Monthly Archives: April 2016

Monash University: CMRS Visiting Scholar Program 2016 – Call For Applications

Monash University
Centre for Medieval and Renaissance Studies
CMRS Visiting Scholar Program 2016

The Centre for Medieval and Renaissance Studies at Monash University is pleased to call for applications to our Visiting Scholar Program for 2016. The aim of the program is to support a senior academic to visit the CMRS for one week, during which time he or she will provide a postgraduate training workshop, consult with CMRS students and deliver a seminar paper on his or her own research.

For the purposes of the program, a CMRS Visiting Scholar should hold an academic position of Senior Lecturer, Associate Professor, Professor or Emeritus/a Professor at an academic institution.

CMRS Visiting Scholars will be expected to engage fully in the activities of the CMRS for the duration of their stay. Specifically, a CMRS Visiting Scholar will be invited to deliver a postgraduate training seminar or workshop on an empirical, theoretical or methodological aspect of interest to advanced students of medieval and Renaissance studies, such as palaeography, codicology, theoretical approaches to medieval and Renaissance history etc. The CMRS Visiting Scholar will also be invited to present a seminar paper on an aspect of his or her research, and attend other CMRS events of relevance during their visit to Monash.

One CMRS Visiting Scholar will be appointed each year to visit the CMRS at Monash University’s Clayton campus in August. The CMRS will provide the Visiting Scholar with five night’s accommodation in Melbourne (Monday to Saturday morning) and transport to and from Monash’s Clayton campus. For senior scholars already in Australia or NZ, the CMRS will provide a return economy airfare to Melbourne. Total funding support may be up to but not exceeding AUD2000.00.

We welcome applications from eligible academics for 2016 by June 1, 2016. Applicants should send a cover letter, a short CV, and a brief outline of the workshop they propose to convene and a potential seminar paper topic to the Associate Professor Megan Cassidy-Welch (megan.cassidy-welch@monash.edu).

The Monash Centre for Medieval Renaissance Studies was launched in 2011. The CMRS is committed to providing research training for honours and postgraduate students; to developing and promoting Monash’s strength in medieval and Renaissance studies; and to fostering local, national and international collaborations between networks of scholars and students. The heart of the CMRS is a weekly Friday seminar and associated reading, language and translation groups. For more information about the CMRS and its staff, see http://artsonline.monash.edu.au/medieval-renaissance-centre.

Sanders Prize in the History of Early Modern Philosophy – Call For Applications

The Sanders Prize in the History of Early Modern Philosophy is a biennial essay competition open to scholars who are within fifteen (15) years of receiving a Ph.D. or students who are currently enrolled in a graduate program. Independent scholars may also be eligible, and should direct inquiries to Donald Rutherford, co-editor of Oxford Studies in Early Modern Philosophy at drutherford@ucsd.edu.

The award for the prize-winning essay is $10,000. Winning essays will be published in Oxford Studies in Early Modern Philosophy.

Submissions due by 1 October, 2016.

For full information, please visit: http://www.marcsandersfoundation.org/sanders-prizes/modern-philosophy.

Research Fellow: Material Heritage of Shakespeare and Stratford-upon-Avon – Call For Applications

Research Fellow – Material Heritage of Shakespeare and Stratford-upon-Avon
University of Birmingham – School of History and Cultures within the College of Arts and Law

Duration of Post: Full time, Fixed term for a period of 24 months
Salary: Starting salary is normally in the range £28,982 to £37,768. With potential progression once in post to £40,082 a year.

This is a full-time research fellowship for a fixed term of two years. The postdoctoral fellow will work with Dr Tara Hamling and colleagues in the Centre for Reformation and Early Modern Studies (CREMS) in the Department of History, University of Birmingham and in collaboration with the Shakespeare Birthplace Trust, Stratford-upon-Avon (SBT). The post will serve two associated functions:

1. To support, enhance and extend activities leading to Impact associated with the History Department’s ongoing knowledge exchange partnership with the Shakespeare Birthplace Trust’s Collections Department. This role will involve identifying and implementing opportunities for new access and interpretation around the SBT collections (especially in relation to SBT’s on-line presence and materials but also physical displays, educational work and commercial opportunities) informed by recent research in material culture, social and cultural history as applied to the extensive museum and archival collections of the SBT. This work would build on previous and continuing research and interpretation activities around their early modern object collections and will involve a range of activities including public events, use of social media and digital technologies.

2. To contribute knowledge to inform funding bids for large research projects utilising the range of historical materials held by the SBT and their heritage implications, building on previous grants held in partnership with the SBT (AHRC Collaborate Doctorate 2010-13) and scoping exercises (AHRC Digital Transformations Scoping Study: ‘Digital CoPs and Robbers: Communities of Practice and the Transformation of Research’ 2012). The post holder will be expected to craft grant applications in consultation with colleagues in History and at SBT, working closely with the University’s research support team, and may involve developing relationships with other partners in the cultural and creative sectors.

A third subsidiary objective of the fellowship involves maintaining and developing links between CREMS in the School of History and Cultures and The Shakespeare Institute in Stratford-upon-Avon (part of the School of English, Drama and American & Canadian Studies), such as postgraduate teaching. It is therefore expected that the post holder will be based locally to work between the University’s Edgbaston campus and in Stratford-upon-Avon.

Expected start date of the post is September 2016.

For full details, and to apply, please visit: http://www.jobs.ac.uk/job/ANK297/research-fellow-material-heritage-of-shakespeare-and-stratford-upon-avon

Closing Date: 10 May, 2016.

Gothic Afterlives: Mutations, Histories, and Returns – Call For Papers

Gothic Afterlives: Mutations, Histories, and Returns
The Gothic Association of New Zealand and Australia (GANZA) Third Biennial Conference
Auckland University of Technology, New Zealand
23-24 January, 2017

The conference will be organised in the spirit of the Association. GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.

The conference invites abstracts for 20-minute presentations related to the theme of ‘Gothic Afterlives’. Topics can include, but are not limited to:

  • Revisions/revisitations/reimaginings of classic Gothic texts
  • Haunting and spectrality
  • Monsters and the monstrous
  • The history of the Gothic
  • Gothic histories
  • Historical returns of the Gothic
  • The undead
  • The Uncanny
  • Gothic forms in popular culture
  • Horror in its various contexts (evolutions and re-imaginings)
  • Incarnations and reincarnations
  • Memory and trauma
  • Folklore and fairytales
  • Gothic intertextualities
  • Travel Gothic and Gothic tourism
  • Genre and the Gothic
  • Gothic adaptations (from novel to film, from film to television etc.)
  • Death in its Gothic contexts
  • Cycles and exchanges, trans/mutations and trans/routes
  • Gothic regionalities and geographies
  • Global Gothic
  • Postcolonial Gothic
  • The Gothic in the past, present, and future

Please e-mail abstracts of 200 words to the attention of the conference organisers at: conference@ganza.co.nz. Abstracts should include your name, affiliation, e-mail address, the title of your proposed paper, and a short bio (100 words max). The deadline for submissions is 1 August, 2016.

For more information visit our web site: www.ganza.co.nz. Alternatively, please contact Dr Lorna Piatti-Farnell (lorna.piatti-farnell@aut.ac.nz) and/or Dr Erin Mercer (e.mercer@massey.ac.nz).

Auckland Library Heritage Trust: Researcher in Residence Scholarship – Applications Now Open

Applications are now open for the Auckland Library Heritage Trust’s annual Researcher in Residence Scholarship.

The purpose of the scholarship is to encourage research based on material held in the Sir George Grey Special Collections. Each year the Trust awards $1000 to a research scholar with a particular interest in the collections of Auckland Libraries given by Sir George Grey and added to by others in the decade since.

The range and breadth of the Collections means that researchers have a wide scope to work on a project which interests them. Explore the collections here.

Read more about the Scholarship, including application details, here.

Applications for 2016/17 close on 27 May, 2016.

Newberry Mellon Major Projects Fellow: Religious Change in Europe, 1450-1700 – Call For Applications

Newberry Mellon Major Projects Fellow
Department: Exhibitions and Major Projects

Term: July 1, 2016 to June 30, 2017
Schedule: Full-time, 35 hours/week, Monday through Friday with occasional evenings and weekends for special events. One-year, grant-funded, exempt position.
Benefits: Group life, health, dental, and vision insurance; fifteen vacation days first year and two personal days and paid holidays annually.
Date Posted: March 31, 2016
Date Available: July 1, 2016

The Newberry Mellon Major Projects Fellow will participate in diverse aspects of the planning and preparation for the library’s major scholarly initiative focused on Religious Change in Europe, 1450-1700. The initiative will include gallery and online exhibitions, additional digital resources, as well as programs for scholars, students, and the public. These programs will take the 500th anniversary of Martin Luther’s 95 Theses as a starting point for a multidisciplinary examination of the Reformation and its immediate aftermath. The majority of the public programs will take place during the 2017-18 academic year. The fellow will report to the Director of Exhibitions and Major Projects.

Responsibilities:

For the gallery and digital exhibitions:

  • collaborate with members of the project team (comprising Newberry staff members and outside scholars) in framing and refining exhibition categories;
  • identify preliminary selections, research specific items in the collection for inclusion;
  • translate titles and short texts into English; assist with label writing, planning, and administration.

For the related digital resources:

  • collaborate with the Digital Initiatives Librarian and other members of the project team in conceptualizing, designing and implementing the digital humanities components of the project, which may include blog posts, podcasts, videos, interactive timelines and maps, outreach through social media, and crowd-sourced programs;
  • identify preliminary selections, research specific items in the collection for inclusion, assist with translation and writing textual components and scripts, planning, and administration;
  • Assist project team in conceptualizing and planning public and scholarly programs;
    Carry out other assignments as needed to achieve departmental goals;
  • Provide assistance to other Newberry Library departments and initiatives, including but not limited to Collections and Library Services, Research and Academic Programs, Development, and Communications projects.

Qualifications:

  • PhD in a humanities field, with a research focus on the history of religion in early modern Europe;
  • Reading fluency in modern and early modern German required; reading competency in two other European languages, such as Latin, French, Italian, and Spanish, highly desirable;
  • Experience in digital humanities and using primary source materials in research preferred;
  • Familiarity with Microsoft Office suite, Omeka, and project management software preferred;
  • Demonstrated excellent oral and written communications skills and ability to interact and collaborate with diverse constituencies required.

Application Deadline: Review of applications will begin May 1, 2016 and will continue until the position is filled.

Application materials should be sent to hr@newberry.org and include a cover letter, CV, short (30 pages or less) writing sample, and contact information for three references. Applicants should indicate their start date availability in the cover letter.

Two Exhibitions of Interest @ Arts Centre Melbourne

Bell Shakespeare Archives Exhibition | Arts Centre Melbourne

Smorgon Family Plaza

From 18 April

FREE

More info: https://www.facebook.com/artscentremelbourne/photos/a.552397028158401.1073741828.317380151660091/1082865505111548/?type=3&theater

The Arts Centre Melbourne is commemorating Shakespeare’s 400 year anniversary with an engaging exhibition of costumes and photographs from Bell Shakespeare’s archives, including the coat worn by John Bell in the title role of Richard III (2002), along with images from Hamlet (1991), Macbeth (1994), King Lear (1998), Henry IV (1998), The Comedy of Errors (2002), Othello (2007) and Venus & Adonis (2008).

The exhibition will also include two swords used by 19th century Shakespearean actor, George Rignold in Australia 1886-1899, which were passed down to John Bell, as well as other historical artifacts. On display in the Smorgon Family Plaza, Arts Centre Melbourne, the exhibition will run from April 18, open 8am to late


Stage Presence: Design from the Australian Performing Arts Collection | Arts Centre Melbourne

Gallery 1

30 April – 4 September 2016

FREE

More info: https://www.artscentremelbourne.com.au/whats-on/2016/exhibitions/stage-presence

Stage Presence is an exhibition presented as both an insight into the art of performance design and an opportunity to showcase highlights from the Australian Performing Arts Collection.

This collection is home to the nation’s largest and most comprehensive performance design corpus. The creative process behind some of Australia’s most innovative productions is brought to life through concept sketches, research files, set models, ‘finished’ designs and carefully annotated technical drawings, which illuminate the story of performance design in Australia.

The Australian Performing Arts Collection represents the work of over 150 Australian set and costume designers working across circus, dance, music, opera and theatre. Over the past decade, the collection has grown through the donation of several important design archives documenting the careers of Judith Cobb, Hugh Colman, Richard Jeziorny, Roger Kirk, Jennie Tate and Brian Thomson. These archives, and this exhibition, provide a glimpse into the working processes and careers of these highly-successful and prolific designers. Stage Presence also gives a unique insight into the development of varied productions, from ‘King Lear’ to ‘Priscilla, Queen of the Desert’.

While a designer’s journey of discovery and inspiration may be a constant, their means of researching and presenting their work continues to evolve rapidly. Digitally rendered drawings, 3D modelling and printing have had a discernible impact on the way the design process is undertaken. Over the past decade the diversity of performance designs entering the Australian Performing Arts Collection continues to challenge expectations of what may be considered a ‘museum object’. The importance of collecting and exhibiting documentary evidence for this already ephemeral art-form continues however, to be a driving passion for the organisation.

Dr Michael Barbezat, Institute of Advanced Studies (UWA) / Centre for the History of Emotions (UWA Node) Public Lecture

“The Limits of Tolerance: Arguments For and Against Religious Violence in the High Middle Ages”, Dr Michael Barbezat (UWA)

Date: 11 May, 2016
Time: 6:00-7:00pm
Venue: Fox Lecture Theatre (G.59, Ground Floor, Arts Building), University of Western Australia
Register: This is a free event, but registration is required. To register: http://www.ias.uwa.edu.au/lectures/barbezat

Killing your religious opponents in the Middle Ages was neither an easy choice nor unquestioned. Leading intellectuals condemned executions for heresy when they began in Western Europe during the eleventh century, reminding Christians of their duty to reserve such judgment to God. This response, however, did not remain dominant in following centuries, as persecution, sometimes deadly, continued to increase. Contemporaries described this escalation not as the growth of hatred, but rather as the realisation of the very virtues that constituted the basis of Western Christian civilization. In this presentation, Michael Barbezat will argue that medieval calls for divinely sanctioned murder relied heavily upon a discourse of love. He will follow the use of the parable of the wheat and the tares in discussions of the use of deadly force as a response to Christian heresy. At its point of origin, the parable seems like a call to religious tolerance, but this interpretation does not remain stable. As he moves through examples from the third to thirteenth centuries, the role and necessity of violence will expand, until the parable’s earlier interpretation has been turned on its head. Instead of a call to toleration, the parable by the thirteenth century was, in the eyes of some of the most learned commentators, a call to deadly violence. This presentation will conclude with an example from the infamous Albigensian Crusade that illustrates these principles in action, portraying the massacre of hundreds as a necessary, divinely sanctioned act of love.

ANZAMEMS Conference 2017: Announcing our Keynote Speakers

ANZAMEMS is delighted to announce the keynote speakers for our 2017 conference in Wellington, New Zealand. We look forward to welcoming Dr Erin Griffey, Professor Martha Howell, Professor Lorna Hutson, and Professor Cary Nederman to ANZAMEMS 2017, with thanks to our generous sponsors.

Dr Erin Griffey, Department of Art History, University of Auckland

http://www.arts.auckland.ac.nz/people/egri016

Sponsored by the Australian Research Council Centre of Excellence for the History of Emotions, Europe 1100-1800

Professor Martha Howell, Miriam Champion Professor of History at Columbia University

http://history.columbia.edu/faculty/Howell.html

Sponsored by the W.H. Oliver Humanities Research Academy, Massey University

Professor Lorna Hutson, Berry Professor of English Literature, University of St Andrews

https://www.st-andrews.ac.uk/english/people/academicstaff/hutson/

Sponsored by the Early Modern Women’s Research Network, University of Newcastle, in partnership with the British Council of New Zealand

Professor Cary Nederman, Professor of Political Science, Texas A&M University

http://tinyurl.com/gveebjk

Sponsored by the Department of History and Art History, University of Otago, and the Faculty of Humanities and Social Sciences, Victoria University of Wellington

‘What legacy shall I bequeath to thee?’: Shakespeare in the Context of his Time – Call For Papers

‘What legacy shall I bequeath to thee?’ – Shakespeare in the Context of his Time
An Interdisciplinary Graduate and Early Career Symposium
Centre for Early Modern Studies, University of Aberdeen
22 October, 2016

Both universal and a product of his time Shakespeare remains an enigmatic writer. The celebration of the 400th anniversary of his death demonstrates his continued impact on scholarly thought and popular culture. Investigating Shakespeare among his contemporaries in a period of transformations will help to understand his enduring popularity. The symposium ‘Shakespeare in the Context of his Time’ invites proposals which consider the cultural transfer and translation of Shakespearean ideas on his time, but also the influence of the cultural context of the intellectual and cultural world of the sixteenth century on Shakespeare himself. This includes the intellectual exchange between Shakespeare and his contemporaries examined through all aspects of cultural, literary and theatrical influence. Papers are invited from early career scholars and graduate students in all disciplines which touch on Shakespeare’s work. ‘Shakespeare in the Context of his Time’ is organised by the Centre for Early Modern Studies at the University of Aberdeen.

Please email 250-word abstracts by Sunday 15 of May to Alison Passe and Julia Kotzur at shakespeareincontext@gmail.com. Papers should be a maximum of 20 minutes in length. Please include a brief biography (no more than 150 words). Possible topics could include:

  • Shakespeare and Europe
  • Contemporaneous intellectual sources of Shakespeare’s ideas
  • The transfer of ideas between playwrights
  • Shakespearean linguistics
  • English History Plays
  • Influences across multiple genres
  • Performance history including Shakespearean theatre and use of his stage