Monthly Archives: November 2014

Re-Reading Romanticism – Call For Papers

Re-Reading Romanticism: Imagination, Emotion, Nature, and Things
University of Melbourne
23-25 July, 2015

The biennial conference of the Romantic Studies Association of Australia and a supernumerary conference of the North American Society for the Study of Romanticism

Re-reading is a key practice for the humanities: it is one of the most important ways in which, on the one hand, the past is made available to the present and, on the other hand, ‘new’ sign systems are forged. More broadly, re-reading (understood as the bivalent process sketched above) is a powerful mode of Romantic creativity and, in this guise, one of the chief ways in which modernity discovers and realizes ‘various possibilities of order on the basis of an increasing freedom and a growing distance vis-à-vis an established reality’ (Luhmann, Art as a Social System). William Blake’s re-reading of Swedenborgian and Moravian discourses, for example, produces a sign-system (a poetic/analytic discourse) that to a surprising degree draws apart from its sources, while remaining independent of conventional semiotic repertoires existing at the time. Although the sources are different, much the same might be said of Mary Wollstonecraft, Charlotte Smith, Ann Radcliffe, Mary Robinson, William Wordsworth, and outside Britain, Olympe de Gouges, Germaine de Staël, Novalis, and many others. Romanticism itself has been the site of numerous re-readings, in which the same bivalent process can be observed; and Romanticism in its various guises continues to be re-read by important strands of contemporary culture. Most prominently, Romantic re-readings of earlier notions of imagination, passion, perception, nature, and things, exert a profound influence on, even as they are being re-read by, contemporary thought. Equally powerful forms of re-reading occur when European Romanticism crosses cultures and is read in China, India, Japan, and so on, and this is evident in the work of Rabindranath Tagore and Kenzaburo Oe, amongst many others. Seen in this light, re-reading converges with contemporary discourses of imagination, innovation, and creativity, whether deployed for politically conservative or progressive ends. Given its importance, it is surprising that so little attention is given to re-reading (as distinct from, say, intertextuality or the study of influence) and that so few accounts of re-reading engage with the bivalent process sketched above. It is our hope that ‘Re-reading Romanticism’ will begin to redress this balance, by providing an opportunity to explore this topic and its significance for the Humanities today. The work of Marilyn Butler will be one of the foci of our discussions. Butler’s strong re-reading of Romanticism has shaped the field we inhabit today, and this conference is intended to honor her memory.

Topics may include:

  • literary and/or cultural theories or histories of re-reading;
  • re-reading in theory;
  • the politics of re-reading;
  • Romanticism, re-reading, and the new;
  • re-reading Romantic texts in China, India, or Japan;
  • non-European readings of Romanticism;
  • re-reading English Romanticism in Europe (and vice versa);
  • Romanticism in Ireland, Scotland, or Wales;
  • re-reading Romanticism in Australia;
  • romantic re-readings of things, animals, or nature;
  • re-reading Romantic bodies, sexualities, or genders;
  • Romantic/gothic re-readings of religion, history, or the passions;
  • re-reading, Romanticism, and the Humanities;
  • contemporary re-readings of Romantic texts;
  • re-reading Romantic canonicity;
  • Marilyn Butler, history, and the study of Romanticism.

Deadline for proposals: A 250 word abstract, accompanied by a brief CV, must be submitted before 1 March 2015. Proposals for panels are welcome and should be submitted direct to the conference organizers (see below for details) before 1 February 2015.

Symposium on ‘Forests’:
Re-reading Romanticism’ will immediately follow a one-day symposium on ‘Forests’, to be organized by Dr. Grace Moore for the Centre for the History of Emotions at Melbourne University. (http://www.historyofemotions.org.au/about-the-centre/where-we-are/che-melbourne.aspx)

The organizers of the RSAA conference are:

Comitatus: A Journal of Medieval and Renaissance Studies – Call For Papers

Comitatus: A Journal of Medieval and Renaissance Studies, published annually under the auspices of the UCLA Center for Medieval and Renaissance Studies, invites the submission of articles by graduate students and recent PhDs in any field of medieval and Renaissance studies.

Submission Deadline for Volume 46 (2015): 1 February 2015.

The Comitatus editorial board will make its final selections by early May 2015. Please send submissions as email attachments to Dr. Blair Sullivan, sullivan@humnet.ucla.edu.

Shakespeare Reloaded – Now Online

The Shakespeare Reloaded website is an open-access resource for educators to explore new approaches to teaching and learning Shakespeare. We research the history, theory, and practice of education and literary studies. The website contains activities, workshops and research. Shakespeare Reloaded is part of a broader collaborative project between academics and teachers at the University of Sydney and Barker College (Hornsby).

For more information, please visit: http://www.shakespearereloaded.edu.au

Sydney University Postgrad History Conference: Histories Past, History’s Future

Histories Past, History’s Future
Sydney University Postgrad History Conference
University of Sydney
27-28 November, 2014

Conference Website

The Department of History at the University of Sydney will be holding a two-day conference on the 27th and 28th November, 2014, for postgraduates and early career researchers interested in addressing these issues and impulses in history and other related disciplines. In this conference we hope to open up a discussion about the way in which we currently write our histories, and the subjects, values, themes and methods that we use.

Registration is free. To register your attendance please visit: http://usydhistoryconference.wordpress.com/registration.

A draft programme is also available here: http://usydhistoryconference.wordpress.com/program.

Literary Networks – Call For Papers

Literary Networks Convention – AULLA, ASAL & AAL
University of Wollongong
7–11 July, 2015

Literature is a meeting point for intersecting lines of thought and feeling about the world. As the German critic Theodore Adorno observes in his Aesthetic Theory: “Art is autonomous and it is not…. The great epics, which have survived even their own oblivion, were in their age intermingled with historical and geographical reportage.”

Like its object of study, the discipline of literary criticism survives by making connections to other disciplines and to other ways of thinking and feeling about the world. Literary thinking, in this sense, is networked thinking. It is intermingled with other modes of discourse such as the philosophical, the linguistic, the political, the social, the geographical, the theological and the sexual.

We invite papers that engage with literature and literary criticism as a network where a network, is understood very broadly as a group or system of interconnected people or things. Given that this conference seeks to bring together scholars who work in and between a variety of national literatures, literary, media and cultural histories, we encourage submissions that engage with and exemplify the rich variety of critical and creative practices currently being undertaken under the aegis of ‘literary studies’ in a contemporary Australian context.

Papers might consider literature’s engagement with any of the following:

  • Acoustics, aesthetics or the visual
  • Affect, emotion or contagion
  • Animals, the environment or space/place
  • Appetite, consumption or food
  • Communities or creative practice
  • Communication, technology, transport or trade
  • Festivals, public events or publishing
  • Film, media, new media or television
  • Gender, sexuality or corporeality
  • Indigeneity, ethnicity, citizenship or diaspora
  • Institutions – writers, students or scholars
  • Neurology, cognition or the body
  • Reading, reception or research

Due date for proposals: 31 January, 2015
Notification of acceptance: 1 March, 2015
Email: Leigh Dale – ldale@uow.edu.au

Proposal should include title, abstract (150 words), followed by name and email address, included in the email (not as attachments). Abstracts should be accompanied by a 100-word biography, which starts with the presenter’s name.

For more information, please refer to the online call for papers.

Rhetorics of Landscape: Court and Society in the Early Modern World – Call For Papers

Rhetorics of Landscape: Court and Society in the Early Modern World

Targeted contributions are sought for an edited volume exploring the role of landscape in the articulation and expression of imperial and elite identities and the mediation of relationships between courts and their many audiences across the early modern world. Through a series of focused studies from Asia, the Islamic world, and Europe, the volume seeks to illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos. Please see description of the volume rationale below. Proposals focusing on landscapes from across Asia and the Islamic world from the 16th to the 19th century are welcome, with a particular (though by no means exclusive) interest in Ming and Qing China, Choson Korea, and Tokugawa Japan; pre-colonial Southeast Asia; the Mughals, Rajput states, and other parts of South Asia; Central Asian states; the Ottoman empire; and North Africa. Methodological approaches from art history, the history of gardens and designed landscapes, history and historical geography, as well as other fields, are welcome.

The volume is in preparation for submission to a US-based university press and will be peer-reviewed. Finished essays should be approximately 6,000-9,000 words inclusive of notes. Potential contributors should plan on submitting a first draft for internal editing and comments by the end of January 2015, with drafts for peer review by 1 April 2015 (there may be some flexibility around deadline – please be in touch if you are interested but need a different schedule). Interested scholars should submit a proposal of 250-500 words and CV by Friday 21 November 2014, to stephen.whiteman@sydney.edu.au. Questions and comments are also welcome.


‘Rhetorics of Landscape: Court and Society in the Early Modern World’

Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected the means by which states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court. This volume explores the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Twelve focused studies from East and South Asia, the Islamic world and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos.

Through comparative inquiry, this volume seeks to move away from readings of early modern societies simply as nascent modernities, instead articulating ways of understanding the period as one of contact and mobility that was nevertheless characterized by points of intercultural congruence, coincidence, and distinctiveness, as well. The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, such as printing, porcelain and textiles. Understanding physical and represented landscapes as ontologically equal, yet rhetorically distinct expressions, the volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments.

Rethinking Poverty in Medieval and Early Modern Europe – Call For Papers

Rethinking Poverty in Medieval and Early Modern Europe
Newman University, Birmingham
30-31 January, 2015

Conference Website

In a period when modern media outlets and politicians continue to discuss the cost of living in our own time, historians have long appreciated the preponderance and scale of poverty in the premodern world. While recent scholarship has done much to enhance our understanding of the development of centralised systems of poor relief between the late-medieval and early modern periods, historians know far less about continuities in the definition, treatment or legislation of poverty across this period. As a result, the gulf separating developments of the earlier and later part of this period appear even larger and more significant in their impact.

This two-day conference seeks to address poverty over a broadly defined medieval and early
modern period and will provide a forum for medieval and early modern scholars to compare and contrast developments and continuities across Europe. While medieval and early modern are deliberately broad concepts, the definition of poverty is also wide and could encompass a variety of topics. The work discussed here will augment the existing field of study by offering new ways to problematise the concept of poverty and understand the complexity of charitable giving, obligation and kinship in the pre-modern period.

The conference provides a platform where the contributions of postgraduates, early-career
researchers and established scholars exchange their ideas on an equal footing. We hope to
provide a small amount of financial assistance to PhD candidates or unwaged speakers at the
conference. If you would like to be considered for a postgraduate bursary (where available) please indicate so in your paper proposal.

We welcome proposals for twenty-minute papers on the following themes:

  • Social, theological, ethnic and physiological definitions of poverty.
  • Centralised and informal systems of charity.
  • Assessing the movement of paupers, vagrants or wage labourers.
  • Riots and unrest.
  • The impact of warfare/epidemic/crisis on poverty.

Submission Documents: 300 word abstracts and CVs to rethinkingpoverty2015@gmail.com.
Deadline for Abstracts: Monday, 1 December 2014.
The cost of the conference is anticipated to be £150 for residential delegates and £100 for nonresidential delegates including all refreshments, lunches and conference meal.
Organisers: Dr Laura Crombie (University of York) and Dr Chris Langley (Newman University,
Birmingham).

Professor Piroska Nagy, ARC Centre of Excellence for the History of Emotions Public Lecture

“Christmas In Greccio According to the Vita Prima of Francis of Assisi by Thomas of Celano”, Professor Piroska Nagy (Université du Québec à Montréal)

Date: Tuesday 11 November 2014
Time: 6:00pm
Venue: The University of Melbourne, Old Arts, South Theatre
Enquiries: Leanne Hunt, Telephone: +61 3 8344 5152, Email: leanne.hunt@unimelb.edu.au

Admission is free. All welcome

Barbara Rosenwein elaborated the notion of emotional communities as a way of explaining the affective dimension of social and cultural groups. But how is an ‘emotional community’ born? Exploring a famous case from medieval religious history, Nagy will test the hypothesis according to which shared emotional events or processes can induce the formation of an emotional or affective community. One of the best known episodes in the life of Saint Francis of Assisi is his celebration of Christmas in 1223 in the little town of Greccio. The episode is told in detail by Thomas of Celano in his first biography written in 1228-29. Later sources on Francis report the episode differently, according to their particular agenda; and it is also included in the iconographic cycles that depict Francis’s life. Nagy’s aim in this paper is firstly, to analyse the work of emotions in the creation of communal feeling, through the careful observation of what happened in Greccio according to the first sources, and how they can be understood within the context of Franciscan history; and secondly, to show how the transformation of the episode in later sources reveals what can be called a Franciscan politics of emotion.


Piroska Nagy is currently Professor of Medieval History at the Université du Québec à Montréal (UQAM), after having taught at the Université Paris I, the Université des Antilles et de la Guyane, Université de Rouen and the Central European University. She is the author of Le don des larmes au Moyen Age. Un instrument spirituel en quête d’institution, Ve-XIIIe siècle (Paris: Albin Michel, 2000) and co-author, with Damien Boquet, of Sensible Moyen Age. Une histoire culturelle des émotions et de la vie affective dans l’Occident médiéval (Paris: Seuil, forthcoming in 2015). With Damien Boquet in 2006, Nagy launched the first French research project on the history of emotions, EMMA, Emotions in the Middle Ages: and coedited with D. Boquet Émotions médiévales (2007); Le sujet des émotions au Moyen Âge (2009); Politiques des émotions au Moyen Âge (2010); La chair des émotions au Moyen Âge (2011). Her current research centres on the relationship between collective religious emotions in the medieval West and historical change.

Jo-Anne Duggan Essay Prize – Call For Papers

Jo-Anne Duggan (1962-2011) was a great artist and a great friend of the ACIS. Her artistic practice left what is arguably the richest and most compelling recent collection of photographs by an Australian artist to engage with Italian culture, history and art. Her work demonstrates not only artistic rigour and depth but also remarkable breadth, spanning from public spaces/places of Italian diaspora in Australia to enquiries into the re-contextualisation and museification of Renaissance art, from Australian archives of Italian migration to complex case studies on the legacy of the Gonzagas. In her research-led and interdisciplinary endeavour, Jo-Anne asked crucial questions and opened up original paths with regard to the construction of space/place, our relationship with the past and its reception, and the role of photographic art in mobilising and questioning the viewer’s gaze, starting from what she called her ‘postcolonial eye’.

To honour her memory, ACIS http://acis.org.au/prize, with the generous support of Kevin Bayley, The Colour Factory http://www.colourfactory.com.au/gallery/artists-in-our-stockroom/jo-anne-duggan and the editorial committee of Portal: Journal of Multidisciplinary International Studies http://epress.lib.uts.edu.au/journals/index.php/portal, has established a biennial Jo-Anne Duggan Essay Prize to be awarded for the first time in 2015. The aim of the Prize is to foster and expand Jo-Anne’s rich creative, artistic and scholarly legacy in order to maintain enquiry into the nexus between creative practice and research, especially among younger/emerging scholars. The Prize is designed to keep Jo-Anne’s questions alive in order to continue to learn from her own answers.

The due date is 1 March, 2015 and prizes include:

  • $1000 for the winning essay; $250 for two highly-commended essays
  • Winning entry will be offered publication in the prestigious journal: Portal: Journal of Multidisciplinary International Studies
  • Winning and highly-commended entrants will be invited to present their submissions at the Australasian Centre for Italian Studies (ACIS) biennial conference, The University of Sydney, 1-4 July, 2015.

Full details on eligibility and submissions can be found at http://acisnet.files.wordpress.com/2014/06/guidelines-jo-anne-duggan-prize1.pdf.

Europa Inventa Database: Early European Objects in Australasian Collections

Australasian libraries, galleries and museums hold many thousands of unique and irreplaceable European manuscripts, art works and historic objects dating from the eleventh to the eighteenth centuries. They are of great value to researchers – both in Australasia and in Europe – not just for their contents but for what they reveal about the persistence of the Early European heritage in Australasia. Collectively and individually, they are unique national treasures of Australia and New Zealand.

Europa Inventa (“Europe Discovered”) is the first systematic description of these Early European materials. The Europa Inventa database currently contains information about 1,700 artworks and 300 medieval manuscripts held in the major Australian libraries, galleries and museums. It is one of the digital services developed for the ARC Research Network for Early European Research (NEER).

For more information and to access the Europa Inventa database, please visit: http://europa.arts.uwa.edu.au/about