Perth Medieval and Renaissance Group Incorporated, with assistance from StudySmarter UWA, are offering a free masterclass for undergraduate and postgraduate students on developing conference skills.
See flyer below for further details.
Friday 2 June 2023, 9:15 am — 2:00 pm
Woolnough Lecture Theatre, Geography building, UWA
Register at https://www.eventbrite.com.au/e/pmrg-conference-masterclass-tickets-627507611157
Cassocks Make the Men: Dress, Emotions, and Masculinities in the Sixteenth-century Mission to Japan
This paper considers the models of European and Japanese affective masculinities that emerge from the correspondence written in the Catholic mission in Japan, taking as a case study the crisis related to garments that marked the Jesuit enterprise in the country during the 1570s. Understanding garments such as cotton cassocks and silk kimono as symbolising gendered emotions, the Jesuits strove to identify elements of Japanese masculinities that could facilitate intercultural communication and support their own proposed models of missionary manhood.
About the speaker:
Linda Zampol D’Ortia is Marie Skłodowska-Curie Global Fellow at Ca’ Foscari University of Venice and at the Australian Catholic University, where she is developing a project on the role of emotional practices in the early modern Jesuit missions in Asia.
Royalty has often been accompanied by spectacle, ritual, and excess. Monarchs have exploited public space to exert authority, express anger or encourage love, deploying high-profile and fantastic rituals or displays to communicate with their publics. Clothing, accessories, gifts, food, and other materials have been used to build friendships, negotiate social hierarchies, or to convey displeasure. Art, statuary, monuments and buildings, as well as the more ephemeral prints, ribbons, or household goods, have been used as propaganda and to further a performance of power. Art and material goods were often part of elaborate performances at court, on stage, in the press, or on the street, where spectacle was embodied and communicated as identity, power and privilege. Such activities were replete with emotion, as courtiers sought to build or
negotiate relationships, encourage awe or affection, and promote appreciation of systems of monarchical power and divine right. This workshop explores royal spectacles and court performances in the medieval and early modern world and now calls for papers that speak to this theme.
Topics can include but are not limited to:
Displays of monarchical power or identity
Court performances and interactions
Fashion diplomacy and dress
Gift-giving, hospitality and generosity
Abundance and excess
Print power and the monarch in the public sphere
The audiences for monarchical displays and court performances
Displays of emotion and the capacity of performance to promote feeling
Drama, theatre, and literary court performances
Medieval and Early Modern spectacles in the modern era
Gender, race, class as spectacle
Deadline for proposals 30 April 2023.
Please email proposals to firstname.lastname@example.org