Daily Archives: 6 November 2014

Professor Piroska Nagy, ARC Centre of Excellence for the History of Emotions Public Lecture

“Christmas In Greccio According to the Vita Prima of Francis of Assisi by Thomas of Celano”, Professor Piroska Nagy (Université du Québec à Montréal)

Date: Tuesday 11 November 2014
Time: 6:00pm
Venue: The University of Melbourne, Old Arts, South Theatre
Enquiries: Leanne Hunt, Telephone: +61 3 8344 5152, Email: leanne.hunt@unimelb.edu.au

Admission is free. All welcome

Barbara Rosenwein elaborated the notion of emotional communities as a way of explaining the affective dimension of social and cultural groups. But how is an ‘emotional community’ born? Exploring a famous case from medieval religious history, Nagy will test the hypothesis according to which shared emotional events or processes can induce the formation of an emotional or affective community. One of the best known episodes in the life of Saint Francis of Assisi is his celebration of Christmas in 1223 in the little town of Greccio. The episode is told in detail by Thomas of Celano in his first biography written in 1228-29. Later sources on Francis report the episode differently, according to their particular agenda; and it is also included in the iconographic cycles that depict Francis’s life. Nagy’s aim in this paper is firstly, to analyse the work of emotions in the creation of communal feeling, through the careful observation of what happened in Greccio according to the first sources, and how they can be understood within the context of Franciscan history; and secondly, to show how the transformation of the episode in later sources reveals what can be called a Franciscan politics of emotion.


Piroska Nagy is currently Professor of Medieval History at the Université du Québec à Montréal (UQAM), after having taught at the Université Paris I, the Université des Antilles et de la Guyane, Université de Rouen and the Central European University. She is the author of Le don des larmes au Moyen Age. Un instrument spirituel en quête d’institution, Ve-XIIIe siècle (Paris: Albin Michel, 2000) and co-author, with Damien Boquet, of Sensible Moyen Age. Une histoire culturelle des émotions et de la vie affective dans l’Occident médiéval (Paris: Seuil, forthcoming in 2015). With Damien Boquet in 2006, Nagy launched the first French research project on the history of emotions, EMMA, Emotions in the Middle Ages: and coedited with D. Boquet Émotions médiévales (2007); Le sujet des émotions au Moyen Âge (2009); Politiques des émotions au Moyen Âge (2010); La chair des émotions au Moyen Âge (2011). Her current research centres on the relationship between collective religious emotions in the medieval West and historical change.

Jo-Anne Duggan Essay Prize – Call For Papers

Jo-Anne Duggan (1962-2011) was a great artist and a great friend of the ACIS. Her artistic practice left what is arguably the richest and most compelling recent collection of photographs by an Australian artist to engage with Italian culture, history and art. Her work demonstrates not only artistic rigour and depth but also remarkable breadth, spanning from public spaces/places of Italian diaspora in Australia to enquiries into the re-contextualisation and museification of Renaissance art, from Australian archives of Italian migration to complex case studies on the legacy of the Gonzagas. In her research-led and interdisciplinary endeavour, Jo-Anne asked crucial questions and opened up original paths with regard to the construction of space/place, our relationship with the past and its reception, and the role of photographic art in mobilising and questioning the viewer’s gaze, starting from what she called her ‘postcolonial eye’.

To honour her memory, ACIS http://acis.org.au/prize, with the generous support of Kevin Bayley, The Colour Factory http://www.colourfactory.com.au/gallery/artists-in-our-stockroom/jo-anne-duggan and the editorial committee of Portal: Journal of Multidisciplinary International Studies http://epress.lib.uts.edu.au/journals/index.php/portal, has established a biennial Jo-Anne Duggan Essay Prize to be awarded for the first time in 2015. The aim of the Prize is to foster and expand Jo-Anne’s rich creative, artistic and scholarly legacy in order to maintain enquiry into the nexus between creative practice and research, especially among younger/emerging scholars. The Prize is designed to keep Jo-Anne’s questions alive in order to continue to learn from her own answers.

The due date is 1 March, 2015 and prizes include:

  • $1000 for the winning essay; $250 for two highly-commended essays
  • Winning entry will be offered publication in the prestigious journal: Portal: Journal of Multidisciplinary International Studies
  • Winning and highly-commended entrants will be invited to present their submissions at the Australasian Centre for Italian Studies (ACIS) biennial conference, The University of Sydney, 1-4 July, 2015.

Full details on eligibility and submissions can be found at http://acisnet.files.wordpress.com/2014/06/guidelines-jo-anne-duggan-prize1.pdf.