Nov 24 CEMS End of Year Reception: Evening with Matthew Winterbottom

The ANU Centre for Early Modern Studies is pleased to welcome Matthew
Winterbottom, Curator of Western Art Sculpture and Decorative Arts at the Ashmolean Museum, Oxford, as our special guest for the final CEMS event for 2022. Matthew has extensive expertise in early modern European decorative arts across diverse media and in the history of cabinets of curiosity.

Join CEMS for an evening in conversation with Matthew followed by drinks, in-person on the ANU campus. This is the first in-person seminar held by CEMS and promises to be a wonderful evening for our members and wider audience to meet and mingle before the end of year.

Matthew Winterbottom is Curator of Western Art Sculpture and Decorative Arts at the Ashmolean Museum. His research interests cover a wide range of European decorative arts from the late medieval to the early twentieth centuries, and he has expertise in furniture, ceramics, glass and textiles and sculpture, with a particular interest in 17th- and 18th-century British and European silver and goldsmiths’ work. He is actively researching the Michael Wellby bequest – a collection of 500 pieces of Continental goldsmiths’ work and Kunstkammer objects – that was bequeathed to the Ashmolean Museum in 2012. Matthew has extensive knowledge of the history of Kunstkammern, Schatzkammern and cabinets of curiosities of the early modern period and of the revival of interest in such collections in the 19th and 20th centuries that led to the extensive faking and reproduction of precious objects.

Matthew has over 25 years’ experience working with and researching European decorative arts and is committed to exploring ways of making this material engaging and accessible to museum visitors. He has held curatorial roles at the Victoria & Albert Museum, the Royal Collection and the Holburne Museum in Bath. He joined the Department of Western Art in the Ashmolean Museum in March 2014 as Curator of Nineteenth-Century Decorative Arts where he was tasked with building a new collection of Nineteenth-Century decorative arts and redisplaying the Nineteenth-Century Art Galleries. Since January 2017, he has been responsible for the entire Western Art Sculpture and Decorative Arts Collections.

Matthew is at ANU in November as an international visitor at the ANU School of Art and Design funded by the ANU Research School of Humanities and the Arts.

This event is presented by the Centre for Early Modern Studies

For further information and to register please see: https://www.eventbrite.com.au/e/anu-centre-for-early-modern-studies-end-of-year-reception-tickets-459403597527

Mapping Culture and History Workshop, University of Newcastle/Online, 17-18 November

Join us for an event celebrating the possibilities of digital mapping for the humanities, hosted by the Time-Layered Cultural Map of Australia (based in Newcastle) and the Australian Cultural Data Engine (led by the University of Melbourne).

We are bringing together instructors, presenters, and anyone interested in learning about mapping in a series of workshop sessions and plenary talks. We are targeting honours and postgraduate students, humanities researchers, gallery, library and museum staff, and local historians, in particular, but all are welcome. The face to face events will take place at the University of Newcastle’s NUSpace building in the city campus, with some hybrid sessions and some via Zoom only.

Please review the workshop program in order to select workshops. Session descriptions can be found here. Zoom details for Zoom sessions will be circulated closer to the event.

We have bursaries available for Indigenous researchers and Early and Mid Career researchers, sponsored by ARDC and the College of Human and Social Futures at Newcastle – see the website here

For any other event enquiries, please contact tlcmapworkshop@newcastle.edu.au

Registration: https://www.eventbrite.com.au/e/mapping-culture-and-history-workshop-tickets-428326354657

Early modern panels are 11:00am-1:00pm on Friday, via Zoom, ‘Premodern Material Cultures in Motion’: https://hughdhorg.wordpress.com/mapping-culture-and-history/42-2/

And 2:00pm-4:00pm on Friday, in person, ‘Mapping the Roman Campagna — challenges, questions, discoveries’: https://hughdhorg.wordpress.com/mapping-culture-and-history/session-16-workshop-katrina-grant-anu-and-lisa-beaven-latrobe/

CFP: Ecological Shakespeare in Performance 

Ecological Shakespeare in Performance

Friday 28 April 2023

James Cook University, Townsville, Queensland

Keynote Speaker: Professor Gretchen Minton – Montana State University, 2023 Fulbright Scholar

This one-day event will include a keynote presentation, interdisciplinary guest speakers, papers, workshop time and a short performance.

Registration is free and includes lunch and dinner.

Proposals are invited on topics including (but not limited to):

  • Shakespeare and ecocriticism
  • Blue humanities
  • Shakespeare in performance
  • Australian Shakespeare adaptations
  • Environmental theatre
  • Creative projects

Please submit your 250 word proposal and bio by Friday 16 December 2022. To submit your proposal or to discuss possibilities, please contact Dr Claire Hansen (Claire.Hansen@anu.edu.au) and Professor Gretchen Minton (Gretchen.Minton@montana.edu).

CFP: Histories of Metallurgy and Metal Material Culture

Join “Histories of Metallurgy and Metal Material Culture,” in-person and online at the Australian National University on Friday 18 November, 2022.

This symposium hosted by the ANU Centre for Art History and Art Theory aims to generate cross-disciplinary dialogue about how we interpret metal in ancient and historical societies. Researchers in history, art history, archaeology, archaeometry, curatorship and creative practice will present papers which adopt diverse approaches to investigating the production, fabrication, meanings and interpretation of metals and metal material culture across chronologies and geographies.

For details and to register: https://soad.cass.anu.edu.au/events/histories-metallurgy-metal-material-culture

Research Fellow, Medievalism Job in Melbourne VIC

Campus Location: Melbourne, Australia

Job No: APTAV119903#002

Conduct high-level research for the Medieval and Early Modern Studies (MEMS) Program
Full time, fixed-term role for 5 years based at Melbourne campus

About ACU:
Australian Catholic University (ACU) is an inclusive community which welcomes students and staff of all beliefs. ACU has over 2,500 staff supporting more than 34,000 students across eight campuses – Ballarat, Brisbane, Canberra, Melbourne, North Sydney, Strathfield, Blacktown and Rome.

As valued members of our community, all staff members are expected to have an understanding of ACU’s mission and values and to demonstrate an active contribution to them.

About Faculty of Theology and Philosophy:
The Faculty of Theology and Philosophy is the largest Faculty of its kind in Australia. It comprises of two national schools: the School of Theology and the School of Philosophy; and the Institute for Religion and Critical Inquiry and the Dianoia Institute of Philosophy. ACU has prioritised research intensification and has developed a strategy designed to achieve excellence in a selected number of areas of strategic priority, including theology and philosophy. The outcome has been a remarkable transformation in the research standing of the University. In the 2019 THE World University Rankings, ACU rose to the 401-500 band for research and specifically to the 201-300 band in the Arts and Humanities subject rankings, which includes Philosophy. The investment in theology and philosophy is further evidenced through the results of the recent assessment of research quality conducted by the Australian Research Council, known as ERA (Excellence in Research for Australia). The 2018 ERA results rank ACU first in religion and religious studies in Australia, with our research in both philosophy, and religion and religious studies rated ‘above world standard’. We offer theology and philosophy for students at any stage of their life or career journey, with learning opportunities provided across multiple points of engagement, and across a variety of delivery modes. There are short courses, certificate and bachelor opportunities, postgraduate coursework programs, professional and research degrees, international study tours, and a wide range of professional learning and in-service opportunities. Our programs are conceived in collaboration with industry, community, and church leaders. They are designed to equip students with the knowledge and skills required to succeed in an evolving, global and digital world.

About Institute for Religion and Critical Inquiry:
The Institute for Religion and Critical Inquiry (IRCI) collaborates with researchers from around the globe to examine ideas, beliefs and history in order to advance understanding of our world and imagine ways to improve it. To this end the IRCI promotes collaborative research on religion and critical thought from multiple disciplinary perspectives, including philosophy, theology, history, and literature. It explores the inter-relationships between philosophy, religion, and their cultural contexts, and contributes to contemporary philosophical, theological, social, and political debates. Founded in 2014, the Institute is still in a growth phase but has three established research programs: Biblical and Early Christian Studies, Medieval and Early Modern Studies, and Religion and Theology. Each program includes full-time researchers and research students. The IRCI has established research partnerships with leading institutions in Europe, the UK, and North America, and presents a series of research seminars each year at ACU’s Rome Campus. It sits within the Faculty for Theology and Philosophy, the largest such Faculty in Australia, which offers undergraduate and postgraduate courses and higher research degrees across six campuses. In the recent ERA 2015 assessment, the University was ranked at above world standard (ERA score of 4) in Religion and Religious Studies and in Philosophy, placing it among the best universities in Australia in these fields. Research activities encompass projects, seminars, workshops, public engagement and conferences that enhance intellectual discourse and debate.

About the role:
As Research Fellow you will produce high-quality research to contribute to and strengthen the University’s research profile, and more specifically the research profile of the Institute. Research Fellow will have research expertise in medieval studies, specifically the area of medievalism (historical, creative, aesthetic, material and political interpretations of the Middle Ages in contemporary contexts), and will augment the current work of the MEMS program and Institute in areas such as (but not limited to) cultural memory, global and religious mobilities, histories of sexuality and gender, literary and historical studies, theory and critique. Through individual and collaborative research and publications, and participating in Institute activities, the Research Fellow will help to enhance the national and international research profile of both MEMS and the Institute.

You will need to have:
A PhD in historical or literary studies.
Eligibility to submit an ARC DECRA or Future Fellowship application during the 5-year appointment period.
A research record of outstanding publications in highly regarded scholarly outlets relevant to the field, and demonstrated successful collaborative research experience.
Demonstrated capacity to attract external research grant funding.
Demonstrated ability to participate as part of a collaborative team.
Demonstrated capacity to supervise or honours or higher degree research students or projects.
Demonstrated ability to engage a wide public audience in chosen field of expertise.

The University pursues an excellence agenda and offers an environment where staff are welcomed and safe, and valued through development, participation and involvement.

How to Apply:
Obtain the Position Description from the website. Applicants are expected to address all selection criteria listed in the position description and outline how they would support the mission of the university. To apply for this role click the ‘View Position Description and Apply’ buttons above or below. Visit Hints and Tips on how to apply.

Total remuneration valued to $126,303 – $149,019 total rem (pro rata) pa, including salary component $106,728 – $126,011 (pro rata) pa (Academic Level B), employer contribution to superannuation and annual leave loading.

General enquiries can be sent to Megan Cassidy-Welch, Program Director, Institute for Religion and Critical Inquiry at: megan.cassidy-welch@acu.edu.au

For applicants currently based overseas, ACU will provide support for relocation expenses and visa sponsorship.

Equal Opportunity and Privacy of personal information is University policy. For more details visit: www.acu.edu.au/careers

Find out more information on the benefits of working at ACU at: www.acu.edu.au/about-acu/careers-at-acu/why-work-at-acu

ACU is committed to diversity and social inclusion in its employment practices. Applications from Aboriginal and Torres Strait Islander people, people with disabilities and people from culturally diverse groups are encouraged.

Advertised: 28-OCT-2022

Applications close: 28-NOV-2022 at 11:59pm AUS Eastern Standard Time

For further information and to apply please see: https://www.seek.com.au/job/59009437?type=standout#sol=6c26d7c5cfa520b0abd6b0c19b10bf32f804c7f5

13 Funded PhD Positions in the MSCA Doctoral Network REBPAF

13 Funded PhD Positions (Late Medieval/Early Modern Book Studies) in the MSCA Doctoral Network REBPAF

‘Re-mediating the Early Book: Pasts and Futures’ (REBPAF) is a European Commission-funded MSCA Doctoral Network that will support 13 PhD researchers undertaking projects on late medieval and early modern books. These PhD researchers will be spread across the following institutions: University of Galway (3 positions), University of Antwerp (2 positions), University of Alicante (2 positions), University of Zürich (2 positions), University of Vienna (2 positions), and University of Bristol (2 positions). All PhD researchers recruited to this network will join a vibrant and supportive international community of scholars; they will also benefit from bespoke, network-wide programming and will gain hands-on work experience in related cultural sectors as part of their training programme.

We are now accepting applications from prospective doctoral researchers. Applications are due by 10 January 2023. The PhD positions will begin on 1 September 2023.

About REBPAF

The digital revolution is opening our eyes to the important historical truth that the enduring cultural and economic value of the book has always depended on its adaptability to different media, today from printed book to e-book (and back again), and in the past from manuscript book to printed book (and vice versa).

REBPAF focuses on the ways in which 15th- and 16th-century book producers (scribes, printers, entrepreneurs) negotiated the dynamic relations between the manuscript book and the printed book and adapted to the evolving challenges of the market, and it demonstrates the continuing relevance of these cultural and economic negotiations to the modern world. To this end, REBPAF unites the interests of present-day organisations that re-mediate the early book – publishers, bookdealers, museums, and other stakeholders in the creative and heritage sectors – with those of academic scholarship. REBPAF has the double aim of: 1) engaging a new generation of medievalists and early modernists in an innovative and collaborative research programme that asks fundamental and interdisciplinary questions about the history of the book and the written word and its future in a digital environment; and 2) equipping the researchers recruited to this network with high-level transferable skills and competencies to be acquired and applied not just in academic settings, but also through internships and training workshops provided by a suite of nine European non-academic partners that have a direct interest in and relevance to our research agenda.

REBPAF’s non-academic partners include Antiquariat Inlibris (Austria), Maggs Bros. Ltd. (UK), The National Print Museum (Ireland), Österreichische Nationalbibliothek (Austria), Vlaamse Erfgoedbibliotheken (Belgium), Stiftsbibliothek Klosterneuburg (Austria), Boydell & Brewer (UK), Quaternio Verlag Luzern (Switzerland), and Cúirt International Festival of Literature (Ireland).

Benefits

Successful candidates will receive an attractive salary in accordance with the MSCA regulations for recruited researchers. The indicative gross salary is €3400 per month (adjusted according to a country correction formula to account for cost-of-living differences between EU Member States) plus a €600 monthly mobility allowance. An additional family allowance is also available, if applicable, and the network will financially facilitate researchers’ participation in off-site training activities where appropriate. The net salary for each researcher will be dependent on local tax regulations and on the country correction factor. Full PhD funding is guaranteed for 36 months with the possibility of additional funding in some instances, depending on local and national arrangements. In institutions where it is customary to charge tuition fees to doctoral students, waivers will be granted for project participants.

Further Details

For more information, please see: https://mooreinstitute.ie/2022/10/18/13-funded-phd-positions-late-medieval-early-modern-book-studies-in-the-msca-doctoral-network-rebpaf/


Medieval Literary Form – Call for Abstracts

Over the last decade, scholarship in medieval literary studies has developed interests in how ‘new formalist’ approaches and interests might be applied to pre-Modern texts and traditions. Some excellent examples include Robert J Meyer-Lee and Catherine Sanok, eds., The Medieval Literary: Beyond Form (2018); Thorlac Turville-Petre, Description and Narrative in Middle English Alliterative Poetry (2018); Johnson, Knapp and Rouse, eds., The Art of Vision: Ekphrasis in Medieval Literature and Culture (2015). These works, and others, explore formal qualities (and the idea of literary form itself) in a variety of different ways: in terms of theoretical or historical ideas of form; or focus on particular formal aspects (eg. descriptio; ekphrasis; narrative technique; rhetoric).

This panel seeks papers informed by an interest in literary form, broadly imagined. This might include studies of poetry and rhetoric or specific poetic tropes; literary interactions across and between literature in different languages; or wider cultural understandings of literariness and formalism, and the possibilities of considering medieval aesthetics (which might include visual culture and architecture or ‘historical’ narrative as well as literary texts). The sub-theme welcomes work from across the full range of medieval studies, in terms of chronology, discipline, genre, or language, but has a particular interest in late medieval literary culture (eg. Gower, Chaucer, alliterative poetry, Middle English Romance and drama).

For further details and to submit an abstract please see: https://new.sewanee.edu/academics/medieval-colloquium/2022-conference-info/conference-sub-themes/medieval-literary-forms/

Boydell & Brewer’s Medieval Clothing and Textiles Annuals

Medieval Clothing and Textiles is a new collection containing the entire catalogue of Boydell & Brewer’s market-leading Medieval Clothing and Textiles annuals.

This rich interdisciplinary collection is the only opportunity to access the series in a single, cross-searchable online package, made available as part of the Bloomsbury Medieval Studies digital hub.

Content Highlights
• 16 annuals from Medieval Clothing and Textiles, with a 17th coming in Spring 2023
• The series features multiple examinations of specic clothing items—from wimples and tippets, to hoopskirts, capes, and headdresses
• Contains studies in the weaving, embroidering, and exporting of clothing and textiles around Medieval Europe

Features and Benefits for Research and Learning
• Broad scope—the articles offer in-depth studies that cover a broad geographical scope and a range of periods, from the early Middle Ages to the Renaissance
• Popular subject coverage—topics include masculinity, the history of women, religious clothing, and the representation of clothing and textiles in literature, tapestries, and art
• Annual Updates—a new annual will be added every year, ensuring access to the most up-to-date research in this vibrant field

Keep in Touch
With more collections coming soon, let us keep in touch with news of exciting new content. Sign up for our newsletter at https://www.bloomsbury.com/au/newsletters/bloomsbury-medieval-studies-newsletter/

For further information and login details please contact communications@anzamems.org

Medieval-Clothing-and-Textiles-InformationDownload

Selby Old Fellow Inaugural Lecture

The Selby Old Fellow inaugural lecture is happening on Wednesday, 19 October 2022.

Join Dr Doru Costache, the University of Sydney Library’s current and inaugural Selby Old Fellow in Rare Books and Special Collections, as he discusses his scholarly research relating to the Orthodox Church and other areas of Christianity.

As part of his Fellowship, Dr Costache has been investigating an early medieval Gospel Lectionary from the Eastern Orthodox Church, the Codex Angus. This text was purported to have been written in one of the scriptoria of Constantinople around the twelfth century.

Following Dr Costache’s lecture, we also have Dr Andrew Mellas deliver an academic response to Doru’s presentation. This academic ‘conversation’ contextualises Dr Costache’s research and encourages reflection and questions on this fascinating manuscript.

Come along and hear some fascinating insights into this unique and complex manuscript!

To register, please see https://www.eventbrite.com.au/e/selby-old-fellow-lecture-tickets-432395736287

Hakluyt Society Essay Prize 2023

The Hakluyt Society awards an annual essay prize (or more than one, if the judges so decide) of up to a total of £1,000. The competition is open to any registered graduate student at a higher education institution (a university or equivalent) or to anyone who has been awarded a graduate degree in the past three years. If possible, the prize will be presented at the Hakluyt Society’s Annual General Meeting in London in June 2023.

Prizewinners will be invited to present a paper on the topic of their essay at a Hakluyt Society Symposium (in which case travel expenses within the UK will be reimbursed) and will also receive a one-year membership of the Society. Submissions for the 2023 prize are now invited, the deadline for which will be 30 November 2022. For further details, and instructions on how to submit your essay, please download the information sheet (which includes a style guide) at https://www.hakluyt.com/hakluyt-society-essay-prize/

Please forward any enquries about the scheme to office@hakluyt.com.