Parergon Reviews Editor

Dr Hélène Sirantoine, the Reviews Editor of Parergon, has signalled her intention to step down from the role at the next ANZAMEMS AGM (tentatively scheduled for April 2020) and so we are seeking a new Reviews Editor. Members interested in further details about this position vacancy should contact Parergon Editor Professor Susan Broomhall (editor@parergon.org) or Dr Hélène Sirantoine (reviews@parergon.org)

CFP Field of Cloth of Gold Conference 2020

In celebration of the 500th anniversary of the Field of Cloth of Gold and as part of the AHRC funded Network “Henry VIII on Tour: Tudor Palaces and Royal Progresses”, Historic Royal Palaces will be hosting a two-day conference on 29-30 June 2020 at Hampton Court Palace.

Confirmed keynote speakers:
• Simon Thurley
• Mary Hill Cole, Mary Baldwin University
• Glenn Richardson, St Mary’s University
• Tracy Borman, Historic Royal Palaces (Introduction)

We invite proposals for papers of 20 minutes reflecting the conference theme. In particular, we encourage papers that examine not only that most spectacular of royal progresses, the 1520 Field of Cloth of Gold expedition itself, but the phenomenon of royal progresses more generally, including the logistics of royal travel and the politics of progress. We would also like to explore broader aspects of the Tudor court on progress, including the social, religious, chivalric and cultural implications of royal progresses (e.g. the hunting, jousting, music, drama, art and architecture associated with the royal palaces and other progress venues). Papers addressing a comparative European or international aspect of the theme are welcomed as, too, are contributions that consider the theme from the point of view of heritage management, heritage science and curatorial practice. We encourage proposals from scholars at all stages of their career, including early career researchers and PhD students (for whom a discounted registration rate will be available).

Please send abstracts of 250 words to Dr Laura Tompkins, Research Manager, HRP (Laura.Tompkins@hrp.org.uk) by 12 January 2020.

This information is also available on the HRP website.

Organising Committee: Anthony Musson (HRP), Tom Betteridge (Brunel), John Cooper (York), Suzannah Lipscomb (Roehampton), Alden Gregory (HRP)

CFP Medieval and Renaissance Music Conference

The organisers and the Programme Committee invite proposals for the 2020 Medieval and Renaissance Music Conference to be held in Edinburgh on 1-4 July 2020.

Proposals on all topics relating to Medieval and Renaissance Music, broadly construed, are welcomed, but we are particularly interested in the following areas: Music in Britain; Chant; Gender and music; Music and medievalism; Music and the environment; Music outside of continental Europe; Early Music and Digital Technologies; The state of the discipline

Conference languages: English, French, German, Italian, Spanish

Possible formats of presentations include, but are not limited to:
• individual papers of 20 minutes
• paired papers
• themed sessions
• round tables
• workshops/ lecture-recitals
• posters
The conference will include a dedicated poster session.

Please send proposals to medren2020@gmail.com by 31 December. Notification of acceptance will be given by February 14th. Proposals should include:
·        Title of paper
·        Speaker(s)
·        Affiliation
·        A proposal of c.250 words
For themed sessions:
• title of paper
• chair (if known)
• names of all participants
• total required duration (blocks of 90 minutes are preferred)
• short description of contents

Registration will go live on February 1 2020 at the following address: https://www.efdelegates.ed.ac.uk/MedRen2020

Programme Committee:
• James Cook
• Marianne Gillion
• Thomas Schmidt
• Adam Whittaker
• Miriam Wendling
• Raquel Rojo Carillo,
• Tess Knighton,
• Elisabeth Giselbrecht
• Victori Coelho
• Catherine Bradly
• Antonio Chemotti

Call for Nominations: Parergon Early Career Committee

Parergon, the journal of the Australian and New Zealand Association for Medieval and Early
Modern Studies (Inc.), seeks nominations for interested early career scholars within
ANZAMEMS to participate as members of the 2020 Early Career Committee (ECC). The aim
of this committee is to recognise and support early career researcher contributions to
ANZAMEMS, and specifically, Parergon.

The ECC meets quarterly, and offers an opportunity to provide advice to the Editorial team and
gain a deeper understanding of the detailed intellectual and practical processes of production
of a prestigious, peer-reviewed scholarly journal.

Additionally, participation in the ECC will provide valuable service experience for those
interested in pursuing academic and publishing career pathways. Membership of the ECC is
not a paid position.

A maximum of 6 places are currently available for the 2020 ECC Committee.

Terms are for a calendar year, with a possible maximal renewal of an additional, immediate
year.

Nominations are sought from late-stage doctoral students through to those five years post PhD
or equivalent), who are current members of ANZAMEMS.

Applications should consist of a cv, and a covering email outlining disciplinary expertise to the
Editor of Parergon, susan.broomhall@uwa.edu.au

Doctoral students wishing to apply should also provide an email from their supervisor
indicating support for their application.

Nominations close on 6 December 2019. Successful candidates will be notified in late
December.

For more information including selection criteria, see the attached PDF:

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CFP Medieval English Theatre Conference

Consumption, Performance, and Early Theatre, University of Wolverhampton・Saturday, 4 April 2020

Consumption involves the using up of a resource, whether through acts of imbibing or intake and acts of expenditure or through decaying or wasting away. Early performance relies on consumption, whether this takes the form of Eucharistic consumption accompanying liturgy; Eve’s sinful act of consumption that provided pretext and plot for urban biblical pageants; the use of performance to sell goods and medicines; the material goods required to create dramatic spectacle; the consumption of drink, ideas and time by spectators and performers; or the Tudor feasts that produced space for dramatic interludes. The Records of Early English Drama, with their lists of goods, payments and services, provide an archive of evidence for consumption practice. Yet acts of consumption in early drama are often fraught. Consumption is as often used to articulate doubt or mark characters and performance makers as morally dubious as it is to ensnare the senses of audiences. In a climate both preoccupied with material consumption at a global level and in which we, as researchers, theatre practitioners and teachers are frequently reminded that our labour is also consumer material, this conference seeks to examine how consumption is manifested, managed and questioned in early performance. Topics might include but are not limited to:

• The consumption of raw materials and/ or material culture in the production and performance of early drama
• Food or fasting in early performance; the morality, ethics and/or theology of consumption
• Economies of consumption in early performance
• Ritual performance and faith; inclusion and community
• Subversive consumption, over-consumption and/or consumption as a source of ‘othering’
• Consumption, spectacle and the senses
• The consumption of play manuscripts and texts
• Critical reflections on the role of consumption within modern performances and broadcasts of early drama
• Critical reflections on the role of consumption in early drama pedagogy and/or research

We invite 300-word proposals from scholars at any stage of study or career, for 20 minute papers or roundtable sessions; please submit your proposals by 1 December 2019 to Daisy Black d.black3@wlv.ac.uk

On the day before the conference (Friday, 3 April 2020) there will be a Postgraduate and Early Career Symposium organised with the Early English Drama & Performance Network; more information about this will be posted soon.

Further details and registration information will be posted soon at Medieval English Theatre.

Bloomsbury Medieval Studies

Bloomsbury has recently launched a new interdisciplinary digital resource, Bloomsbury Medieval Studies. It brings together high-quality secondary content with visual primary sources, an exclusive new reference work and object images into one cross-searchable platform, to open up the medieval world for students and scholars across this rich field of study.

This unprecedented platform comprises content from Bloomsbury and other leading publishers in the field, including I.B. Tauris, Amsterdam University Press and Arc Humanities Press – as well as medieval maps from the British Library and newly digitized incunabula from Senate House Library.

Users will benefit from instant, searchable access to a new and exclusively commissioned reference work, the Encyclopedia of the Global Middle Ages. Written by an international group of scholars, it offers a non-Eurocentric approach with articles including:

– Thematic overviews of intellectual discourse, migration and trade systems
– Primary source analyses of Maya Civilization, Japan and Korean Kingdom of Silla
– Core Case Studies of queens and powerful women of the Middle Ages.

The platform also provides full digital access to over 150 eBooks– ranging from primary texts to research monographs, companions, primary source readers and more.

Interested in finding out more?
Bloomsbury Medieval Studies will be available for 30-day free trials and can be purchased on a perpetual access basis. If you would like to register interest in a trial, or have any questions about the product please contact Katie.Dean@bloomsbury.com.

The full press release including further details of resources available can be downloaded here.

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PARTHENOS Digital Humanities Training

The EU-funded PARTHENOS project has released an online teaching module, Digital Humanities and Heritage Science Research Infrastructures: New Approaches to the Study of Pre-Modern Manuscripts, which seeks to bring together knowledge and resources from Research Infrastructures and Humanities projects. The module will be of interest to scholars looking to apply Digital Humanities and/or Heritage Science methods to medieval and early modern manuscript studies. It was produced in collaboration with teams working at Nottingham Trent University (UK) and the University of Canterbury (NZ).

The module is part of the PARTHENOS Training Suite, which provides reusable training materials that can be accessed for free by students, lecturers, and anyone interested in issues and skills related to e-Heritage and Digital Humanities. More information about the PARTHENOS Project can be found here.

CFP International Society for Intellectual History

‘Change and Exchange’: The 2020 Conference of the International Society for Intellectual History, 27 – 29 May 2020, European University Institute

The suddenness of many recent changes has led to a widespread feeling of bewilderment and led many to retreat into what are seen as safe places and idealised pasts, rejection of difference and increasingly violent and intolerant social exchange. At the same time, the evidence of climate change is making people increasingly aware of the need to rethink our way of life. It therefore seems an appropriate moment to look at how change has been understood and conceptualised in the past, how changes in ways of thinking, concepts and paradigms have come about, the strength of resistance to change, and the role of exchange – intellectual and material – in this process. Change and Exchange proposes to explore historical, philosophical, cultural, material, social, environmental and scientific change, the varieties of social, intellectual, material, economic, etc. exchange and the interactions between the two. It will also look at change and exchange in the field of Intellectual History itself.

The International Society for Intellectual History (ISIH) invites proposals for papers and panels. Papers (20 mins, followed by 10 mins of discussion), relating to the theme of change and exchange in intellectual history at large, can concentrate on any period, region, tradition or discipline, including the arts, humanities and sciences, 1450 to present. As well as individual papers, we welcome proposals for panels of up to three papers and a commentator. The range of subjects of investigation is extremely broad, and may include, but is not limited to:

• thinking about change in intellectual history: epistemological breaks, paradigm change and intellectual traditions;
• interdisciplinarity in intellectual history
• debates on social, political, economic, scientific, technological, climate, etc. change;
• writing the history of change; changes of scale in historical understanding
• interactions between political, social, economic, technological, scientific and intellectual change;
• promoting and resisting change;
• informal and institutional exchanges between cultures and their role in bringing about change;
• sociability and intellectual, scientific, commercial, institutional etc. networks;
• the theory, practice, history and role of translation.

Proposals for papers and panels are due by 15 November 2019 and must be submitted through the Conference Submission Form.
Sponsor: Department of History and Civilisation, European University Institute.

For general inquiries, please email Francesca.Parenti@eui.eu.
Conference Committee: Ann Thomson, Thomas Ashby, Elisavet Papalexopoulou, Francesca Parenti.

The details of the conference can also be found on the ISIH website.

CFP Yearbook of the Spanish and Portuguese Society for English Renaissance Studies

SEDERI welcomes ARTICLES, NOTES and REVIEWS for its next issue (nº 30) to be published in Autumn 2020. SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual publication devoted to current criticism and scholarship on Early Modern English Studies. It is peer-reviewed by external readers, following a double-blind policy. It is published in paper and online, in open-access.

QUALITY ASSESSMENT AND INDEXING
SEDERI is included in the Web of Science, the Arts & Humanities Citation Index, the MLA International Bibliography, Scopus, EBSCO Host, ProQuest, ERIH+, Annual Bibliography of English Language and Literature (ABELL), Dialnet plus, The Spanish Repository for Science and Technology (RECYT), CIRC, CARHUS+, DICE (CSIC-CINDOC-Aneca), Latindex, and Ulrich’s Periodicals Directory. SEDERI’s scientific and editorial excellence has been accredited continually by the Spanish Foundation for Science and Technology (FECYT) since 2009. It meets 100% of the scientific requirements established by Latindex and DICE-CINDOC. The Italian National Agency for the Assessment of Research (ANVUR) has ranked SEDERI Yearbook as an «A» journal.

AREAS OF INTEREST
Early Modern English Literature
Early Modern English History and Culture
Early Modern English Language
Restoration English Studies
Early Modern Anglo-Spanish and cross-cultural studies
Early Modern Anglo-Portuguese cross-cultural studies

EDITORIAL PROCESS
Submissions will be sent to two readers for review, following a double blind, peer-review policy. In case of disagreement, a third report will be decisive. If the paper is accepted for publication, the authors may be asked to consider the readers’ suggestions and to bring it into line with our style sheet. The contributions, in their final form, will go through copyediting, layout, and proofreading. Once published, the authors will receive a copy of the issue in which their work is included.

SUBMISSION INFORMATION
Time from submission to decision: 3-4 months
From decision to publication: 6-9 months
Number of readers prior to decision: 2-3
Articles/notes submitted per year: 20-25
Articles/notes published per year: 6-12
Information updated on July 2019

Submissions should be sent through the SEDERI online submission platform (https://recyt.fecyt.es/index.php/SEDY/about/submissions). If you are not a user of the SEDERI platform yet, you will need to register as a new user before logging in. All submissions should be in Word/RTF format. Please omit any personal information in the file of your paper and make sure the file properties do not show your name.

Deadline for submission: 31 October 2019

For further details please download the attached CFP and style sheet:

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Highlights from the Parergon archives: Women and Property

We asked members of Parergon‘s Early Career Committee to tell us about a Parergon article that really stood out for them and why they found it valuable for their research. In this post, Emma Simpson discusses Patricia Crawford’s ‘Women and Property: Women as Property’, Parergon 19.1 (2002), pp. 151-171 (DOI: doi.org/10.1353/pgn.2002.0086)

Those of us interested in early modern women owe a great debt to Patricia Crawford. The ANZAMEMS Crawford-Maddern network speaks to her personal legacy, one that builds on her extensive work in the field encompassing numerous monographs, articles, and edited collections.

Personally, Crawford and Gowing’s Women’s Worlds in Seventeenth-Century England was an early introduction to research around early modern women, and I returned to Crawford’s work when beginning my dissertation. Though my focus has since shifted from women writers in a male-dominated genre to representations of women within that genre itself, Crawford’s work still influences the historicist approach I take in my work. Indeed, she remains important across disciplines, and her 2002 Parergon article “Women and Property: Woman as Property” is no exception.

Here, Crawford explores how early modern women functioned as property, what rights they had to property and freedom, and how this affected their ability to act autonomously. She suggests that “three interlocking variables affected a woman’s right to property”: the “status” of women as a category, the “complex system of jurisdictions” which comprised early modern law, and the definition of property itself. But in outlining difficulties for women in the early modern period, Crawford also carefully establishes the ways in which these women could and did “circumvent the restrictions of the common law” (154). She further contextualises her important discussion of gendered restrictions in the period with reference to shifting political and class hierarchies.

Though interested largely in the eighteenth century, “Women and Property: Women as Property” serves as a useful introduction not only to important work on early modern women, but also as an introduction to Crawford and her broader work, as one of Australia’s important voices on women in the early modern period.

Parergon can be accessed via Project MUSE (from Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008). For more information on the current issue and on submitting manuscripts for consideration, please visit https://parergon.org/.