Tag Archives: conference

CFP: Australasian Association for Byzantine Studies

Byzantium: Empire of the Sea

Papers are invited for the 21st Conference of the Australasian Association for Byzantine Studies, University of Queensland, St Lucia Campus, Brisbane, June 2-5.

Conference Program (subject to revision):
June 2 – Opening Reception at Milns Museum & Empires of the Sea Exhibition Launch, 5 pm
June 3 – Fryer Library Greek Papers of Lady Diamantina Roma Bowen & Lord Bowen
June 4 – AABS Papers, Keynote Lecture by Professor Georgia Frank (Colgate) & Dinner
June 5 – AABS Biennial General Meeting & AABS Papers

Call for Papers:
Send abstracts of 150-200 words maximum, for 20 minute papers. Submissions should include name, institution or affiliation, and, if relevant, a short letter of application for a $500 AABS Student Bursary to attend the conference from Australia or New Zealand.
Deadline for submission April 1, 2023, e-mail for submission conference@aabs.org.au

Byzantium was an empire on, and of, the ancient Mediterranean and Black seas. Romans of this ‘late’ empire inherited a political, military and cultural system of waterborne trade and interconnections centred on the harbour city of Byzantium. Constantine’s new capital city of Constantinople swiftly replaced Rome as the Mediterranean entrepot of goods from east and west, building on the foundations of Byzantium, once the ideal Greek emporium. We seek papers engaging with this topic on any level of analysis, from history to hagiography, the city to the empire, and from letters, art and iconography to harbour architecture or fishermen’s saints. Papers could consider (among other topics) Severan Byzantium, the Greek colony or Istanbul; maritime aspects of the Roman empire centred on Constantinople from the 4th to the 15th centuries; or Byzantium’s legacy in the Black Sea, on the Aegean islands, in the Italian maritime republics, or along the rivers, bays and coasts to her northeast, south or west.

Paper topics might include:
Naval warfare, the Roman Navy, Greek Fire, galleys, sieges of Constantinople
Harbours of Byzantium, trade goods, merchants, ship-building, maps, cartography
Seafaring traditions, St Nicholas, the Panagia, fishermen, pagan/Christian festivals
Metaphors in sermons, hymns, novels, poetry etc. drawn from the sea
Islands, e.g. Proconnesus for marble, Cyprus, Crete, Malta, Kythera
Relations with the Kievan Rus, the Varangian Guard, Vikings, Slavs, rivers of the north
Relations with Arabs, Jews, Egyptians, Church of the East, Turks, etc.
Relations with Venice, Genoa, Pisa, Italians, immigrants, explorers
Products of the sea like fish, shellfish, shells, dyes, seabirds (and attitudes to them)
Positive and negative associations of the sea in Greek literature, fantastical seabeasts
Pirates, slaves, hostages, Crusaders, Military orders travel, letter carriers, the Post

Convenor: Dr Amelia R. Brown (UQ)

‘Religious Disbelief and the Emotions’ Conference

Religious Disbelief and the Emotions Conference
Zoom conference hosted by Macquarie University, 23rd and 24th January 2023

Throughout history, religious disbelievers have expressed themselves, sometimes in stark terms with strong emotions. Their beliefs may interact with or stem from emotions responding to hegemonic religious narratives and thought worlds. This conference seeks to bring together experts from a large variety of fields of historical and literary inquiry to help us better understand the extent to which interplays between religious disbeliefs and the emotions vary or remain similar in different time periods, locations, individuals, religious and cultural milieux, textual (or material) genres, and so on.

This conference will take place the 23rd through 24th of January 2023 on zoom.
Sydney/Melbourne/Canberra—6pm to 10pm
London—7am to 11am
Athens—9am to 1pm

Please see attached conference program for further details.

CFP: Ecological Shakespeare in Performance 

Ecological Shakespeare in Performance

Friday 28 April 2023

James Cook University, Townsville, Queensland

Keynote Speaker: Professor Gretchen Minton – Montana State University, 2023 Fulbright Scholar

This one-day event will include a keynote presentation, interdisciplinary guest speakers, papers, workshop time and a short performance.

Registration is free and includes lunch and dinner.

Proposals are invited on topics including (but not limited to):

  • Shakespeare and ecocriticism
  • Blue humanities
  • Shakespeare in performance
  • Australian Shakespeare adaptations
  • Environmental theatre
  • Creative projects

Please submit your 250 word proposal and bio by Friday 16 December 2022. To submit your proposal or to discuss possibilities, please contact Dr Claire Hansen (Claire.Hansen@anu.edu.au) and Professor Gretchen Minton (Gretchen.Minton@montana.edu).

Call for Papers: Histories of Metallurgy and Metal Material Culture, Australian National University

Call for Papers: Histories of Metallurgy and Metal Material Culture, Australian National University, 18-19 November. Deadline for abstracts 14 October.

The ANU Centre for Art History and Art Theory invites submissions for a cross-disciplinary symposium dedicated to current research into ancient and historical metallurgy and metal material culture.

This symposium aims to foster links between Australian scholars across disciplines, including but not limited to history, art history, conservation, Classical studies and archaeology. We welcome submissions for papers and posters on current or recently completed projects relating to any aspect of the use of metals in ancient and historical societies around the world.

Examples include:
• technical and archaeometallurgical studies
• early and historical extractive metallurgy and metalworking
• individuals, industries, institutions etc. associated with metallurgy and metalwork
• object biographies
• the role of metals in societies, whether economic, symbolic or otherwise.

Please submit abstracts of 250 words no later than Friday 14th October 2022: https://soad.cass.anu.edu.au/news/call-papers-histories-metallurgy-metal-material-culture

Extended Deadline for PMRG conference abstracts

The deadline for submissions for the PMRG annual conference- ‘Colonialism: subaltern voices, contested histories, subverted spaces’ has been extended to the 22nd August 2022

For further information please see the conference website: https://conference.pmrg.org.au/

Early Bird Registration extended for 2022 Society for the History of Emotions (SHE) Conference

Early bird registration has been extended until 25 June 2022 for ‘Going Places: Mobility, Migration, Exile, Space and Emotions’, the third biennial conference of the Society for the History of Emotions, to be held in Florence, Italy, 30 August to 2 September 2022.

After 25 June, all rates will increase by $60 AUD and will remain open until 10 July. Visit the SHE Website for further information and contacts, and make your booking before 25 June to avoid missing out!

Register here

CFP: Going Places, Mobility, Migration, Exile, Space and Emotions

Third Biennial Conference for the Society for the History of Emotions
Florence, 30 August – 2 September 2022

The Third Biennial Conference of the Society for the History of Emotions (SHE) will focus on mobility, migration, exile, traversing of space, and emotions. The current, at times heated debates about migration in Europe, Australia, North America and elsewhere necessitate a profound and critical historical contextualisation, especially from a history-of-emotions point of view. Hope, fear, hatred, empathy, all manner of feelings shape peoples’ movements around the globe and the ways in which newcomers are heartily welcomed, coldly brushed off or fiercely attacked. Using archival, literary and other sources, this conference will explore the emotions that motivate people to go elsewhere, and the emotional responses of displaced peoples and the communities they orbit and join.

We call for papers and panels investigating case studies that concern the movement of people and their feelings about places and other people, from homesickness to wanderlust, from belonging to estrangement. We also want to discuss the political, economical and emotional conditions that instigate transnational movements and inform how men and women cope with and react to these mobilities.

We’ll engage with how people who have been socialised in different emotional communities learn to read each other’s emotional gestures and utterances; and will examine the affective entanglement between diasporic communities, their homelands and host communities. In short, we aim to bring research on migration and mobility to bear on the historical study of emotions, and vice versa.

We shall accept papers and panels on the following topics, as well as other potentially relevant topics not listed below:
• explorers, travellers and tourists
• dynamics of emigration, immigration and remigration
• itinerant workers
• slavery and indentured labour
• movements of colonising and colonised subjects
• feelings of inclusion and exclusion, of longing and alienation
• letters and other means by which people maintain affective bonds across countries
• migratory experiences of racism and emotional coping strategies
• emotional practices and narratives of welcome or rejection
• memory, memoires, writing practices related to experiences of migration, displacement, exile
• literary and other accounts of emotional practices linked to separation, return, nostalgia, melancholy, etc.
Chronologically, papers can delve into the ancient, the medieval and early modern, or the modern period. In geographical terms we welcome contributions on local, regional or global mobilities in areas across the world. Transdisciplinary contributions are welcome.

We invite proposals for 20-minute papers. Proposals should consist of a title, abstract of up to 300 words and a short bio, to be sent via email as a pdf attachment to SHEFlorence22@gmail.com by 1 March 2022. We also accept proposals for panels of three papers, which should include all of the above for each presenter, a panel title and abstract for the panel itself and, if possible, the name and short bio of the panel chair.


Participants will be notified by late March 2022.

ANZAMEMS 2022 Conference Expressions of Interest

Our 2022 hybrid conference on Reception and Emotion is getting closer! We are excited to see you all there soon – both in person and online!

This is just a reminder to please fill out this expression of interest form by 10 December 2021 if you are interested in attending! It gives us an idea of conference numbers and a few other bits of information: https://forms.gle/NWC3KJcuJXBDhA2W7.

For further details on the conference CFP, bursaries, and other exciting information please see the website: https://www.anzamems2021.com.

Call for Papers: 2022 ANZAMEMs Ceræ panel

The Australian and New Zealand Association for Medieval and Early Modern Studies is hosting a hybrid online and at the University of Western Australia for it’s 13th biennial conference, with the topic “Reception and Emotion”. Ceræ is accepting submissions for a panel with the following themes.

Themes: Reception, Emotion, and Witchcraft

As Michael Ostling and Laura Kounine have pointed out, the history of witchcraft has always also been a history of emotions: the victims, the accusers, and the witches themselves. It demonstrates the importance of perspective: whose emotions are we permitted to see, from whose standpoint? What role do emotions play in creating the idea of witchcraft, and how do these differ over time and space? The intersection of the history of emotions and the history of witchcraft also highlight the importance of reception (both premodern and present-day) and concerns regarding methodology (in both fields). It also invites scholars to critically consider the additional intersection of rationality, as this is often contrasted with both emotions and witchcraft – often to the detriment of the latter. Does this help us to uncover particularly elusive aspects of premodern witchcraft, or reinforce negative stereotypes? Ceræ invites submissions for papers to discuss these themes.

Paper proposals may include but are not limited to
•To what extent are emotions and a lack of reason which informs them one of the only ways which we try to understand the irrational within a system of dogmatic beliefs?
•Differences in the intersection of emotions and witchcraft between the medieval and early modern periods.
•Regional differences in associations and intersections between emotions and witchcraft.
•The vulnerability of marginalised communities to these associations and intersections.
•Emotions that are brought into particularly close association with witchcraft; conversely, those which are not, and what impact this can have for our understanding of premodern witchcraft.
•The additional intersection of emotion, witchcraft, and religion.

Please send abstracts of not more than 250 words to editorcerae@gmail.com by December 31st.

For further information on the ANZAMEMS conference, visit https://www.anzamems2021.com/

CFP – PANEL ON EMOTIONS AND HEALTH IN SHAKESPEAREAN DRAMA AND RELATED FIELDS

ANZAMEMS 2022 CONFERENCE ON RECEPTION AND EMOTION
CFP – PANEL ON EMOTIONS AND HEALTH IN SHAKESPEAREAN DRAMA AND RELATED FIELDS


We invite scholarly proposals for papers on emotions and health in Shakespearean drama and related fields, as part of a panel or panels being established at ANZAMEMS 2022. The link to the main website and call for papers is here: https://www.anzamems2021.com/

The panel(s) will examine the topics of health, wellbeing, and emotions in Shakespearean drama and related fields and/or its reception today. In particular we welcome papers broadly relating to the discipline of health humanities. Papers should be set within the broader topic of the overall conference, and deal with questions of reception and/or emotion.

Papers might consider but are not limited to:
· The role of emotions in early modern health and drama and literature
· Well-being and emotional health in early modern drama and literature
· Illness and its expression in early modern drama and literature
· Ideas of emotional resilience and their reception today
· Social and cultural concepts of health in early modern drama and the modern inheritances
· Social and cultural constructs of well-being and illness in early modern drama and/or their modern inheritances
· Metaphors of health, well-being, and illness in early modern drama and/or their reception today
· The relationship between human health and the environment/ecology
· The body, ideas relating to the body, the performative body, and embodiment in Shakespeare and related fields
· Inheritances of those ideas of the body, the performative body, and embodiment in Shakespeare and related fields

We invite submissions for 15 minute presentations, which will be followed by 30 minutes of Q&A on the themes raised by all speakers on the panel. If you are interested in presenting your work, please send any questions, or otherwise the title, a 200 word abstract and a 50 word biography to Dr Bríd Phillips at brid.phillips@uwa.edu.au and Dr Claire Hansen at claire.hansen3@jcu.edu.au.

Deadline for Panel Submissions: 8 November 2021

The panel(s) will be held as part of the biennial conference of the Australian and New Zealand Association for Medieval and Early Modern Studies, at the The University of Western Australia, Perth, 27 June to 1 July, 202