Monthly Archives: November 2015

Ad Fontes, Ad Futura: Erasmus’ Bible and the Impact of Scripture – Call For Papers

Ad Fontes, Ad Futura: Erasmus’ Bible and the Impact of Scripture
HBU Theology Conference
Houston Baptist University
February 25-27, 2016

Conference Website

In celebration of the upcoming 500th anniversary of Erasmus’ Greek text and the Reformation, the Department of Theology at Houston Baptist University, in conjunction with the Dunham Bible Museum, is pleased to host the conference “Ad Fontes, Ad Futura: Erasmus’ Bible and the Impact of Scripture.” The conference will consider the textual and historical issues surrounding the development of the Bible, the Bible’s impact on society across the centuries, and the future of Biblical translation and interpretation.

Our keynote speakers include: Craig Evans (Houston Baptist University), Timothy George (Beeson Divinity School, Samford University), Herman Selderhuis (Theological University Apeldoorn) and Daniel Wallace (Dallas Theological Seminary).

The plenary talks are free and open to the public.

We also invite proposals for short papers from scholars and graduate students from a wide array of disciplines and topics, including:

  • The historical context, and textual tradition, of the Biblical canon
  • The history of the Greek text of the Bible
  • The social and/or cultural impact of the Bible in any historical period or location
  • The Bible and the history of the book
  • Modern Bible translations and translation practice
  • Textual and cultural issues concerning the Bible in the Digital Age

Anyone who is interested should submit a 300 word abstract on any relevant topic. The deadline for submissions is December 9, 2015. Send proposals to Jason Maston at jmaston@hbu.edu.

Making Early Middle English Conference – Call For Papers

Making Early Middle English Conference
University of Victoria
23-25 September, 2016

Past scholarly evaluations of the Early Middle English period (roughly ca. 1100-1350) have not been positive. In the Cambridge History of Medieval English Literature (1999), Thomas Hahn summarized the history of scholarship as a struggle with “one of the dullest and least accessible intervals in standard literary history, an incoherent, intractable, impenetrable dark age scarcely redeemed by a handful of highlights.” J.A. Bennett and G.V. Smithers found little to challenge “the traditional view that the reigns of William [the Conqueror] and his sons mark an hiatus in our literature” (Early Middle English Verse and Prose, 1968). Even when scholars depart from these paradigms, there is a tendency, as Christopher Cannon has observed, to view Early Middle English in terms of “profound isolation from immediate vernacular models and examples, from any local precedent for the business of writing English” (The Grounds of English Literature, 2004). For Hahn, the period has a reputation for “aridity and remoteness,” and for Cannon, the consequence is “literary history’s general sense that there is nothing there.” A reassessment remains necessary, especially to de-isolate English texts and genres of this period and (re)place them in their wider textual, linguistic, and cultural contexts. The Early Middle English period was in fact a time of intense change, experimentation, and production. Early Middle English literature juggles regional specificities, genres in process, and multilingual and multicultural interactions with verve.

This conference will explore Early Middle English, it historical and scholarly “making,” and its contexts. It takes as its topic the widest possible conception of the field: bracketed by the Norman Conquest and the decline of the English populace as a result of the Plague. This period was characterized by its multilingualism and interaction between four main literary languages (Latin, French, English, Welsh), as well as users of Greek, Hebrew, Irish, Old Norse, Arabic, and Dutch. It was a time that witnessed crusaders’ establishment and loss of the Holy Land and the presence of an active Jewish community in England (before their expulsion in 1290). The literary climate was rich in cross-linguistic and cross-cultural dialogue. New scholarship is revealing a diverse, and intellectually and aesthetically experimental, textual and literary landscape, and digital humanists and editors are presently working to meet the special challenges of access that have always existed for the period.

The organizers welcome papers that engage how Early Middle English as a field, as manuscripts, as texts, and as a multilingual phenomenon has been shaped and made, handled and mishandled. We are interested in talks that consider the historical, global, and multilingual situation of English literature and English manuscript production between 1100-1350, and we encourage ideas of Early Middle English as a network of experimental clusters. We are also interested in how the period has been fashioned in its post-medieval histories, from sixteenth-century antiquarian descriptions, to twentieth-century scholarly views of its “aridity and remoteness” (to quote Thomas Hahn in the Cambridge History of Medieval English Literature), to its current new “making” in digital archives. Scholars from a range of disciplines, working on a range of genres and languages related to the production of English literature and “Englishness” in the period 1100-1350, should feel free to submit proposals for sessions or papers.

Topics to consider include but are not limited to:

  • the multicultural and international contexts of Early Middle English
  • the multilingual contexts of Early Middle English (including Englishes, Latin, French/Anglo-Norman, Hebrew, Welsh, etc.)
  • the history of the field and boundary problems (e.g., between Old English and Early Middle English, between England and France, between disciplines, etc.)
  • manuscript studies
  • access to and creation of resources (digital resources, editions)
  • pedagogical challenges around Early Middle English
  • concepts of nativeness in Early Middle English and related literature
  • the role of women and gender in Early Middle English (as a field or a corpus)

The conference will take place at the University of Victoria, located on southern Vancouver Island in beautiful British Columbia, Canada. University of Victoria boasts world-class Digital Humanities programs, a thriving undergraduate major and honours program in Medieval Studies, and a fine teaching collection of medieval manuscripts and documents. The conference will include presentation of Special Collections materials, workshops on the challenges of creating digital resources for Early Middle English, a presentation by the directors of the NEH-funded Archive of Early Middle English project, and keynote addresses by scholars working on the multilingual situation of twelfth- and thirteenth-century England. Dependent on grant funding, some subsidies may become available for those who would otherwise find it difficult to attend.

Please email proposals, as well as queries or expressions of interest, to both organizers by 15 December 2015: Adrienne Boyarin (aboyarin@uvic.ca) and Dorothy Kim (dokim@vassar.edu). Abstracts for 20-minute papers should be no longer than 300 words; session proposals (a session description/rationale and a list of proposed speakers who have confirmed their willingness to attend) should be no longer than 500 words; expressions of interest, queries, and ideas for non-traditional formats are also welcome. Please include your name, research area, and affiliation (if applicable) in all correspondence.

Anne L. Poulet Curatorial Fellowship 2016–18 – Call For Applications

The Frick Collection is an art museum consisting of more than 1,100 works of art from the thirteenth to the nineteenth century displayed in the intimate surroundings of the former home of Henry Clay Frick. The residence, with its furnishings and works of art, has been open to the public since 1935. It is considered one of the world’s most perfect museums. Of equal distinction is its sister institution, the Frick Art Reference Library (founded in 1920), an internationally recognized research library that is one of the world’s most complete resources for the study of Western art.

The Frick Collection is pleased to announce the availability of a two-year predoctoral fellowship for an outstanding doctoral candidate who wishes to pursue a curatorial career in an art museum. The fellowship offers invaluable curatorial training and provides the scholarly and financial resources required for completing the doctoral dissertation. Internationally renowned for its exceptional collection of Western European art from the early Renaissance through the end of the nineteenth century, The Frick Collection – complemented by the equally significant resources of the Frick Art Reference Library – offers a unique opportunity for object-based research. The fellowship is best suited to a student working on a dissertation that pertains to one of the major strengths of the collection and library. The Anne L. Poulet Curatorial Fellow will have an opportunity to work with curatorial and educational staff on research for special exhibitions and on the permanent collection. Other curatorial training responsibilities include participation in the organization of the annual Symposium on the History of Art, a two-day event co-sponsored with the Institute of Fine Arts, New York University; the preparation, in coordination with a curator, of a focus exhibition or display around a work of art in the Collection; and participation in the daily administrative routines of a small museum. The Fellow will have a place of study, access to the collections and library, as well as introductions to New York City museums and libraries. Frick curators and conservation staff will be available for consultation on the dissertation. The Fellow will be expected to give a public lecture on his or her topic. The Fellow will divide his or her time between the completion of the dissertation and activities in the Curatorial Department.

Applicants must be within two years of completing their dissertations. The Fellow will receive a salaried stipend of $37,750 per year and a travel allowance. The term will begin in September 2016 and conclude in August 2018. Applications must include the following materials:

  1. A cover letter explaining the applicant’s interest in the fellowship and his or her status in the Ph.D. program. The letter should include a home address, phone number, and email address.
  2. An abstract, not to exceed three typed pages double-spaced, describing the applicant’s area of research.
  3. A complete curriculum vitae of education, employment, honors, awards, and publications.
  4. A copy of a published paper or a writing sample.
  5. Three letters of recommendation (academic and professional).

Please submit application materials to pouletfellowship@frick.org. Letters of recommendation should be sent to this address directly from recommenders. PDFs of signed letters on university or business stationary are preferred. The application deadline for the fellowship is January 18, 2016. Finalists will be interviewed. The Frick Collection plans to make the appointment in early April.

For full information, please visit: http://www.frick.org/careers/fellowships.

Three New Short-Term Fellowships @ I Tatti – Call For Applications

The deadline for all I Tatti Short Term Fellowships is 14 December.

Wallace Fellowships, for four or six months, are available for scholars who explore the historiography and impact of the Italian Renaissance in the Modern Era (19th-21st centuries). Projects could address a range of topics from historiography to the reaction to, transformation of, and commentary on the Italian Renaissance and its ties to modernity. Also welcome are projects on museum and collecting history, and on the survival of the Renaissance in modern art and architecture, in literature and music, and in philosophy and political thought.

Berenson Fellowships, for four or six months, are available for scholars who explore “Italy in the World”. Projects should address the transnational dialogues between Italy and other cultures (e.g. Latin American, Mediterranean, African, Asian etc.) during the Renaissance, broadly understood historically to include the period from the 14th to the 17th century.

Mellon Fellowships in the Digitial Humanities, for four or six months, are available for projects that cut across traditional disciplinary boundaries and actively employ digital technology. Applicants can be scholars in the humanities or social sciences, librarians, archivists, and data science professionals. Projects should apply digital technologies such as mapping, textual analysis, visualization, or the semantic web to topics on any aspect of the Italian Renaissance.

See the I Tatti fellowships website for details about these and other grants, including:

Craig Hugh Smyth Fellowships, for three months, are available for curators and conservators. Projects can address any aspect of the Italian Renaissance art or architecture, including landscape architecture

David and Julie Tobey Fellowship, for three months, is awarded to support research on drawings, prints, and illustrated manuscripts from the Italian Renaissance, and especially the role that these works played in the creative process, the history of taste and collecting, and questions of connoisseurship.

ANZAMEMS Member News: Fiona O’Brien – Thoughts on the 10th ANZAMEMS Conference and PATS @ UQ, July 2015

Fiona O’Brien, Doctoral Candidate, The University of Adelaide

Thoughts on the ANZAMEMS Conference 2015

I was fortunate to attend my second ANZAMEMS in Brisbane this year, and I was particularly excited to deliver my first paper with thanks to the generosity of the ANZAMEMS bursary committee. I would also like to thank the committee at The University of Adelaide for The Bill Cowan Bar Smith Library Fellowship for the funding I received earlier this year, which also made my attendance possible.

Prior to the conference, I had been trying to clarify my thesis methodology, and used my paper to work through some of my ideas. I was a bit nervous as to how this would be received, but I received plenty of positive feedback, and was particularly lucky to have had Professor Laura Knoppers – who had delivered a keynote on Andrew Marvell – willing to offer some incisive suggestions for my own work on Marvell. This helped me to clarify the focus my thesis would take, and upon returning to Adelaide I was re-energized enough to complete a full draft incorporating these ideas.

The keynote by Professor Alexandra Walsham also sparked my interest with a paper exploring the “interconnections between material objects (in particular commemorative Delfware), religious identity and memory in Early Modern England. My own work takes a trans-disciplinary approach to studying the Anglo-Dutch war satires of John Dryden and Andrew Marvell, and Walsham’s work gave me a new perspective on how material objects can be analysed as an expression of religious and political identity. Listening to the variety of other papers further opened my eyes to new areas of research, some of which intersected with my own in ways I had not previously considered. The panel discussion on possible career directions post-PhD was also helpful, despite the outlook sounding rather bleak at times.

My time at the conference concluded with the PATS seminar. This was a valuable opportunity for a small group of postgraduate students to discuss their work with the conference keynote’s, as well as participating in discussions on a variety of interesting articles covering the themes of Representation, Religion and the History of Emotions. I left Brisbane with a new sense of focus, a desire to stay in touch with some of those I had met, and of course, to attending the next ANZAMEMS in Wellington in 2017.

Lichtenberg-Kolleg, the Göttingen Institute for Advanced Study in the Humanities and Social Sciences: 4 Early Career Fellowships – Call For Applications

The Lichtenberg-Kolleg, the Göttingen Institute for Advanced Study in the Humanities and Social Sciences, invites applications for up to 4 Early Career Fellowships.

Opening its doors in 1737 Göttingen quickly established itself as one of Europe’s leading Enlightenment universities. Named after one of the most important and versatile representatives of the Göttingen Enlightenment, the Lichtenberg-Kolleg is an interdisciplinary research institute with a strong focus not only on the Enlightenment(s), but also on “bridges” between the human and natural sciences and the history of political thought.

For the period March 2016 to July 2017 we are inviting early career scholars to join one of the research groups for the study of either:

  • Globalising the Enlightenment: Knowledge, Culture, Travel, Exchange and Collections (1 Fellowship), or:
  • European Intellectual History / History of Political Thought (2 Fellowships), or:
  • Primate Cognition: Philosophical, Linguistic, and Historical Perspectives (1 Fellowship).

Deadline for applications: 7 January, 2016.

Further information: http://www.uni-goettingen.de/de/501529.html

Ashmolean Museum, Research Assistant: Divination and Art in the Medieval and Early Islamic World – Call For Applications

Research Assistant, “Divination and Art in the Medieval and Early Islamic World” Project, funded by the Leverhulme Trust

Salary Grade 7:
£30,434 – £32,277 p.a. depending on experience

Full time, Fixed term until October 2016

Post-holder must be able to start on 4 January 2016 and have the right to work in the U.K.

The Ashmolean Museum is seeking to appoint a research assistant to join the team of the Leverhulme Trust-funded project “Divination and Art in the Medieval and Early Islamic World (1200–1800)” directed by Dr Francesca Leoni. The project examines the multiple roles of “licit” divinatory arts (i.e. astrology, geomancy, bibliomancy, dream interpretation, physiognomy and ‘ilm al-huruf) in the medieval and early modern Islamic world through their impact on visual and material culture. The post-holder will provide support to the project’s Principal Investigator and the core research team, undertake independent research and assist with a range of tasks and outcomes, including publications and the organisation of a large-scale exhibition.

Candidates should have a doctoral degree or equivalent knowledge or experience in a relevant area, specialist knowledge of Islamic Art and have demonstrated experience in the museum sector. The successful post-holder will also have a significant research and publication record and have good working knowledge of at least one language amongst Arabic, Turkish and Persian.

Applications for this vacancy are to be made online.

You will be required to upload your CV, a supporting statement (max. 2 pages of A4) telling us how your skills, experience and knowledge meet our selection criteria, and a written sample of your published work (not to exceed 5,000 words) as part of your application. Incomplete submissions will not be considered.

To apply for this role and for further details, including a job description and selection criteria, please follow this link.

Closing date: 18th November 2015 (at midday)

Interviews will be held at the Ashmolean Museum on 25 November with a view to appointment starting in 4 January 2016.

Owing to the nature of this position, any offer of employment with the University will be subject to a satisfactory security screening.

Please note in normal circumstances only interview travel expenses within the UK will be reimbursed. We regret we cannot pay expenses for international travel.

Emotions, History and Philosophy in Cinema: Centre of Excellence for the History of Emotions (UWA Node) Free Symposium

Emotions, History and Philosophy in Cinema

Date: 4-5 December, 2015
Venue: ALR 4 (G.60, ground floor, Arts Building), The University of Western Australia
Registration: The symposium is free and open to the public. Registration is required for catering purposes though. Please contact Pam Bond (pam.bond@uwa.edu.au).

The symposium will address the following questions:

  • What kind of contributions does cinema make to the philosophy and history of emotions?
  • How does cinema construct the historical past in emotional terms?
  • How does cinema articulate a philosophy of emotions?
  • What are the philosophical implications of various styles of historical cinema?

Speakers:

  • Dr Damian Cox, Society and Design, Bond University
  • Dr Ned Curthoys, English and Cultural Studies, The University of Western Australia
  • Professor Louise D’Arcens, English Literatures Program, The University of Wollongong
  • Caterina Di Fazio, PhD Student in Philosophy, Université Paris 1 Panthéon-Sorbonne, Charles University in Prague
  • Professor Michael Levine, Philosophy, The University of Western Australia
  • Professor Martin Shichtman, Director of Jewish Studies, Eastern Michigan University
  • Dr Robert Sinnerbrink, Philosophy, Macquarie University
  • Emeritus Professor Richard Read, History of Art, The University of Western Australia
  • Dr Ika Willis, School of the Arts, English and Media, The University of Wollongong

Self-Nominations for the MAA Graduate Student Committee – Call For Applications

The Medieval Academy of America is currently accepting self-nominations for vacancies opening up on the Graduate Student Committee (GSC) for the 2016-2018 term. The GSC comprises five members appointed for a two- year term on a rotating basis. Self-nominations are open to all graduate students, worldwide, who are members of the MAA and have at least two years remaining in their program of study.

The GSC was founded more than ten years ago to represent and promote the participation of graduate student medievalists within the MAA and the broader academic community. In addition to fostering international and interdisciplinary exchange, the GSC is dedicated to providing guidance on research, teaching, publishing, professionalization, funding, and employment, as well as offering a forum for the expression of the concerns and interests of our colleagues. Our responsibilities, thus, include organizing pre-professionalizing panels and social events annually at ICMS Kalamazoo, the MAA Annual Meeting, IMC Leeds, and biennially at ANZAMEMS. We also run a successful and popular Mentorship Program that pairs graduate students with faculty to discuss any aspect of our profession such as teaching, publishing, finding a successful work/life balance, maneuvering the job market, and more. In addition, we seek to bring together graduate students through virtual communities such as the growing Graduate Student Group on the MAA website, Facebook, Twitter, the med-grad listserv, and this tri-annual newsletter.

GSC members are asked to attend the Committee’s annual business meeting at Kalamazoo for the duration of their term and to communicate regularly with the group via email and Skype. Ideal applicants are expected to work well both independently and as part of a team in a collaborative environment. Previous experience with organizing conference panels and social events, as well as facility with social and digital media are not required, but may be a benefit.

Interested applicants should submit the following by December 15, 2015:

  • The Nomination Form;
  • A brief CV (2 pages maximum) uploaded as part of the Nomination Form;
  • A recommendation letter from your faculty advisor, sent to the Executive Director of the Medieval Academy by mail or as a PDF attachment (on letterhead with signature, to LFD@TheMedievalAcademy.org).

New members will be selected by the Committee on Committees and confirmed by the Council of the Medieval Academy at the 2016 Annual Meeting in Boston, February 25-27. If you have any questions, please contact us at gsc@themedievalacademy.org.

Courtly Pastimes – Call For Papers

Courtly Pastimes
The Fifteenth Triennial International Courtly Literature Society Congress
University of Kentucky, Lexington
24-29 July, 2016

Congress Website

Paper topics might include, but are not limited to:

  • Hunting, falconry, jousting and tournaments
  • Festivals, ceremonies and celebrations
  • Games and sports
  • Dance, music, songs and poetry
  • The Garden: Plants and Nature (real or symbolic, in treatises, in visual arts)
  • Animals (real, mythical, literary, heraldic, emblematic)
  • Domestic animals (horses, lap dogs, hunting dogs, household cats)
  • Exotic pets
  • Reading and writing
  • Sewing, embroidery, textile arts
  • Amorous dalliances
  • Courtly spaces: Decorous interiors, decorative objects, fabrics and furnishings
  • Warriors dismounted: Knights at court (courtly conduct, speech, dress)
  • Courtly Elements in Epic
  • Special Topic: 500 Years of Ariosto’s Orlando Furioso (anniversary of publication of the first edition

Additional topics concerning medieval and Renaissance era courts of any country are welcomed.

Papers may be presented in English, French, German, Italian, Spanish or Portuguese. Papers must not exceed 20-minutes in length (15-min. for panels of four). Organized sessions (4-paper maximum) or round tables are encouraged.

Plenary Speakers and Concert:

  • Lori Walters, The Florida State University, “Jeux à vendre: Poetic and Amorous Games in Christine de Pizan’s Queen’s Manuscript (London, BL, Harley 4431)”
  • Kristen Figg, Kent State University, “Blind Man’s Buff: From Children’s Games to Pleasure Gardens in late medieval France and England”
  • Pia Cuneo, University of Arizona, “Emblazoned Saddles: The Courtly Life of Horses in late medieval / early modern Germany”
  • Elizabeth Tobey, University of Maryland, “The Sport of Dukes: Palios, Stallions and Racing Stables in Renaissance Italy”
  • Courtly music in concert to be performed by Liber Ensemble for Early Music

All conferees must be members in good standing of their respective ICLS branch by the time of the Congress. Graduate students are kindly requested to include a letter of introduction from their supervising professor. Deadline for Submission of Papers (title and abstract, not over 300 words): 1 December, 2015. Abstracts will be posted electronically on the Congress webpage: http://icls2016.as.uky.edu. For particular concerns, contact the Congress organizer, Gloria Allaire: dr.gloria.allaire@hotmail.com.