Tag Archives: CFP

CFP – PANEL ON EMOTIONS AND HEALTH IN SHAKESPEAREAN DRAMA AND RELATED FIELDS

ANZAMEMS 2022 CONFERENCE ON RECEPTION AND EMOTION
CFP – PANEL ON EMOTIONS AND HEALTH IN SHAKESPEAREAN DRAMA AND RELATED FIELDS


We invite scholarly proposals for papers on emotions and health in Shakespearean drama and related fields, as part of a panel or panels being established at ANZAMEMS 2022. The link to the main website and call for papers is here: https://www.anzamems2021.com/

The panel(s) will examine the topics of health, wellbeing, and emotions in Shakespearean drama and related fields and/or its reception today. In particular we welcome papers broadly relating to the discipline of health humanities. Papers should be set within the broader topic of the overall conference, and deal with questions of reception and/or emotion.

Papers might consider but are not limited to:
· The role of emotions in early modern health and drama and literature
· Well-being and emotional health in early modern drama and literature
· Illness and its expression in early modern drama and literature
· Ideas of emotional resilience and their reception today
· Social and cultural concepts of health in early modern drama and the modern inheritances
· Social and cultural constructs of well-being and illness in early modern drama and/or their modern inheritances
· Metaphors of health, well-being, and illness in early modern drama and/or their reception today
· The relationship between human health and the environment/ecology
· The body, ideas relating to the body, the performative body, and embodiment in Shakespeare and related fields
· Inheritances of those ideas of the body, the performative body, and embodiment in Shakespeare and related fields

We invite submissions for 15 minute presentations, which will be followed by 30 minutes of Q&A on the themes raised by all speakers on the panel. If you are interested in presenting your work, please send any questions, or otherwise the title, a 200 word abstract and a 50 word biography to Dr Bríd Phillips at brid.phillips@uwa.edu.au and Dr Claire Hansen at claire.hansen3@jcu.edu.au.

Deadline for Panel Submissions: 8 November 2021

The panel(s) will be held as part of the biennial conference of the Australian and New Zealand Association for Medieval and Early Modern Studies, at the The University of Western Australia, Perth, 27 June to 1 July, 202

CFP Macbeth in European Culture

Macbeth in European Culture, International Symposium
University of Murcia (Spain)
22-24th March, 2022

Despite its Scottish-Anglo setting and its close relationship to the politics of the Stuart regency, Macbeth has proven one of Shakespeare’s most suggestive plays for practitioners and artists working far beyond its original Anglophone context. The play’s potential for violence, its exploration of hierarchy and power, its conflicting gender dynamics and its supernatural dimensions are just some of the elements that have been appropriated on stages around Europe. They have also prompted the transformation of the play into different shapes, formats and media, and so this symposium intends to inspect the multiple afterlives of Macbeth beyond its initial historical and cultural resonances. We are looking for innovative work that approaches the play from regional, national, continental and intercontinental angles as we try to chart Macbeth’s reception in or in relation to Europe from the seventeenth century to the present. Among other possibilities, we invite discussions concerning the relocation of the play’s ideological, gender/sexuality, regional/ethnic/racial/religious boundaries within specific historical and theoretical contexts. Contributions on any of the following are welcome:

— Macbeth in European theatrical, operatic, cinematic, televisual or online performance;
— Different European versions (adaptations, rewritings, appropriations, updates) of Macbeth;
— Translations of Macbeth into non-Anglophone European languages: the importance and impact of those translations in their target cultures and in intercultural contexts;
— Reception of Anglophone Macbeth in non-Anglophone contexts, or the reception of non-Anglophone Macbeth in Anglophone contexts;
— Traveling Macbeth: international tours of the play, intercultural performances of the play;
— Macbeth in European visual cultures: from illustration to audiovisual art;
— Macbeth in European digital cultures;
— Theoretical reflections on Macbeth as a case study of ‘European Shakespeare’ and or versus ‘global Shakespeare’.

We particularly favor contributions which relate interventions (artistic or otherwise) to broader regional, national, transnational, continental or intercontintental concerns and to the history of Shakespeare’s reception in these contexts. A 250-300 word abstract and a brief bio should be sent to Juan F. Cerdá (juanfcerda@um.es) and Paul Prescott (pprescott@ucmerced.edu) by December 3rd, 2021.

The symposium will be held at the La Merced Campus of the University of Murcia (Spain), yet online participation will be available for those facing traveling restrictions.

CFP: Leeds International Medieval Congress, 2022, Crusades without Borders

Crusades without Borders

How do we imagine histories of the crusades without borders? How have borders – lived, imagined, invented – influenced and informed scholarship on the crusades since the Middle Ages? What does a history of the crusades without borders look like? This special strand seeks to explore histories and historiographies relevant to the topic of ‘Crusades without Borders’ from the Middle Ages to the present.

The Australasian Crusades Studies Network seeks papers for a strand on ‘Crusades without Borders’ at the Leeds International Medieval Congress 2022. Researchers at all career stages and affiliations are invited to send abstracts for proposed papers on the theme of ‘Crusades without Borders’. We are interested in papers that explore themes such as:

Encounters, entanglements, engagements;
Divisions (historical and historiographical);
Distance and proximity;
Border policing;
Gender;
Race;
Theoretical and methodological issues.

Please submit abstracts of 250 words, including your name, contact email, affiliation to Professor Megan Cassidy-Welch (Megan.Cassidy-Welch@acu.edu.au) by Friday September 17, 2021.

CFP: Resilience, Persistence, and Agency

Resilience, Persistence, and Agency
The American University of Paris, Paris, France
On-site and online
5th – 7th January 2022

Resilience in the face of adversity for marginalized individuals, persistence in the face of obstacles created by hegemonic power structures, and creative or subversive forms of agency were as often exerted by feminine and queer actors in the Middle Ages as they are in the twenty-first century. Contemporary medieval scholarship is inflected by intersectional feminist frameworks that explore how individuals can understand and subvert power structures in the face of multiple oppressions, postcolonial studies that broadens our understanding of what constitutes a “Middle Ages,” and critical race theory that invites medievalists to interrogate the history of their discipline and the pernicious ends to which “medievalism” has been put in contemporary white supremacist discourses.

This edition of the Gender and Medieval Studies Conference invites papers that examine how resilience, persistence, and agency were deployed by actors during the global Middle Ages and how medieval studies can play an activist role in deconstructing the misperceptions of the period that buttress oppressive politics.

The organizers welcome proposals on any aspect of resilience, persistence, and agency as it relates to medieval genders and sexualities from scholars at any stage of study or career. Proposals for papers may include, but are not limited to:

Subversive discourses in the Middle Ages/covert agency/unrecognized resilience/transgressive behaviors/persistence and resistance/anachronism and activism/postcolonial medieval studies/recovering trans and queer narratives/antiracist medieval scholarship/non-European Middle Ages.

We anticipate contributors giving papers of 10-15 minutes. Proposals for panels of 3-4 papers are also warmly welcomed, as are proposals for roundtables (90 minutes) of 3-5 participants.

The conference aims to be as inclusive as possible and encourages participation from around the globe. As such the sessions and activities will be a mixture of on-site events in Paris with remote and/or asynchronous participation welcome. The conference will be broadcast via Zoom on Paris time.

Please submit proposed titles and abstracts of 300 words, with a short biography to Elizabeth Kinne (gmsconference2022@gmail.com) by September 15, 2021. See the conference website for further details.

Visit the Gender and Medieval Studies website and find us on Twitter @medievalgender.

Call for contributions: Daphnis, German culture of the early modern period

Coffee and Tobacco – ignitors of sociability?

The last Daphnis issue focuses on the sociability discourse in early modern Leipzig. This includes social practices like singing student and drinking songs like the ‘Dunkelmännerlied’ or eating goose at Martin’s Eve. This issue clearly makes an important contribution to the cultural history of the early modern period and is hence worth reading.

For further information please see: Formen der Geselligkeit und ihr historischer Wandel als Herausforderung der frühneuzeitlichen Kulturgeschichte.

CFP: International Medieval Congress, University of Leeds

International Medieval Congress, University of Leeds: Britain’s Border Geographies

University of Leeds 4-7 July 2022

This series of three panels is sponsored by the Centre for Medieval Studies, University of Bristol, and the Medieval and Early Modern Centre, University of Sydney.

The aim of these panels is to explore aspects of identity formation in the multicultural border zones of medieval Britain, including England, Wales, Scotland, Ireland, the North Atlantic coast and the English Channel linking Britain to France and the Low Countries. A wide range of critical approaches is encouraged, including, but not limited to, eco-criticism, cultural geography, gender theory, book history, historiography, literary criticism, linguistics, postcolonial theory.

We welcome submissions for 20-minute papers from all disciplines. Proposals from postgraduates and early-career scholars are particularly welcome.

Abstracts of up to 100 words can be sent to: Helen Fulton (helen.fulton@bristol.ac.uk) or Jan Shaw (jan.shaw@sydney.edu.au) by Friday 10 September 2021. Please include your name and full contact details, including institutional address, and any AV equipment you are likely to need.

For more information please see:

ANZAMEMS 2022 Conference CFP – Panel on Aesthetics in Medieval and Early Modern Poetry

We invite scholarly proposals for papers on aesthetics in medieval and early modern poetry (c. 400 to 1800), as part of a panel or panels being established at ANZAMEMS 2022. The link to the main website and call for papers is here: https://www.anzamems2021.com/

The panel(s) will examine the influence of aesthetic styles, movements, rhetorical and aesthetic techniques and theories on the development of poetry, or the work of specified poet(s) at any time during the relevant periods in Europe and Britain. Papers should be set within the broader topic of the overall conference, and deal with questions of reception and/or emotion. Speakers might consider:

· The role of emotions in medieval or early modern aesthetic theories;

· Models of embodiment in aesthetic theories during the period;

· Theories of affect, affectus and/or feelings;

· The impact of theological and biblical sources (for example, by Augustine and Aquinas);

· The impact of philosophy of mind/body, metaphysics and ethics (such as the Platonic and Aristotelian);

· Formal theories of poetics and rhetoric, including the role of style in rhetorical figures and tropes;

· The impact of artistic movements (such as Neoplatonist, Neoclassical, Baroque) and the reciprocal influence of visual arts on poetry (eg ut pictura poiesis);

· Public and private models of ‘taste’, audience and reception;

· The role of pleasure, the imagination and sensuous and vivid imagery;

· Techniques for the aestheticization of the sacred (such as the poetics of enigma);

· Theories of the sublime and the beautiful;

· Participatory versus objectivist aesthetics;

· Materialist, or transcendental and idealist models;

· Poststructural or psychoanalytic approaches; or

· The role and value of historicist and/or modern theory.

We invite submissions for 20 minute presentations, followed by 5 minutes of Q&A. If you are interested in presenting your work, please send any questions, or otherwise the title, a 200 word abstract and a 50 word biography, at the first instance to Dr Jane Vaughan at jane.vaughan@uwa.edu.au

Deadline for Panel Submissions: 12 October 2021

The panel(s) will be held as part of the biennial conference of the Australian and New Zealand Association for Medieval and Early Modern Studies, at the School of Humanities, The University of Western Australia, Perth, 27 June to 1 July, 2022

CFP: Reception, Emotion, and the Crusades, panels at ANZAMEMS Conference, 27 June–1 July 2022

The theme for the 2022 ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies) conference is ‘Reception and Emotion’. Professor Megan Cassidy-Welch (Australian Catholic University) and Dr Beth Spacey (University of Queensland) are inviting proposals for 20-minute papers to be part of a strand of themed panels examining aspects of reception and/or emotion, broadly conceived, in a crusading context. Please send your 200-word abstracts and paper title, along with a short bio (max. 50 words), to Beth (b.spacey@uq.edu.au) by 30 September 2021.

The thirteenth biennial ANZAMEMS Conference will be held on 27 June to 1 July 2022 in Perth at the University of Western Australia. More information, including details regarding travel bursaries, is available here.

Eleonora di Toledo at 500, Call for Papers

CFP RSA Dublin Wednesday March 30- Saturday April 2 2022!

Eleonora di Toledo at 500

2022 marks the five hundredth anniversary of the presumed birth of Eleonora di Toledo. The past thirty years have witnessed the publication of numerous studies that have fundamentally changed our image of the duchess of Florence from a passive object of her husband’s will to an active collaborator in the construction of an autocratic state. These panels seek new contributions about Eleonora di Toledo from all disciplines. Some themes that might be explored are “The Literary Eleonora;” “The Posthumous Eleonora;” “Eleonora in the 1550s.” Comparative approaches to the political and economic activities and the artistic, literary, musical, and religious patronage of other contemporary ruling women are especially welcome.

Proposals should be sent by August 2 to Bruce Edelstein at edelstein@nyu.edu or Natalie Tomas at natalie.tomas@monash.edu. Please include a title (15 words max), an abstract (150 words max), and a short CV (300 words max).

CFP Fourth Power of the Bishop Conference

The fourth Power of the Bishop conference to be held at Sarum College, Salisbury, May 30-31, 2019. This time, the Power of the Bishop team are joining with the Episcopus Society for the 2019 conference, exploring the theme of Episcopal Patronage from Late Antiquity to c.1500. We want to put together thematic panels that compare and contrast uses, abuses and outcomes of bishops as patrons across time and geographical boundaries

We are looking for papers that explore, but are not limited to:

* Art and architecture

* Music and Liturgy

* Manuscripts and Literary Culture

* Saint Cults and Pilgrimage Routes

* Education and Social Advancement

* Socio-political networks, the advancement of families and individuals

* When episcopal patronage goes wrong – the failures and abuses of episcopal patronage and its results

Abstracts should be no more than 500 words.

This year we are accepting abstracts in English, Italian and French. 

**If selected then papers and book chapters must be in English**

Email abstracts to: powerofthebishop@gmail.com with the subject line ABSTRACT POB4 by no later than 1 February 2019.

For more information and to register: https://www.eventbrite.co.uk/e/pob-4-the-medieval-bishop-as-patron-tickets-53543735755