The Religious History Association (RHA) is looking for an Editorial Manager to support the Editor and Review Editor of the Journal of Religious History (JRH) and assist the RHA Executive. This is a part-time role (0.2 – 0.3 subject to negotiation) for an experienced, efficient and precise academic editor with strong communication skills who is familiar with the digital preparation of manuscripts for publication.
JRH is an international journal published by Wiley and disseminating high quality research that makes original and significant contribution in the field of religious history, across a wide range of periods and cultures. The position involves ensuring the production of four issues annually of the JRH on the ReX workflow management software. Each issue contains on average six articles, refereed by blind peer review, and reviews of selected monographs.
For full job description and details on how to apply, click here.
Following our 2023 conference, Limina: A Journal of Historical and Cultural Studies is inviting articles for peer review for its forthcoming special issue on the conference theme ‘Crisis’, scheduled for publication in late 2024. We welcome scholarly contributions of 5000-7000 words written for a non-specialist audience.
Topics may include, but are not limited to:
Social, political, historic, economic, ecological, psychological, or identity crises
Media depictions of crises
Apocalyptic and post-apocalyptic studies
War and conflict studies
The intersection of overlapping crises and their impact
The ‘polycrisis’ or ‘everything crisis’
Limina also accepts unsolicited submissions of critical essays, long form literary reviews, and academically informed reflections from across Australia and the world. They can range from 3000-4000 words and must be written in a scholarly and professional manner abiding by Limina’s style guide. Subject matters can be broad for our general edition, but would need to dovetail with the theme of ‘Crisis’ for our special edition.
Limina encourages HDR students and early career researchers (ECRs) to submit papers.
Please submit your article as an email attachment in MS Word format or Rich Text Format (RTF) to firstname.lastname@example.org by 15 March 2024.
In a separate document, please also provide:
Your email address
Your institutional affiliation
The title of the article
A 150-word abstract
List a minimum of 6-8 words for your article
A statement certifying that this article is not under consideration elsewhere
This triennial event brings together major associations for the study of literature in Australia and welcomes scholars and postgraduate students working on any aspect or field of literary studies. We seek papers on the theme of ‘Chaos and Order’. Literary scholarship and literary practice can both be understood as ordering processes: a work of creative writing is an attempt to build meaning by drawing on, and framing, the chaos of experience. So too, whether the research be qualitative or quantitative in method, literary scholarship considers how meaning might traced and interpreted within literary works, forms, periods and literary fields, applying modes of order to them through this critical reception.
While literary study involves the broad expanses of time and space that comprise the histories of oral and written literature, such works are studied now because they continue to speak to us, in what is a challenging present moment. Order might be applied to make sense of chaos, but equally too much order, or newly applied kinds of order have the potential to create chaos. Just as ‘order’ might be understood in positive or negative terms, ‘chaos’ does not have to be understood in solely negative terms: it might be understood, rather, as that which allows the potential for new kinds of creation.
We are open to all interpretations of ‘Chaos and Order’ and all methodologies applied to the study or practice of literature.
We invite papers and panels, including but not limited to the following topics:
How literature (from any period or tradition) helps us understand chaos and order.
What literature can do (be it political, ideological, affective, existential, ethical, imaginative, social, personal) in relation to the chaos and orders of the present.
How literature is imbricated in, produces, or resists systems of order or power (reproduces or contests dominant ideologies; literature and Empire; literature and propaganda; literature and social change/transformation for example)
How the opportunity to write and/or publish has been and is now determined by systems of order (gender, class, sexuality, race, ethnicity, cultural capital, markets).
How book history and print culture has responded to (or influenced) periods of chaos.
How particular methodologies might offer new ways of seeing old problems.
How particular methods might collaborate or generate chaos through conflict.
How pedagogical systems might solve or cause problems (both within universities and between primary, secondary and tertiary forms of education).
Jointly held by the Association for the Study of Australian Literature, the Australasian Universities Languages and Literature Association, the Australasian Association for Literature, the Australian University Heads of English, the Australasian Victorian Studies Association, The Australasian Children’s Literature Association, The Australasian Modernist Studies Network
Parergon, the journal of the Australian and New Zealand Association for Medieval and Early Modern Studies (Inc.), seeks nominations for interested early career scholars within ANZAMEMS to participate as members of the 2024 Early Career Committee (ECC). The aim of this committee is to recognise and support early career researcher contributions to ANZAMEMS, and specifically, Parergon.
The ECC meets three times a year and offers an opportunity to provide advice to the Editorial team and gain a deeper understanding of the detailed intellectual and practical processes of production of a prestigious, peer-reviewed scholarly journal.
Additionally, participation in the ECC will provide valuable service experience for those interested in pursuing academic and publishing career pathways. Membership of the ECC is not a paid position.
Terms are for a calendar year, with a possible maximal renewal of an additional, immediate year.
Nominations are sought from late-stage doctoral students through to those five years post PhD or equivalent), who are current members of ANZAMEMS.
Applications should consist of a CV, and a covering email outlining disciplinary expertise to the Editors of Parergon,email@example.com.
Doctoral students wishing to apply should also provide an email from their supervisor indicating support for their application.
Nominations close on Friday 1 March 2024. Successful candidates will be notified in early March.
Candidates are expected to be available to make 3 meetings a year by Zoom link.
No prior experience is necessary
The Editorial team will seek to achieve a broad disciplinary spread among the committee.
Parergon Early Career Committee Terms of Reference
Version: 2 February 2024
The Committee’s purposes are:
to provide advice to the Editor and Reviews Editor on the content, production and promotion of Parergon.
to give the opportunity for early career researchers to gain experience in the intellectual and practical processes of production of a high-quality international peer- reviewed journal.
to support the aims of the association with regard to the publication of its journal.
The members of the Committee are:
The Parergon Editor
The Parergon Reviews Editor
The ANZAMEMS Communications Officer
Up to 12 persons appointed by the Editor and Reviews Editor for one year.
Persons appointed in category 2.3:
must be members of ANZAMEMS; and
must be early career researchers (within five years of achieving a doctoral qualification) or currently enrolled doctoral students (with support of a doctoral supervisor)
are eligible for reappointment for a further term of one year.
The Parergon Editor is the Chair of the committee.
The Committee normally meets three times a year.
3.2 The Committee reports through the Editor to the ANZAMEMS Editorial Sub- Committee.
It is with great pleasure, ANZAMEMS can announce the winners of the Association’s Publication Prizes for 2023 and 2024!
Congratulations to all the Prize winners, and thank you to all those who took the time to enter. The judges have reported back that the quality of all the publications was extremely high, which made their jobs very difficult!
Thank you to the judges of each prize: we greatly appreciate your service to the Association.
Finally, a big thank you to the chair of the ANZAMEMS Prizes sub-committee, Prof Andrew Brown, who brilliantly co-ordinated the judging for all the Prizes!
The editorial team for Bloomsburyʼs Cultural History of Monarchy welcome proposals for the six volumes in their collection. Of particular interest to ANZAMEMS membership will be the volumes on the Medieval Age, the Early Modern Era, and the Long 18th Century.
Note that this call is diﬀerent to a normal edited collection where authors propose topics on varied subjects which relate speciﬁcally to their research. Instead, the editors are looking for proposals from authors who are interested in writing one of the speciﬁc chapters in one of the particular volumes of the series. Each volume will contain chapters under the headings:
Conceptualizing Monarchy Rites, Ritual and Ceremonial Religious, Intellectual and Cultural Patronage Place and Space Image and Representation Intradynastic, Imperial and International Networks Court, Counsel and Community Legacy: Funerary Culture, Memorialization and Myth-Making
For further details on the project, including how to submit a proposal, please see the below pdf.
Member Esther Theiler has recently published a monograph with Brepols entitled Painters and Sitters in Early Seventeenth-century Rome: Portraits of the Soul.
Significant innovations in portraiture occurred during the transitional period from the end of the sixteenth-century to the early seventeenth-century in Rome. Portraits by Annibale Carracci, Valentin de Boulogne, Anthony van Dyck, Simon Vouet and Gianlorenzo Bernini display a loosening of formality and a trend towards movement. These artists produced a portrait type that was more inclusive of the viewer, more communicative, more revealing of a private face. The portraits in this study were less likely to celebrate achievements, family or social standing, titles, rank or station. Instead they portray individuals who exist apart from their professional personae. They reveal unique and characteristic traits of their subjects captured at a particular moment in time. They used subtle affetti, painting technique and colour to express mood and atmosphere and evoke the presence of the sitter. The sitters include poets, courtiers, buffoons and the artists themselves, and each composition is attentive to the thoughts, emotions and imaginative life of the individuals.
Painters and Sitters in Early Seventeenth-century Rome is available for purchase through Brepols.
Issue 40.2 of Parergon went to print in December and will soon be making its way to members’ mailboxes. This is special issue guest edited by Kate Allan and Nupur Patel on the subject of women’s agency in Early Modern Europe. Kate and Nupur have written a post for the Parergon blog about the issue, how it came together, and its aims and contents. Enough to keep you going until the journal arrives!
Susan Broomhall and Carolyn James have recently published a volume with the Cambridge Elements series: Elite Women and the Italian Wars, 1494–1559.
The volume analyses the critical importance of elite women to the conflict conventionally known as the Italian Wars that engulfed much of Europe and the Mediterranean between 1494 and 1559. Through its considered attention to the interventions of women connected to imperial, royal and princely dynasties, the authors show the breadth and depth of the opportunities, roles, impact, and influence that certain women had to shape the course of the conflict in both wartime activities and in peace-making. The work thus expands the ways in which the authors can think about women’s participation in war and politics. It makes use of a wide range of sources such as literature, art and material culture, as well as more conventional text forms. Women’s voices and actions are prioritized in making sense of evidence and claims about their activities.
Elite Women and the Italian Wars is available for free downloadfor the next two weeks.