Monthly Archives: November 2022

CfP: Unsettling Certainties, Conference of the Society for the History of Emotions

The call for papers for the Society for the History of Emotions’ Fourth Biennial Conference, under the theme ‘Unsettling Certainties’ is now open! The conference will take place at the University of Adelaide over 28 November to 1 December 2023

To live in uncertain times is to consider the possibilities of past, present and future anew. What was known, is reopened for question, and the possible futures built on such knowing become pressing concerns. Foundations are shaken, certainties unsettled, and people moved. The term ‘emotion’, with its etymological roots in the motions of public disturbance, is suggestive of the close affiliation between feelings, passions and embodied experiences and our encounters with certainty and its disruption. This conference, hosted by the Society for the History of Emotions, considers the theme of ‘Unsettling Certainties’ as an opportunity to explore how attending to emotion enables a richer understanding of the known and the unknowable, change and continuity, the fixed and fluid, crisis and stasis, past and future, not least as everyday and embodied experiences.

We call for proposals that address this theme, embracing a broad range of perspectives. Offerings might consider the theoretical, methodological and epistemological boundaries of emotions associated with certainty and uncertainty; shifting definitions and interpretations of emotions and emotion words; the social, economic, political and cultural dimensions of emotional encounters during certain and uncertain times, including changing values and beliefs, public disturbances, crises, and experiences of the ‘end of the world’; the evolving health and wellbeing impacts on individuals and groups, including in relation to gender, race, class and religion; the representation and reimagining of un/settled feelings in literature, art, music, philosophy and science; environmental and ecological perspectives; and creativity and imagination as responses to change and new futures. 

Possible topics include, but are not limited to, emotions in relation to:
– Certainty and the assured
– Risk, uncertainty and the unknown
– Security, comfort and stability
– Anxiety and worry
– Epistemologies and beliefs
– Imagination and boundaries of the real
– The natural and supernatural
– End of the old and encounters with the new
– Crisis, challenge and transformation
– Creativity, expression, and evolution
– Hope, activism and community building
– Moving places and fixed spaces
– Infirmity and death

We welcome submissions from scholars of all levels for any time period, geography, and scholarly discipline, including inter- and transdisciplinary contributions. Papers that do not address the core theme will be considered, but may be given a lower priority, if space is limited.

Proposals can take the form of:
– Individual papers of 20 minutes’ duration;
– 90-minute panels or roundtables, that should include time given to discussion; – Posters.

If you would like to propose an alternative format, please approach the organisers to discuss. We hope to offer a hybrid option for virtual attendees. Please note if you need this on your abstract.

Please send a Word document with a title and 250-word abstract for each paper/poster proposed and a two-sentence biography and email address for each speaker. For panels and roundtables, please also send an overarching title and short rationale and identify the main correspondent for communications.

Proposals should be emailed to unsettlingcertainties@gmail.com Deadline for call for papers: 1 March 2023

Conference organisers: Katie Barclay, Diana Barnes, Keagan Brewer, Sonia Cancian, Michael Champion, Vesna Drapac, Kirk Essary, Michael Heim, Grace Howe, James Kane, Meagan Nattrass, and Claire Walker

Postgraduate and Early Career Paper Prize

The best paper presented by a postgraduate or early career researcher will have the opportunity to win an essay prize worth $100 and to have an article based on the paper considered for publication in Emotions: History, Culture, Society.

Applicants must be within five years after award of the PhD (extended to seven years if not in stable university employment or with significant career interruptions).

To be considered for this prize, participants must signal their wish to be considered when they submit their abstract. They must also submit a written version of the paper by the 25 November 2023. Judges will base their decision both on the presentation and the written version received.

Attention Early Career Researchers!

Aspire to deliver a keynote lecture at a major international conference? We invite early career researchers (ECRs) to propose a keynote lecture addressing the conference theme. This scheme is open to all disciplines of expertise that address the conference theme, and to researchers in university employment as well as those who are not.

Applicants must:
• Have an outstanding track record relative to opportunity;
• Be within five years after award of the PhD (extended to seven years if not in stable university

employment or with significant career interruptions).

To apply, please submit a proposed titled, an abstract of 300-400 words, a bio and a CV (3 pages max) to unsettlingcertainties@gmail.com by 1 March 2023.

In selecting this keynote, consideration will be given to diversity and broad representation among the group of keynotes. We also reserve the right to seek third-party testimony as to the researcher’s capacity to speak and deliver scholarly presentations. The winning keynote lecturer will have flights, accommodation and registration covered. It is anticipated that an article based on the paper would be published in Emotions: History, Culture, Society, subject to peer review.

Nov 24 CEMS End of Year Reception: Evening with Matthew Winterbottom

The ANU Centre for Early Modern Studies is pleased to welcome Matthew
Winterbottom, Curator of Western Art Sculpture and Decorative Arts at the Ashmolean Museum, Oxford, as our special guest for the final CEMS event for 2022. Matthew has extensive expertise in early modern European decorative arts across diverse media and in the history of cabinets of curiosity.

Join CEMS for an evening in conversation with Matthew followed by drinks, in-person on the ANU campus. This is the first in-person seminar held by CEMS and promises to be a wonderful evening for our members and wider audience to meet and mingle before the end of year.

Matthew Winterbottom is Curator of Western Art Sculpture and Decorative Arts at the Ashmolean Museum. His research interests cover a wide range of European decorative arts from the late medieval to the early twentieth centuries, and he has expertise in furniture, ceramics, glass and textiles and sculpture, with a particular interest in 17th- and 18th-century British and European silver and goldsmiths’ work. He is actively researching the Michael Wellby bequest – a collection of 500 pieces of Continental goldsmiths’ work and Kunstkammer objects – that was bequeathed to the Ashmolean Museum in 2012. Matthew has extensive knowledge of the history of Kunstkammern, Schatzkammern and cabinets of curiosities of the early modern period and of the revival of interest in such collections in the 19th and 20th centuries that led to the extensive faking and reproduction of precious objects.

Matthew has over 25 years’ experience working with and researching European decorative arts and is committed to exploring ways of making this material engaging and accessible to museum visitors. He has held curatorial roles at the Victoria & Albert Museum, the Royal Collection and the Holburne Museum in Bath. He joined the Department of Western Art in the Ashmolean Museum in March 2014 as Curator of Nineteenth-Century Decorative Arts where he was tasked with building a new collection of Nineteenth-Century decorative arts and redisplaying the Nineteenth-Century Art Galleries. Since January 2017, he has been responsible for the entire Western Art Sculpture and Decorative Arts Collections.

Matthew is at ANU in November as an international visitor at the ANU School of Art and Design funded by the ANU Research School of Humanities and the Arts.

This event is presented by the Centre for Early Modern Studies

For further information and to register please see: https://www.eventbrite.com.au/e/anu-centre-for-early-modern-studies-end-of-year-reception-tickets-459403597527

Mapping Culture and History Workshop, University of Newcastle/Online, 17-18 November

Join us for an event celebrating the possibilities of digital mapping for the humanities, hosted by the Time-Layered Cultural Map of Australia (based in Newcastle) and the Australian Cultural Data Engine (led by the University of Melbourne).

We are bringing together instructors, presenters, and anyone interested in learning about mapping in a series of workshop sessions and plenary talks. We are targeting honours and postgraduate students, humanities researchers, gallery, library and museum staff, and local historians, in particular, but all are welcome. The face to face events will take place at the University of Newcastle’s NUSpace building in the city campus, with some hybrid sessions and some via Zoom only.

Please review the workshop program in order to select workshops. Session descriptions can be found here. Zoom details for Zoom sessions will be circulated closer to the event.

We have bursaries available for Indigenous researchers and Early and Mid Career researchers, sponsored by ARDC and the College of Human and Social Futures at Newcastle – see the website here

For any other event enquiries, please contact tlcmapworkshop@newcastle.edu.au

Registration: https://www.eventbrite.com.au/e/mapping-culture-and-history-workshop-tickets-428326354657

Early modern panels are 11:00am-1:00pm on Friday, via Zoom, ‘Premodern Material Cultures in Motion’: https://hughdhorg.wordpress.com/mapping-culture-and-history/42-2/

And 2:00pm-4:00pm on Friday, in person, ‘Mapping the Roman Campagna — challenges, questions, discoveries’: https://hughdhorg.wordpress.com/mapping-culture-and-history/session-16-workshop-katrina-grant-anu-and-lisa-beaven-latrobe/

CFP: Ecological Shakespeare in Performance 

Ecological Shakespeare in Performance

Friday 28 April 2023

James Cook University, Townsville, Queensland

Keynote Speaker: Professor Gretchen Minton – Montana State University, 2023 Fulbright Scholar

This one-day event will include a keynote presentation, interdisciplinary guest speakers, papers, workshop time and a short performance.

Registration is free and includes lunch and dinner.

Proposals are invited on topics including (but not limited to):

  • Shakespeare and ecocriticism
  • Blue humanities
  • Shakespeare in performance
  • Australian Shakespeare adaptations
  • Environmental theatre
  • Creative projects

Please submit your 250 word proposal and bio by Friday 16 December 2022. To submit your proposal or to discuss possibilities, please contact Dr Claire Hansen (Claire.Hansen@anu.edu.au) and Professor Gretchen Minton (Gretchen.Minton@montana.edu).

CFP: Histories of Metallurgy and Metal Material Culture

Join “Histories of Metallurgy and Metal Material Culture,” in-person and online at the Australian National University on Friday 18 November, 2022.

This symposium hosted by the ANU Centre for Art History and Art Theory aims to generate cross-disciplinary dialogue about how we interpret metal in ancient and historical societies. Researchers in history, art history, archaeology, archaeometry, curatorship and creative practice will present papers which adopt diverse approaches to investigating the production, fabrication, meanings and interpretation of metals and metal material culture across chronologies and geographies.

For details and to register: https://soad.cass.anu.edu.au/events/histories-metallurgy-metal-material-culture