Category Archives: lecture

ACU Medieval and Early Modern Seminar Series

The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on Nov 19 at 2:00 PM AEDT: “Medieval Philosophy of Mind: the first treatise,” presented by Margaret Cameron (University of Melbourne)

Please find attached below the poster for this event. To RSVP and receive Zoom details, please email MEMS.seminar@acu.edu.

ACU Medieval and Early Modern Seminar Series

The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on 15 October at 2:00 PM (AEDT/GMT+11): “Blood rain, crucifixions and instruments of the Passion: Christ, visuality and religious identity in sixteenth-century prodigy books,” presented by Jenny Spinks (University of Melbourne)

For more information and an abstract, please visit our seminar webpage. To RSVP, please email: Mems.seminar@acu.edu.au.

ACU Medieval and Early Modern Studies Seminar Series

The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on Thursday 17 September at 2:00 PM AEST: “Re-Reading the abuses of the age: from seventh-century Ireland to twelfth-century France,” presented by Constant Mews (Monash).

Please email MEMS.seminar@acu.edu.au for Zoom details and to RSVP. For more information on the seminar series see here.

ACU Medieval and Early Modern Studies Seminar Series

The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on August 21 at 2:00pm AEST:

“Plague Time: Space, Fear and Emergency Statecraft in Early-Modern Italy”, presented by Nicholas Eckstein (University of Sydney).

Please find the poster for the event attached below. To RSVP for Zoom details, please email: MEMS.seminar@acu.edu.au.

ACU Seminar Series: ‘Dante, Theologian at the End of Time’

The Institute for Religion and Critical Inquiry at Australian Catholic University cordially invites you to attend lecture series by Prof. Denys Turner, hosted by the IRCI’s Religion & Theology program.

“Dante, Theologian of the End of Time” will include three separate lectures:

Wednesday 24 June, 8am AEST
Dante, Theologian-Poet
It doesn’t make a lot of difference to Dante if one calls him a medieval theologian, but it does make a great deal of difference to how one thinks of theology in the Middle Ages. This lecture explores the difference it makes for how we think about medieval theology to take the Comedy as a paradigm for theological work. One consequence is that letting Dante into the club relativises the theology of the university men by making their approach but one way of doing theology rather than definitive, which, by the same token, lets in a lot of women too.

Thursday 25 June 8am AEST
Dante, Augustine, and Confession
Curiously, Augustine does not appear by name in Dante’s Comedy. This lecture explores the possibility that this is because his influence on the theology of the poem is pervasive throughout its whole trajectory. It contributes something of significance to both theologies to compare the “confessing” strategies of them both.

Friday 26 June 8am AEST
Dante, Aquinas, and Hell
Recent critiques of “infernalist” theologies, in particular of Aquinas’s, raise the question of how far Dante’s Inferno entails a commitment to a doctrine of eternal punishment in hell for unrepentant sinners in the way in which Aquinas’ teachings on hell seem unmistakably to do. Do we have to read Inferno as descriptive, howsoever imaginatively, of a real condition of eternal punishment of unrepentant sinners? And if not, how may one legitimately read it as allegory?

Please send your RSPV to rachel.davies@acu.edu.au to receive a Zoom event link and instructions for joining. In order to ensure safety and security for our participants, you will not be able to join the lectures if you haven’t registered by email. However it isn’t necessary to confirm which of the three lectures you’d like to attend, as one RSVP will get you links for all three events.

Zoom Seminar: Reindert Falkenburg, ‘Pieter Brugel: Grounds for Speculation’

The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on June 18 at 4:00 PM AEST (GMT +10):

“Pieter Bruegel: Grounds for Speculation” presented by Reindert Falkenburg (New York University / Abu Dhabi)

Lisa Beaven (La Trobe) will offer a response.

The poster for the seminar is attached below. To RSVP and to receive the pre-circulated paper along with Zoom details to join the meeting, please email: michael.barbezat@acu.edu.au.

Download (PDF, Unknown)

Medieval Academy of America Webinar: The Mother of All Pandemics: The State of Black Death Research in the Era of COVID-19

This coming Friday, 15 May, there will be a PUBLIC WEBINAR sponsored by the Medieval Academy of America:

The Mother of All Pandemics: The State of Black Death Research in the Era of COVID-19

15 May 2020
1 – 3 PM EDT
Zoom link: https://us02web.zoom.us/j/89832471831

Questions can be submitted via Twitter by using the hashtag #MAAWebinar. The webinar and following Q&A will be recorded.

The session will, for the first time ever, bring together the world’s leading authorities on the “new paradigm” of plague studies, which uses new findings in the genetics of Yersinia pestis to argue that the Black Death was a real semi-global pandemic: affecting not simply Europe, the Mediterranean, and the Middle East, but most of Asia and probably major parts of Africa, too.

No registration is required. Just show up. Though it is recommended that you arrive early as spaces are limited. This will be the first Webinar dedicated to the Black Death since our new pandemic began. If you haven’t updated your Black Death teaching notes in the past decade (or more), you’re in for some big surprises.

For more information click here. To access the recording of this event, check out this MAA link a few days after the event to get the link to the MAA YouTube page where it will be posted. A bibliography is also being prepared that will be posted as a Google Doc.

Australian Academy of the Humanities Trendall Lecture: ‘Straying from Myth’

Free public event, Dunedin, NZ – The 22nd Trendall Lecture ‘Straying from Myth’

The Academy’s Trendall Lecture series celebrates distinguished scholarship in the classics. The 22nd Lecture will be given by New Zealand artist Marian Maguire.
Dates: 6pm-8pm, 28 January 2020

Location: Dunedin, New Zealand

Overview: The Academy’s Trendall Lecture was made possible through a bequest made by Professor A.D. (Dale) Trendall AC CMG FAHA (1909–95), a Foundation Fellow of the Academy. He envisaged the lecture series as ‘an annual lecture or lectures by a scholar on some theme associated with classical studies’.

New Zealand artist Marian Maguire, best known for images which fuse ancient Greek vase painting with New Zealand colonial history, will deliver the 22nd Trendall Lecture — Straying from Myth.

The lecture will occur at the Australasian Society for Classical Studies conference at the University of Otago, Dunedin, New Zealand, from 28 – 31 January, 2020.

Registration: Visit the Society’s conference website to register.

Seminar: Indira Chowdhury, Unheard Voices and Forms of Cultural Memory: Oral History and the Postcolonial Archives in India

The National Oral History Association of New Zealand and Ngā Pātaka Kōrero o Tāmaki Makaurau Auckland Libraries invite you to a presentation and discussion with visiting oral historian Indira Chowdhury.

Abstract:

This presentation draws on my attempts over the last decade and a half to create archives of different institutions and organisations in the context of oral history work undertaken in India. This presentation argues that the conceptual consequences of colonialism which defined Indians as being steeped in backward traditions and lacking in history need to be kept in mind when trying to assemble an archive of a formerly colonised people.

Brief Bio:

I argue that the insights gained from interacting with “unheard voices” also enable us to understand elite oral histories from Indian institutions. In what ways do new forms of historical representation incorporate older forms of cultural memory and oral traditions? This presentation will attempt to show how we might re-understand the idea of collecting an oral history archive and the critical ways in which we might interpret its contents within a postcolonial context.

Wednesday 25July, 2018

9:30-12:30pm

Level 3 Waitemata Room, Auckland Central City Library

Please register your attendance: treasurernohanz@oralhistory.org.nz

Public lecture: From Melancholy to Euphoria and More: Visual Representation of Emotions in Persian Illustrated Manuscripts

The Grimwade Centre for Cultural Materials Conservation presents a free Lecture by Dr Stefano Carboni, director of the Art Gallery of Western Australia:

From Melancholy to Euphoria and More: Visual Representation of Emotions in Persian Illustrated Manuscripts

6pm-7pm Wednesday 27 June at the University of Melbourne

The common perception about Persian miniature painting – better described as book illustration because almost invariably it has a textual, literary or oral context – is that it is elegant, colourful, rather formal in composition, and overall restrained in the way the characters are emotionally involved in a particular moment of the story. Persian illustrators, however, had a clear set of tools and visual tropes to convey feelings such as surprise, love, grief, fear, heroism in the face of death, and many more. Many of the stories told in poetic works by Firdausi, Jami and Nizami, all of which were often illustrated, are heavily charged with impossible love, death-defying trials, heroic quests, and mystic ardour: the written language, often memorized by the reader, is the protagonist while the visual image provides in some way an oasis, a respite for the eye, breaking away from the incessant emotional narrative of the verses. A great chapter for the visual representation of emotions, however, was written during the Ilkhanid (Mongol) period in Iran in the 14th century, a time during which all pictorial rules – if they previously existed – were subverted and we can witness a full range of demonstrative engagement with the viewer.

This lecture is part of the From Melancholy to Euphoria: The Materialisation of Emotion in Middle Eastern Manuscripts Symposium, made possible by support from the Australian Research Council Centre of Excellence for the History of Emotions and the Crescent Foundation. Full symposium details at: http://go.unimelb.edu.au/2ct6

Free lecture. All welcome. Bookings essential. For full details and registration: http://go.unimelb.edu.au/6p56