moreover, the insular can be archipelagic. We welcome essays that bring together North Atlantic and Mediterranean Studies, or that read what has been seen as national literature from a transnational perspective.

In the spirit of emerging from our own linguistic silos and in Viator’s usual practice, we thus welcome work from scholars writing in English, Spanish, and French. Additionally, we particularly invite work from graduate students, postdocs, independent scholars, and members of the precariat as well as contributions that are explicitly feminist, queer, anti-racist, and decolonial. We would like to be as inclusive as possible, so please contact us if you have any questions.

Short abstracts of around 200 words are due by December 2 to ViatorIssue@gmail.com, with essays to be submitted by January 15.

CFP Yearbook of the Spanish and Portuguese Society for English Renaissance Studies

SEDERI welcomes ARTICLES, NOTES and REVIEWS for its next issue (nº 30) to be published in Autumn 2020. SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual publication devoted to current criticism and scholarship on Early Modern English Studies. It is peer-reviewed by external readers, following a double-blind policy. It is published in paper and online, in open-access.

QUALITY ASSESSMENT AND INDEXING
SEDERI is included in the Web of Science, the Arts & Humanities Citation Index, the MLA International Bibliography, Scopus, EBSCO Host, ProQuest, ERIH+, Annual Bibliography of English Language and Literature (ABELL), Dialnet plus, The Spanish Repository for Science and Technology (RECYT), CIRC, CARHUS+, DICE (CSIC-CINDOC-Aneca), Latindex, and Ulrich’s Periodicals Directory. SEDERI’s scientific and editorial excellence has been accredited continually by the Spanish Foundation for Science and Technology (FECYT) since 2009. It meets 100% of the scientific requirements established by Latindex and DICE-CINDOC. The Italian National Agency for the Assessment of Research (ANVUR) has ranked SEDERI Yearbook as an «A» journal.

AREAS OF INTEREST
Early Modern English Literature
Early Modern English History and Culture
Early Modern English Language
Restoration English Studies
Early Modern Anglo-Spanish and cross-cultural studies
Early Modern Anglo-Portuguese cross-cultural studies

EDITORIAL PROCESS
Submissions will be sent to two readers for review, following a double blind, peer-review policy. In case of disagreement, a third report will be decisive. If the paper is accepted for publication, the authors may be asked to consider the readers’ suggestions and to bring it into line with our style sheet. The contributions, in their final form, will go through copyediting, layout, and proofreading. Once published, the authors will receive a copy of the issue in which their work is included.

SUBMISSION INFORMATION
Time from submission to decision: 3-4 months
From decision to publication: 6-9 months
Number of readers prior to decision: 2-3
Articles/notes submitted per year: 20-25
Articles/notes published per year: 6-12
Information updated on July 2019

Submissions should be sent through the SEDERI online submission platform (https://recyt.fecyt.es/index.php/SEDY/about/submissions). If you are not a user of the SEDERI platform yet, you will need to register as a new user before logging in. All submissions should be in Word/RTF format. Please omit any personal information in the file of your paper and make sure the file properties do not show your name.

Deadline for submission: 31 October 2019

For further details please download the attached CFP and style sheet:

Download (PDF, Unknown)

Download (PDF, Unknown)

Highlights from the Parergon archives: Women and Property

We asked members of Parergon‘s Early Career Committee to tell us about a Parergon article that really stood out for them and why they found it valuable for their research. In this post, Emma Simpson discusses Patricia Crawford’s ‘Women and Property: Women as Property’, Parergon 19.1 (2002), pp. 151-171 (DOI: doi.org/10.1353/pgn.2002.0086)

Those of us interested in early modern women owe a great debt to Patricia Crawford. The ANZAMEMS Crawford-Maddern network speaks to her personal legacy, one that builds on her extensive work in the field encompassing numerous monographs, articles, and edited collections.

Personally, Crawford and Gowing’s Women’s Worlds in Seventeenth-Century England was an early introduction to research around early modern women, and I returned to Crawford’s work when beginning my dissertation. Though my focus has since shifted from women writers in a male-dominated genre to representations of women within that genre itself, Crawford’s work still influences the historicist approach I take in my work. Indeed, she remains important across disciplines, and her 2002 Parergon article “Women and Property: Woman as Property” is no exception.

Here, Crawford explores how early modern women functioned as property, what rights they had to property and freedom, and how this affected their ability to act autonomously. She suggests that “three interlocking variables affected a woman’s right to property”: the “status” of women as a category, the “complex system of jurisdictions” which comprised early modern law, and the definition of property itself. But in outlining difficulties for women in the early modern period, Crawford also carefully establishes the ways in which these women could and did “circumvent the restrictions of the common law” (154). She further contextualises her important discussion of gendered restrictions in the period with reference to shifting political and class hierarchies.

Though interested largely in the eighteenth century, “Women and Property: Women as Property” serves as a useful introduction not only to important work on early modern women, but also as an introduction to Crawford and her broader work, as one of Australia’s important voices on women in the early modern period.

Parergon can be accessed via Project MUSE (from Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008). For more information on the current issue and on submitting manuscripts for consideration, please visit https://parergon.org/.

Highlights from the Parergon archives: Rationality and renaissance magic

We asked members of Parergon‘s Early Career Committee to tell us about a Parergon article that really stood out for them and why they found it valuable for their research. In this post, Julie Davies of the University of Melbourne relflects on Gregory W. Dawes, ‘The Rationality of Renaissance Magic’, Parergon 30.2 (2013), pp. 33–58. (DOI: 10.1353/pgn.2013.0132)

I was very excited to read Dawes’s article exploring the rationality of magical beliefs from a philosophical perspective. The question of belief is complex and historians of witchcraft and magic often have to balance the ideal of evaluating their subjects according to the values and beliefs of their time with the scepticism of both contemporaneous critics and modern readers. While it is sometimes appropriate to reduce engagement with supernatural themes to ignorance, credulity, fantasy, delusion or outright fraud, hastily, unconsciously or consistently presuming such would significantly distort our historical perspective. As Dawes points out, even if certain accounts of magical phenomena are known to have been completely made up, many were unquestionably intended to be plausible fictions. Understanding the rationality behind such beliefs is, therefore, key to understanding both believers and deceivers.

Dawes gives an overview explanations for magical thinking from a range of disciplines including anthropology, sociology and psychology. However, his main discussion focuses on the different epistemological levels of rational belief. Dawes leads the discussion beyond the typical historical focus on the background beliefs which supported and promoted beliefs about magic and rendered them rationally defensible. He also explores how Renaissance belief in magic was formed on the basis of evidence and other cognitive mechanisms, and how it’s weakness, from the modern perspective, arises from its failure to employ collectively rational procedures. Unlike the modern scientific community who attempt to overcome biases through replicability and verification, magical practitioners tended to value secrecy, limiting the spread of knowledge to like-minded initiates or, as in the case of controversial figures such as Paracelsus, actively maintaining independence from established institutions.

As a result, Dawes not only provides a very useful and detailed introduction to the philosophical theory of knowledge production, magical or otherwise, it also provides insight into the value shift which arguably represents the biggest hurdle to our own objective engagement with the magical past.

Parergon can be accessed via Project MUSE (from Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008). For more information on the current issue and on submitting manuscripts for consideration, please visit https://parergon.org/

Call for Special Issues: Emotions: History, Culture, Society

Emotions: History, Culture, Society, a journal of the Society for the History of Emotions, is pleased to announce its call for proposals for special issues. The next special issue is anticipated to be published in the second half of 2021.

Multidisciplinary research increasingly reveals both the historical and cultural dimensions of the modern concept of ‘emotions’, and the significant extent to which emotions, passions and feelings help constitute history, society and culture. Emotions: History, Culture, Society (EHCS) is a bi-annual peer-reviewed interdisciplinary journal dedicated to understanding the emotions as culturally and temporally-situated phenomena, and to exploring the role of emotion in shaping human experience, societies, cultures and environments. We welcome theoretically-informed work from a range of historical, cultural and social domains. We aim to illuminate (1) the ways emotion is conceptualised and understood in different temporal or cultural settings, from antiquity to the present, and across the globe; (2) the impact of emotion on human action and in processes of change; and (3) the influence of emotional legacies from the past on current social, cultural and political practices. We are interested in multidisciplinary approaches (both qualitative and quantitative), from history, art, literature, languages, music, politics, sociology, cognitive sciences, cultural studies, environmental humanities, religious studies, linguistics, philosophy, psychology, and related disciplines. We also invite papers that interrogate the methodological and critical problems of exploring emotions in historical, cultural and social contexts; and the relation between past and present in the study of feelings, passions, sentiments, emotions and affects. Emotions also accepts theoretically-informed and reflective scholarship that explores how scholars access, uncover, construct and engage with emotions in their own scholarly practice.

We now invite proposals for themed special issues that fall under this remit. Themed issues contain up to ten essays with a maximum word count of 60,000 words for the whole issue. Essays should bring a range of disciplinary or methodological/theoretical perspectives on the topic. The guest editor is responsible for setting the theme and drawing up the criteria for the essays.

Proposals should include a synopsis explaining the theme and how it contributes to the aims of the journal; titles and brief abstracts for each proposed essay, and short biographies of the editors and proposed authors.

The deadline for proposal submissions is 15 Dec 2019. Submissions should be sent to editemotions@gmail.com

The Special Issue will be due with editors in November 2020. Publication, of both the issue and individual essays, is subject to peer review arranged by the journal editors.

Editors
Katie Barclay, University of Adelaide
Andrew Lynch, University of Western Australia
Giovanni Tarantino, Florence