Category Archives: cfp

Call for Proposals for a future themed issue of Parergon, specifically for 2025 (42.2) – proposals due TUESDAY 28 FEBRURAY 2023

CALL FOR PROPOSALS FOR THEMED ISSUE

Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies (Inc.)

www.parergon.org

The journal Parergon, in print since 1971, regularly produces one open issue and one themed issue annually.

Recent and forthcoming themed issues include:

  • 2018, 35.2 Translating Medieval Cultures Across Time and Place: A Global Perspective, guest-edited by Saher Amer, Esther S. Klein, and Hélène Sirantoine
  • 2019, 36.2 Practice, Performance, and Emotions in Medieval and Early Modern Cultural Heritage, guest-edited by Jane-Heloise Nancarrow and Alicia Marchant
  • 2020, 37.2 Representing Queens, guest-edited by Stephanie Russo
  • 2021, 38.2 Children and War, guest-edited by Katie Barclay, Dianne Hall and Dolly Mackinnon
  • 2022, 39.2 Cultures of Compassion in Medieval and Early Modern Literature and Music, guest-edited by Diana Barnes

We now call for proposals for a future themed issue, specifically for 2025 (42.2)

Parergon publishes articles on all aspects of medieval and early modern studies, from early medieval through to the eighteenth century, and including the reception and influence of medieval and early modern culture in the modern world. We are particularly interested in research which takes new approaches and crosses traditional disciplinary boundaries.

Parergon asks its authors to achieve international standards of excellence. Essays should be substantially original, advance research in the field, and have the potential to make a significant contribution to the critical debate.

Parergon is available in electronic form as part of Project Muse (from 1983), Australian Public Affairs – Full Text (from 1994), Wilson’s Humanities Full Text (from 2008), and Gale Academic One File (from 2008); it is included in the Clarivate Analytics Master Journal List of refereed journals and in the European Reference Index for the Humanities (ERIH), and is indexed for nine major database services, including ABELL, IMB and Scopus.

Themed issues contain up to ten essays, plus the usual reviews section. The guest editor is responsible for setting the theme and drawing up the criteria for the essays.

Timeline

Proposals for the 2025 issue (42.2) should be submitted to the Editors by Tuesday 28 February 2023.

Proposers are advised to review the full submission guidelines for essays at: https://parergon.org/submissions.html

Proposals should contain the following:

  1. A draft title for the issue.
  2. A statement outlining the rationale for the issue.
  3. Titles and abstracts of all the essays.
  4. A short biographical paragraph for the guest editor(s) and for each contributor.

Proposals will be considered by a selection panel drawn from the Parergon International Editorial Board who will be asked to assess and rank the proposals according to the following criteria:

  • Suitability for the journal
  • Originality of contribution to the chosen field
  • Significance/importance of the proposed theme
  • Potential for advancing scholarship in a new and exciting way
  • Range and quality of authors

Guest editors will be notified of the result of their application by the beginning of April 2023.

The Editorial Process

Once a proposal has been accepted:

The guest editor(s) will commission and pre-select the essays before submitting them to the

Parergon Editors by an agreed date.

The guest editor(s), in consultation with the Parergon editors, will arrange for independent and anonymous peer-review in accordance with the journal’s established criteria.

Occasionally a commissioned essay will be judged not suitable for publication in Parergon. This decision will be taken by the Parergon Editor, based on the anonymous expert reviews.

Essays that have already been published or accepted for publication elsewhere are not eligible for inclusion in the journal.

Parergon’s Accessibility

Parergon is available in electronic form as part of Project MUSE (From Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008)

Parergon is included in the Clarivate Analytics Master Journal List of refereed journals and in the European Reference Index for the Humanities (ERIH), and is indexed for nine major database services, including ABELL, IMB and Scopus.

Parergon has an Open Access policy. Authors retain their own copyright, rather than transferring it to Parergon/ANZAMEMS; and can make the “accepted version” of their article freely available on the Web.

Please send enquiries and proposals to the Editors, Prof Rosalind Smith and Prof Sarah Ross at editor@parergon.org.

CfP: Unsettling Certainties, Conference of the Society for the History of Emotions

The call for papers for the Society for the History of Emotions’ Fourth Biennial Conference, under the theme ‘Unsettling Certainties’ is now open! The conference will take place at the University of Adelaide over 28 November to 1 December 2023

To live in uncertain times is to consider the possibilities of past, present and future anew. What was known, is reopened for question, and the possible futures built on such knowing become pressing concerns. Foundations are shaken, certainties unsettled, and people moved. The term ‘emotion’, with its etymological roots in the motions of public disturbance, is suggestive of the close affiliation between feelings, passions and embodied experiences and our encounters with certainty and its disruption. This conference, hosted by the Society for the History of Emotions, considers the theme of ‘Unsettling Certainties’ as an opportunity to explore how attending to emotion enables a richer understanding of the known and the unknowable, change and continuity, the fixed and fluid, crisis and stasis, past and future, not least as everyday and embodied experiences.

We call for proposals that address this theme, embracing a broad range of perspectives. Offerings might consider the theoretical, methodological and epistemological boundaries of emotions associated with certainty and uncertainty; shifting definitions and interpretations of emotions and emotion words; the social, economic, political and cultural dimensions of emotional encounters during certain and uncertain times, including changing values and beliefs, public disturbances, crises, and experiences of the ‘end of the world’; the evolving health and wellbeing impacts on individuals and groups, including in relation to gender, race, class and religion; the representation and reimagining of un/settled feelings in literature, art, music, philosophy and science; environmental and ecological perspectives; and creativity and imagination as responses to change and new futures. 

Possible topics include, but are not limited to, emotions in relation to:
– Certainty and the assured
– Risk, uncertainty and the unknown
– Security, comfort and stability
– Anxiety and worry
– Epistemologies and beliefs
– Imagination and boundaries of the real
– The natural and supernatural
– End of the old and encounters with the new
– Crisis, challenge and transformation
– Creativity, expression, and evolution
– Hope, activism and community building
– Moving places and fixed spaces
– Infirmity and death

We welcome submissions from scholars of all levels for any time period, geography, and scholarly discipline, including inter- and transdisciplinary contributions. Papers that do not address the core theme will be considered, but may be given a lower priority, if space is limited.

Proposals can take the form of:
– Individual papers of 20 minutes’ duration;
– 90-minute panels or roundtables, that should include time given to discussion; – Posters.

If you would like to propose an alternative format, please approach the organisers to discuss. We hope to offer a hybrid option for virtual attendees. Please note if you need this on your abstract.

Please send a Word document with a title and 250-word abstract for each paper/poster proposed and a two-sentence biography and email address for each speaker. For panels and roundtables, please also send an overarching title and short rationale and identify the main correspondent for communications.

Proposals should be emailed to unsettlingcertainties@gmail.com Deadline for call for papers: 1 March 2023

Conference organisers: Katie Barclay, Diana Barnes, Keagan Brewer, Sonia Cancian, Michael Champion, Vesna Drapac, Kirk Essary, Michael Heim, Grace Howe, James Kane, Meagan Nattrass, and Claire Walker

Postgraduate and Early Career Paper Prize

The best paper presented by a postgraduate or early career researcher will have the opportunity to win an essay prize worth $100 and to have an article based on the paper considered for publication in Emotions: History, Culture, Society.

Applicants must be within five years after award of the PhD (extended to seven years if not in stable university employment or with significant career interruptions).

To be considered for this prize, participants must signal their wish to be considered when they submit their abstract. They must also submit a written version of the paper by the 25 November 2023. Judges will base their decision both on the presentation and the written version received.

Attention Early Career Researchers!

Aspire to deliver a keynote lecture at a major international conference? We invite early career researchers (ECRs) to propose a keynote lecture addressing the conference theme. This scheme is open to all disciplines of expertise that address the conference theme, and to researchers in university employment as well as those who are not.

Applicants must:
• Have an outstanding track record relative to opportunity;
• Be within five years after award of the PhD (extended to seven years if not in stable university

employment or with significant career interruptions).

To apply, please submit a proposed titled, an abstract of 300-400 words, a bio and a CV (3 pages max) to unsettlingcertainties@gmail.com by 1 March 2023.

In selecting this keynote, consideration will be given to diversity and broad representation among the group of keynotes. We also reserve the right to seek third-party testimony as to the researcher’s capacity to speak and deliver scholarly presentations. The winning keynote lecturer will have flights, accommodation and registration covered. It is anticipated that an article based on the paper would be published in Emotions: History, Culture, Society, subject to peer review.

CFP: Ecological Shakespeare in Performance 

Ecological Shakespeare in Performance

Friday 28 April 2023

James Cook University, Townsville, Queensland

Keynote Speaker: Professor Gretchen Minton – Montana State University, 2023 Fulbright Scholar

This one-day event will include a keynote presentation, interdisciplinary guest speakers, papers, workshop time and a short performance.

Registration is free and includes lunch and dinner.

Proposals are invited on topics including (but not limited to):

  • Shakespeare and ecocriticism
  • Blue humanities
  • Shakespeare in performance
  • Australian Shakespeare adaptations
  • Environmental theatre
  • Creative projects

Please submit your 250 word proposal and bio by Friday 16 December 2022. To submit your proposal or to discuss possibilities, please contact Dr Claire Hansen (Claire.Hansen@anu.edu.au) and Professor Gretchen Minton (Gretchen.Minton@montana.edu).

CFP: Histories of Metallurgy and Metal Material Culture

Join “Histories of Metallurgy and Metal Material Culture,” in-person and online at the Australian National University on Friday 18 November, 2022.

This symposium hosted by the ANU Centre for Art History and Art Theory aims to generate cross-disciplinary dialogue about how we interpret metal in ancient and historical societies. Researchers in history, art history, archaeology, archaeometry, curatorship and creative practice will present papers which adopt diverse approaches to investigating the production, fabrication, meanings and interpretation of metals and metal material culture across chronologies and geographies.

For details and to register: https://soad.cass.anu.edu.au/events/histories-metallurgy-metal-material-culture

Medieval Literary Form – Call for Abstracts

Over the last decade, scholarship in medieval literary studies has developed interests in how ‘new formalist’ approaches and interests might be applied to pre-Modern texts and traditions. Some excellent examples include Robert J Meyer-Lee and Catherine Sanok, eds., The Medieval Literary: Beyond Form (2018); Thorlac Turville-Petre, Description and Narrative in Middle English Alliterative Poetry (2018); Johnson, Knapp and Rouse, eds., The Art of Vision: Ekphrasis in Medieval Literature and Culture (2015). These works, and others, explore formal qualities (and the idea of literary form itself) in a variety of different ways: in terms of theoretical or historical ideas of form; or focus on particular formal aspects (eg. descriptio; ekphrasis; narrative technique; rhetoric).

This panel seeks papers informed by an interest in literary form, broadly imagined. This might include studies of poetry and rhetoric or specific poetic tropes; literary interactions across and between literature in different languages; or wider cultural understandings of literariness and formalism, and the possibilities of considering medieval aesthetics (which might include visual culture and architecture or ‘historical’ narrative as well as literary texts). The sub-theme welcomes work from across the full range of medieval studies, in terms of chronology, discipline, genre, or language, but has a particular interest in late medieval literary culture (eg. Gower, Chaucer, alliterative poetry, Middle English Romance and drama).

For further details and to submit an abstract please see: https://new.sewanee.edu/academics/medieval-colloquium/2022-conference-info/conference-sub-themes/medieval-literary-forms/

CFP: Gender and Emotion in Japanese Christianity (1549-1638)

Gender and Emotion in Japanese Christianity (1549-1638)
GENDER AND WOMEN’S HISTORY RESEARCH CENTRE
International Hybrid Workshop
7 February 2023

The Gender and Women’s History Research Centre at the Institute for Humanities and Social Sciences at the Australian Catholic University invites you to submit an abstract for a workshop on Christianity in Sengoku and Tokugawa Japan, with a focus on two themes that have been overlooked by past literature: emotions and gender.

The workshop will be held on 7th February 2023 (AEDT) in hybrid mode, at the ACU Fitzroy Campus in Melbourne, Australia and online. We are thrilled to announce that Professor Haruko Nawata Ward (Columbia Theological Seminary) will be the opening keynote.

We are seeking a selection of papers that engage with gender and/or emotions in the context of Christianity in Japan, from 1549 to 1638. As the performance of gender and feelings is deeply connected, the workshop will give special attention to the intersections of gender and emotions in the work of the Catholic missions in Japan, to fully flesh out the experiences of those who lived and engaged with Japanese Christianity.

Additionally, we would like to form a panel that offers a comparative perspective with other early modern Christian missions, so abstracts on the workshop’s themes that consider different geographical contexts are welcome too. We are in discussions to publish the full articles prepared from the workshop presentations in a special issue of an international, high-ranked journal.

KEY INFORMATION
– Please send an abstract of 200 words and a short bio in English, by the 13th of November 2022, to linda.zampoldortia@acu.edu.au and jessica.oleary@acu.edu.au .
– Draft papers of approx. 3000 words will be due mid-January, to be circulated among the participants. Full papers to submit for publication will be due approximately six months after the workshop.
– Travel bursaries are available for scholars based in Australia. Please indicate in your application if you would like to be considered. International Hybrid Workshop 7 February 2023

CONVENORS:
– Dr Linda Zampol D’Ortia Marie Skłodowska Curie Fellow
– Dr Jessica O’Leary Research Fellow

Call for Papers: Histories of Metallurgy and Metal Material Culture, Australian National University

Call for Papers: Histories of Metallurgy and Metal Material Culture, Australian National University, 18-19 November. Deadline for abstracts 14 October.

The ANU Centre for Art History and Art Theory invites submissions for a cross-disciplinary symposium dedicated to current research into ancient and historical metallurgy and metal material culture.

This symposium aims to foster links between Australian scholars across disciplines, including but not limited to history, art history, conservation, Classical studies and archaeology. We welcome submissions for papers and posters on current or recently completed projects relating to any aspect of the use of metals in ancient and historical societies around the world.

Examples include:
• technical and archaeometallurgical studies
• early and historical extractive metallurgy and metalworking
• individuals, industries, institutions etc. associated with metallurgy and metalwork
• object biographies
• the role of metals in societies, whether economic, symbolic or otherwise.

Please submit abstracts of 250 words no later than Friday 14th October 2022: https://soad.cass.anu.edu.au/news/call-papers-histories-metallurgy-metal-material-culture

CFP: The Languages of Medieval England

The French Journal of Medieval English Studies Études Médiévales Anglaises is seeking
submissions for its 102nd issue focusing on “the Languages of Medieval England”. The papers, written in French or English, should be submitted to Elise Louviot by December 15th, 2022 (see more information below). Authors who wish to submit a paper are advised to get in touch and submit a title with a brief description of content as soon as convenient.
It is a well-known fact that Medieval England, like most places at any given time in human history, was multilingual. The languages of Medieval England are many: Brittonic, Latin, English, Old Norse and French, to name but the most important, and each item on that list can be further subdivided into several varieties (along geographical, but also sociological & stylistic lines).
Examining the languages of Medieval England requires us to think of how they interacted and related to each other, from a number of perspectives.
From a sociolinguistic perspective, it is worth investigating the respective statuses of these languages. Who used them? For what purposes? What was the meaning of using a certain language in this or that context? For instance, the broad lines of the interplay between English and Latin throughout the period are well-known: Old English gradually challenged the dominant status of Latin as the official written language; the Conquest re-instated Latin in its dominant position and that dominance gradually eroded in favour of English once again over time. However, a closer look shows that the evolution is neither universal nor straightforward. Ingrid Ivarsen’s work on Anglo- Saxon legislation, for instance, reveals a much more complex evolution, from an initial
multilingualism partly obscured by later transmission, through a mostly monolingual English phase under the reign of Alfred, to a newly multilingual period, where Wulfstan of York once again makes use of Latin (Ivarsen 2021).
Multilingualism can also be examined in terms of language contact. How much did the
languages of medieval England influence each other? Which parts of the language were more readily influenced and to what extent is it possible to trace the paths taken by linguistic innovations spurred on by language contact? In many general descriptions of the History of the English language, French is assumed to be the language of the upper class and to have exerted an influence especially on areas connected to an aristocratic lifestyle. However, recent studies have demonstrated the influence of French vocabulary in various occupational domains, proving that “French evidently exerted influence not only on the language of social elite pursuits, but also on that of the technology relating to everyday occupations” (Ingham, Sylvester & Marcus, 2019).
The materiality of the languages of medieval England is also worth examining. To what extent does the language of coins and inscribed objects differ from language preserved on parchment? Why use runes on parchment? How different are scribal practices from one language to another? Which conventions of writing can be said to be language-independent (see for instance Laura Wright’s work on abbreviations in business writings, 2011)?
For this issue of Études Médiévales Anglaises, we welcome papers on all aspects of linguistic diversity in Medieval England.

The papers, written in English or in French, must be sent before December 15th, 2022 to Elise Louviot (elise.louviot@univ-reims.fr). Études Médiévales Anglaises uses double-blind peer review. The stylesheet to be used may be found on our website: https://amaes.jimdo.com/submit-a-paper/

All papers published with us are made open access after a two-year embargo and indexed by the MLA bibliography. You may consult our editorial policy here: https://amaes.jimdofree.com/editorial-policy/

Genders and Sexualities in History series seeking proposals

The Palgrave series Genders and Sexualities in History (edited by Joanna Bourke, Sean Brady and Matthew Champion) is seeking proposals for monographs, edited collections and collections of source material relating to the history of premodern genders and sexualities. Previous titles in the series include Cordelia Beattie and Kirsten A. Fenon’s edited collection Intersections of Gender, Religion and Ethnicity in the Middle Ages, Yuki Terazawa’s Knowledge, Power, and Women’s Reproductive Health in Japan, 1690–1945, and Nancy McLoughlin’s Jean Gerson and Gender: Rhetoric and Politics in Fifteenth-Century France. Interested contributors or editors are invited to contact Matthew Champion (mscha@unimelb.edu.au) to discuss projects and the process for making a proposal. For further information see: https://link.springer.com/series/15000

Extended Deadline for PMRG conference abstracts

The deadline for submissions for the PMRG annual conference- ‘Colonialism: subaltern voices, contested histories, subverted spaces’ has been extended to the 22nd August 2022

For further information please see the conference website: https://conference.pmrg.org.au/