Category Archives: Workshop

Workshops: Early Modern Maps

Chet Van Duzer, visiting research fellow at the University of Western Australia, is running a series of workshops in Canberra, Sydney and Melbourne on the subject of early modern maps in October 2025. See details below.

Tuesday, 14 October, Canberra, Australian National University, Hope Building (at 14 Ellery Crescent), 12-2 pm: Workshop: “Looking Slowly at Early Modern Maps”

Abstract: Maps are incredibly rich documents that only reveal some of their secrets after slow and deliberate study, and it is precisely this aspect of maps that we will explore in this two-hour workshop.

Chet Van Duzer will analyze several early modern maps and provide examples of important characteristics of them that can only be appreciated and understood through slow looking. He will also supply advice on how to study maps slowly, and workshop participants will consult historic maps to begin to practice looking slowly at them, with plenty of time for examining the maps together and asking questions. The goal of the workshop is that participants will gain experience and tools for engaging more fully with maps in the future.

Tuesday, 14 October, Canberra, National Library of Australia: Talk, 6pm to 7pm: “Mapping the Unknown: Cartographers’ Strategies for Navigating Uncertainty”

Abstract: We tend to trust maps as accurate depictions of the world, and most early modern cartographers are content to benefit from that trust without raising questions about the reliability of their sources. In this talk I examine several methods that cartographers used from the fifteenth to the eighteenth centuries to depart from this convention and indicate to their viewers which parts of their map they were certain about, and which they were uncertain about. Some of these methods include listing sites about whose location the cartographer is uncertain, using a different graphic style to depict unknown coastlines, using signs to distinguish between certain and uncertain regions, and surrendering to uncertainty and reprinting varying maps of the same region together.

Monday, 20 October, Melbourne, Australian Catholic University, 2 pm: 90 minute workshop: “Looking Slowly at Early Modern Maps”

Abstract: Maps are incredibly rich documents that only reveal some of their secrets after slow and deliberate study, and it is precisely this aspect of maps that we will explore in this 90 minute workshop.

Chet Van Duzer will analyze several early modern maps and provide examples of important characteristics of them that can only be appreciated and understood through slow looking. He will also supply advice on how to study maps slowly, and workshop participants will consult historic maps to begin to practice looking slowly at them, with plenty of time for examining the maps together and asking questions. The goal of the workshop is that participants will gain experience and tools for engaging more fully with maps in the future.

Wednesday, 22 October, Sydney, University of Sydney: Talk, 12:10pm-1:30pm, Vere Gordon Childe Centre Boardroom: “Mapping the Unknown: Cartographers’ Strategies for Navigating Uncertainty”

Abstract: We tend to trust maps as accurate depictions of the world, and most early modern cartographers are content to benefit from that trust without raising questions about the reliability of their sources. In this talk I examine several methods that cartographers used from the fifteenth to the eighteenth centuries to depart from this convention and indicate to their viewers which parts of their map they were certain about, and which they were uncertain about. Some of these methods include listing sites about whose location the cartographer is uncertain, using a different graphic style to depict unknown coastlines, using signs to distinguish between certain and uncertain regions, and surrendering to uncertainty and reprinting varying maps of the same region together.

Workshop: Faith in the Material World

The program has been released for the upcoming workshop, Faith and the Material World: Creative productions of natural philosophy and religion in medieval and early modern Europe. Hosted by the Institute for Religion and Critical Inquiry at ACU, the workshop will be run in hybrid format on the 2nd and 3rd October 2025. Please see the below program.

Please RSVP to susan.broomhall@acu.edu.au for further details and stating whether you would like to attend in person or online. 

Workshop: Transpacific Knowledges – Women and the Christian World before 1900

Transpacific Knowledges: Women and the Christian World before 1900
Date: Friday 1 August 2025

The organiser are pleased to announce the final program for this hybrid workshop, details below.

Please RSVP to susan.broomhall@acu.edu.au to be added to the Zoom meeting, stating whether you will be joining us in person or online.

Online Palaeography Courses – Institute of Medieval and Early Modern Studies, Durham University

After a highly successful launch, the Institute of Medieval and Early Modern Studies (IMEMS) at Durham University is happy to announce its new edition of their online Palaeography courses:

  • Latin European Medieval Palaeography, run by Dr Manuel Muñoz García.
  • Early Modern English Palaeography (1500-1700), run by Dr Arnold Hunt. 

You can find full details and an application form on their website: www.imemsdurhamlearn.com.

Our courses provide quality skills training to facilitate working with manuscripts, whether at graduate level or for those working in a professional environment as a librarian, archivist, etc. Feedback from former students highlights the quality and breadth of the content, the flexibility of the course and the opportunity to engage with a great range of optional videos.

The courses will run July 8th-19th. These are online, full-time courses that consist of asynchronous content and daily live sessions, which are duplicated to allow students from multiple time zones to join. Students will receive feedback on a portfolio of transcriptions after the course, as well as continued access to the asynchronous material for two months.

There are limited spaces (24 students per course) and applications are now open. The final deadline for applications is June 14th, and places will be offered to successful candidates on a first-come, first-served basis.

Intercultural Encounters between Masculinities in the Pre-modern World: Emotions and Religion

Gender and Women’s History Research Centre, ACU
Hybrid Workshop
Melbourne and Online, 15-16 July 2024
Keynote Speaker: Prof. Jacqueline Van Gent (UWA)

This workshop aims to further the study of intercultural encounters in the pre-modern world through the lens of gender. More specifically, we mean to foster a discussion on how masculinities could affect the processes of cultural encounter and their outcomes, but also how masculinities emerged changed in turn from such processes. See below flyer for further details.

Abstracts are due by 3rd June 2024.

Conference Masterclass: Perth Medieval and Renaissance Group

Perth Medieval and Renaissance Group Incorporated, with assistance from StudySmarter UWA, are offering a free masterclass for undergraduate and postgraduate students on developing conference skills.

See flyer below for further details.

Friday 2 June 2023, 9:15 am — 2:00 pm
Woolnough Lecture Theatre, Geography building, UWA
Register at https://www.eventbrite.com.au/e/pmrg-conference-masterclass-tickets-627507611157

ASAH Online Talk: Cassocks Make the Men: Dress, Emotions, and Masculinities in the Sixteenth-century Mission to Japan

Cassocks Make the Men: Dress, Emotions, and Masculinities in the Sixteenth-century Mission to Japan

This paper considers the models of European and Japanese affective masculinities that emerge from the correspondence written in the Catholic mission in Japan, taking as a case study the crisis related to garments that marked the Jesuit enterprise in the country during the 1570s. Understanding garments such as cotton cassocks and silk kimono as symbolising gendered emotions, the Jesuits strove to identify elements of Japanese masculinities that could facilitate intercultural communication and support their own proposed models of missionary manhood.

About the speaker:
Linda Zampol D’Ortia is Marie Skłodowska-Curie Global Fellow at Ca’ Foscari University of Venice and at the Australian Catholic University, where she is developing a project on the role of emotional practices in the early modern Jesuit missions in Asia.

https://www.eventbrite.com.au/e/cassocks-make-the-men-tickets-611565548017

CFP Royal Spectacle and Court Performance: Medieval and Early Modern Perspectives

Royalty has often been accompanied by spectacle, ritual, and excess. Monarchs have exploited public space to exert authority, express anger or encourage love, deploying high-profile and fantastic rituals or displays to communicate with their publics. Clothing, accessories, gifts, food, and other materials have been used to build friendships, negotiate social hierarchies, or to convey displeasure. Art, statuary, monuments and buildings, as well as the more ephemeral prints, ribbons, or household goods, have been used as propaganda and to further a performance of power. Art and material goods were often part of elaborate performances at court, on stage, in the press, or on the street, where spectacle was embodied and communicated as identity, power and privilege. Such activities were replete with emotion, as courtiers sought to build or
negotiate relationships, encourage awe or affection, and promote appreciation of systems of monarchical power and divine right. This workshop explores royal spectacles and court performances in the medieval and early modern world and now calls for papers that speak to this theme.

Topics can include but are not limited to:
Displays of monarchical power or identity
Court performances and interactions
Fashion diplomacy and dress
Gift-giving, hospitality and generosity
Abundance and excess
Ephemeral displays
Print power and the monarch in the public sphere
The audiences for monarchical displays and court performances
Displays of emotion and the capacity of performance to promote feeling
Drama, theatre, and literary court performances
Medieval and Early Modern spectacles in the modern era
Gender, race, class as spectacle

Deadline for proposals 30 April 2023.
Please email proposals to courtlyperformances@gmail.com