HuNI – Now Online

A new platform for humanities and creative arts research, HuNI (pronounced honey) has recently launched.

Located at http://huni.net.au HuNI (Humanities Networked Infrastructure) is the result of a massive three-year, multi-million dollar collective effort led by Deakin Uni in which a consortium of thirteen Australian universities and cultural organisations worked collaboratively with eResearch agencies to design a new digital door to Australian cultural information.

The HuNI platform collects and provides access to digitised information from over 30 significant cultural collections (e.g. AustLit, AusStage, CAARP, Design and Art Australia online, Circus Oz, Australian Dictionary of Biography, Australian Media History Database) which have contributed more than a million items to HuNI. But it also enables researchers to do a great deal more.

HuNI also allows people to combine, collect and connect cultural knowledge through an innovative technology application. HuNI encourages collaboration in the humanities and creative arts by allowing researchers to discover, share, and find new ways to use and re-use cultural knowledge. By encouraging creativity, imagination and a greater appreciation of our shared history, HuNI aims to transform Australia through culture.

You can see some aspects of HuNI’s contribution to online research in the humanities and creative arts in this short info-video: http://vimeo.com/bestqualitycrab/huniserendipity

Six Degrees of HuNI Competition (with prizes!)

Aware of the enormous value of HuNI as an online information and educational resource, the HuNI team is launching a competition at a nationwide level that encourages researchers to discover, share and create with Australia’s cultural heritage through HuNI.

The competition will remain open until 28 November. The HuNI jury will select up to three outstanding entries.

The competition rules and regulations can be found, together with all other relevant information on http://www.deakin.edu.au/research/src/cmii/huni.php

For any further information please contact Alwyn Davidson at: Alwyn.Davidson@deakin.edu.au

Director, ARC Centre of Excellence for the History of Emotions – Call For Applications

Applications are invited for the position of Director of the ARC Centre of Excellence for the History of Emotions (CHE). The Director will occupy a professorial position within the Faculty of Arts at UWA. The Centre is based at UWA, with nodes at The University of Adelaide, The University of Melbourne, The University of Queensland and The University of Sydney. The Centre has developed a vast range of collaborative links to international institutions in Asia, Continental Europe, the UK and North America and has established partnerships with such arts industries and community groups as the National Gallery of Victoria, the Australian Broadcasting Corporation, Musica Viva, and the Zest Festival. Besides its wide-ranging research projects, the Centre maintains a nation-wide program of community outreach and education events.

The appointee is expected to be:

  • an academic leader, both in the CHE as a whole and in the University
  • a productive and original researcher and research mentor,
  • an energetic and collegial director of the Centre’s core activities,
  • able to lead the Centre in new research directions,
  • able to communicate the value and vitality of the Centre’s research to the public, in the media and throughout the education system
  • able to undertake research at the highest international level on a history of emotions project, studying an aspect of Europe 1100-1800, in the disciplines of history, literature, performance studies or music,
  • able to oversee management of the whole Centre of Excellence.

Closing date: Monday 24 November, 2014.

For full details and to apply, please visit: http://www.jobs.uwa.edu.au/executive/new-vacancy-template3

Byzantine Culture in Translation – Registration Closes 15 November

Byzantine Culture in Translation
Australian Association for Byzantine Studies 18th Biennial Conference
University of Queensland
28-30 November 2014

Registration closes 15 November; please register your attendance now if you have not already done so.

Full details at http://www.aabs.org.au/conferences/18th

Byzantine culture emanated from Constantinople throughout the Middle Ages, eastwards into Muslim lands and central Asia, north into Russian, Germanic and Scandinavian territories, south across the Mediterranean into Egypt and North Africa and westwards to Italy, Sicily and the other remnants of the western Roman Empire. Byzantine culture was translated, transported and transmitted into all these areas through slow or sudden processes of permeation, osmosis and interaction throughout the life of the Empire, from the fourth century to the fifteenth and far beyond. Various literary aspects of Byzantine culture that were literally translated from Greek into the local and scholarly languages of the Medieval West and Muslim Middle East include dreambooks, novels, medical and scientifica texts and works of Ancient Greek literature. Yet translation was a phenomenon that stretched far beyond texts, into the areas of clothing and fashion, the visual arts (especially icons) and architecture, military organisations, imperial court ceremonial, liturgical music and mechanical devices. This conference celebrates all aspects of literary, spiritual or material culture that were transported across the breadth of the Empire and exported from it. Papers are welcome on all aspects of Byzantine culture that exerted some influence – whether lasting or fleeting – and were translated into non-Greek-speaking lands, from the early Byzantine period to the present day.

Confirmed speaker:

  • Maria Mavroudi, University of California – Berkeley

Convenors:

  • Dr Amelia Brown, The School of History, Philosophy, Religion and Classics, University of Queensland
  • Dr Bronwen Neil, Centre for Early Christian Studies, Australian Catholic University

The Biennial General Meeting of the Association will take place during the Conference: http://www.aabs.org.au/conferences/18th/biennial-general-meeting-2014

ARC Centre of Excellence for the History of Emotions Workshop: Emotions Work in the Historical Past

ARC Centre of Excellence for the History of Emotions Workshop: ‘Emotions Work in the Historical Past’

As part of the workshop, Piroska Nagy, professor of medieval history at Université du Québec à Montréal (UQAM) will be delivering a lecture at 9:30 am:

“Medieval Emotions and Historical Change: the cases of Angela of Foligno and Lukardis of Oberweimar”

All are welcome to attend the morning lecture, but if you plan to attend the full workshop, registration is required.

Date: Thursday 13 November, 2014
Time: 9:30 am – 4:00 pm
Venue: University House, Upper East Dining Room, The University of Melbourne
Registration: Please register for the workshop via email to: leanne.hunt@unimelb.edu.au as space is limited. Please indicate any dietary restrictions as well, as lunch will be served

For full details, please visit: http://www.historyofemotions.org.au/events/emotions-work-in-the-historical-past.aspx

Tyndale’s Quiddities – Call For Papers

Tyndale’s Quiddities – “They nosel them in sophistry”
The Independent Works of William Tyndale and his Theology
Tyndale Society Oxford International Conference
Hertford College, Oxford
1-3 October, 2015

This conference will examine every aspect of Tyndale’s thinking on education and theology in his time, as evidenced through his ‘independent’ writings: his prologues, introductions, glosses, comments and polemical works. In his Obedience, Tyndale writes about how those who show a genuine interest in the Word of God, are kept away from it by the Church. The Church authorities, he argues, needlessly impose the learning of philosophical distinctions before allowing anyone proper access to the Bible: ‘What wonderful dreams have they of their predicaments, universals, second intentions, quiddities, haecceities and relatives.’ The terms he refers to here belong to the scholastic and nominalist vocabulary of those who considered themselves as custodians of the Scripture. In their discourse, the Latin word quidditas refers to what any particular substance or being has in common with others, whereas haecceitas refers to its ‘this-ness’, i.e. what makes it unique. Although both these Latin concepts were used by Tyndale (and Erasmus before him) with a certain degree of irony, they can be applied to his own writings when we examine the philological, moral and spiritual insights he borrows from and/or shares with others, as well as those that make him different.

Papers that deal with these issues and their historical context are welcomed. Abstracts of maximum 150 words to be sent for the attention of: Professor Guido Latré, University of Louvain-la-Neuve, tynconf@gmail.com by 15th February, 2015.

For more on the Tyndale Society, please visit: www.tyndale.org

George Yule Prize – Deadline 28 February 2015

As you will all know, the deadline for submission of panels and individual papers for the ANZAMEMS conference in Brisbane, 14-18 July 2015, is 31 October. The executive committee encourages postgraduates to think about submitting a 3,500 word essay for the George Yule prize (and supervisors to encourage their students to do so). The deadline for this is 28 February 2015. Entries and queries should be submitted to Marina Gerzic: mgerzic@gmail.com

For further information on this prize, see: http://anzamems.org/?page_id=8

Magic and Intellectual History – Call For Papers

Magic and Intellectual History
CREMS, University of York
Thursday 5 March, 2015

Keynote speaker: Dr Stephen Clucas (Birkbeck)

This symposium will explore the place of magic in the intellectual culture of early modern England and Europe. It will focus on how magic was perceived and understood in philosophical, religious and scientific thought, and the ambivalence that surrounded it as topics of scholarship.

Papers might attend to the following:

  • How did early modern thought accommodate magic into its disciplines?
  • Why was magic the object of so much ‘elite’ scientific and philosophical thought?
  • Magic and the study of nature
  • Magic and the ineffable
  • Redefining the parameters of magic
  • Magic and religion
  • The occult and hidden operations of nature
  • Scepticism and magical thought
  • Magic and language / magic and metaphor
  • Literature and the portrayal of magic
  • Magic and the devil
  • Magicians and their day-jobs

Abstract deadline: 15 October, 2014 (c. 250 words)

Contact: Kevin Killeen, kevin.killeen@york.ac.uk

This symposium is part of a diffuse and ongoing Thomas Browne Seminar that has digressed quite far: http://www.york.ac.uk/english/news-events/browne.

The Thomas Browne Seminar is a forum for exploring the intellectual history of the seventeenth century, the relations between its apparently incompatible disciplines and the social, scientific and political contexts in which they arose. It is not, by any means, restricted to Thomas Browne himself, but also examines more broadly the intellectual culture in the mid-seventeenth century.

Papers are invited on any aspect of mid-century culture, the history of science and scholarship, religious and antiquarian thought, natural history, politics and the history of trivia, in particular, but not restricted to, those related to Browne. As the seminar will involve an ongoing series of meetings, ideas for future seminars are also invited.

The TBS is run jointly by the Department of English and Related Literature and the Centre for Renaissance and Early Modern Studies. Thomas Browne was a significant figure in the scholarly and scientific community of the seventeenth century, who nevertheless defies categorisation and whose blend of humanism, scholasticism and natural philosophy is testament to the intellectual flux of the period.

ARC Centre of Excellence for the History of Emotion: Workshop for Prospective Honours and Postgraduate Students in the History of Emotions

ARC Centre of Excellence for the History of Emotion
Workshop for Prospective Honours and Postgraduate Students in the History of Emotions

Date: 4-5 December, 2014
Venue: Macmahon Ball Theatre, Old Arts Building, The University of Melbourne

The Australian Research Council Centre of Excellence for the History of Emotions (CHE) invites prospective honours and postgraduate students to a two-day workshop to discuss the possibility of locating your studies in our Centre, and to showcase the support we can offer senior students.

The national Centre is led by The University of Western Australia, and has nodes at the Universities of Queensland, Sydney, Adelaide and Melbourne. Representatives from all five universities will be taking part in this workshop. Our Centre’s primary historical focus is the period 1100-1800, though one of our research programs extends forward into contemporary culture, especially in an Australian context. Our researchers are drawn from literary, historical, art historical, music, and performance studies. The Centre is funded from 2011 to mid-2018, and has recently received a ringing endorsement from the Australian Research Council in its mid-term review. One of our key platforms is the development and encouragement of collaborative research projects and active research communities, and we are keen to encourage honours and graduate students to work with us in this internationally burgeoning scholarly field, and to contribute to our vibrant national network.

This workshop will include a video presentation from the Centre’s Director, and talks from other research leaders, current graduate students, and post-doctoral research fellows. We will sketch out some of our central research questions and projects, open up some of our key methodological problems, and suggest some practical ways you might wish to orient your own research projects around the study of the History of Emotions, in order to benefit from the intellectual support of this national Centre. For more information on benefits offered to CHE postgraduate and honours students see our Future Students section of the website.

For full details and to apply for both the workshop as well as travel and accommodation funding, please visit: http://www.historyofemotions.org.au/events/workshop-for-prospective-honours-and-postgraduate-students-in-the-history-of-emotions.aspx?page=2

Object Emotions, Revisited – Call For Papers

Object Emotions, Revisited: An Interdisciplinary Conference
Yale University, New Haven, CT
February 20-21, 2015

Keynote speaker: Spyros Papapetros (Princeton U)

Organizing Committee: Padma Maitland (UC Berkeley); Christopher P. Miller (UC Berkeley); Marta Figlerowicz (Yale U); Ksenia Sidorenko (Yale U); Emma Natalya Stein (Yale U)

“Object Emotions” continues a critical dialogue about new directions in humanities research and theory that began at UC Berkeley in 2013. This conference is inspired by the recent heightened attention to objects and emotions as new points of entry into history, literature, art, architecture, area studies, and the social sciences. We aim to foster interdisciplinary reflections about the critical uses of thing theory, affect theory, the histories of emotions, and new materialism. We also want to study how these discourses might benefit from being set in conversation with each other.

Last year, these questions inspired papers on, among many other topics, forms of animism in fourteenth-century England, the role of tiles in Taiwanese architecture, representations of churches in Willa Cather, oral accounts of labor in factories in India, and the songs of Kylie Minogue. This coming conference seeks to be similarly diverse and experimental in the kinds of approaches it brings together. By exploring emotions and objects in conjunction with each other we hope to bring out the shared stakes of these scopes of critical inquiry, as well as the divergences among the ways feelings and things are studied in particular disciplines.

Questions we want to ask include, but are not limited to, the following: How is the task of describing emotions within the context of a poem different from describing them within the context of a painting or a temple? How do the current fields of affect theory, thing theory, and the history of emotions participate in the much longer history of debates about the subjective and the objective? How do emotions and the bodies experiencing them relate to each other? Are there cultural differences in the way objects and emotions are defined and assessed? What does it mean to attribute feelings to an inanimate object, or even to describe this object as the cause or inspiration of a feeling? Do feelings have an animating force? How does the critical framing of scale—the microscopic, the individual, the human, the social, the global—change the way we pursue questions about objects and emotions?

The conference will take place at Yale on February 20th and 21st, 2015. Participants will include both graduate students and faculty members. We welcome papers that address any of the questions described above, or related ones, with reference to the bodies of theory shared across disciplines or to individual works of literature, art, or architecture. Please submit 250-word abstracts to Padma Maitland at padmamaitland@berkeley.edu by November 15, 2014.

Twelfth Workshop on Early Modern German History – Call For Papers

Twelfth Workshop on Early Modern German History
German Historical Institute London
8 May 2015

Organised by the German History Society in co-operation with the German Historical Institutes London and Washington

Conveners: Bridget Heal (University of St Andrews) David Lederer (NUI Maynooth), Bridget Heal (University of St Andrews), Angela Schattner (GHIL), and Jenny Spinks (University of Manchester)

The first workshop ran in 2002 and has now established itself as the principal forum for cross-disciplinary discussion of new research on early modern German-speaking Central Europe. The workshop gives the opportunity to discuss work-in-progress as well as theoretical and methodological approaches. Previous themes have included artistic and literary representations, medicine and musicology, as well as political, social, economic and religious history. Contributions are also welcome from those wishing to range outside the period generally considered as ‘early modern’ and those engaged in comparative research on other parts of early modern Europe.

The day will be organized as a series of themed workshops, each introduced by a panel chair and consisting of two to three short papers followed by discussion. The point of the papers is to present new findings or work-in-progress in summary form, rather than extended detailed discussion. Accordingly, participants are encouraged to keep to 15 minutes, highlight major findings or questions, and indicate how work might develop in the future.

The workshop is sponsored by the German History Society and the German Historical Institute London in cooperation with the GHI Washington. Participation is free, including lunch. However, participants will have to bear costs for travel and accommodation themselves.

If you are interested in presenting a paper, please send a short synopsis and a CV by 11 January 2015 to:

Dr Angela Schattner, German Historical Institute, 17 Bloomsbury Square London, WC1A 2NJ, email: schattner@ghil.ac.uk.

More information is available from: http://www.ghil.ac.uk/call_for_papers.html