Monthly Archives: August 2014

Hortulus (Fall 2014 Issue): Emotion and Affect – Call For Papers

Hortulus: The Online Graduate Journal of Medieval Studies is a refereed, peer-reviewed, and born-digital journal devoted to the culture, literature, history, and society of the medieval past. Published semi-annually, the journal collects exceptional examples of work by graduate students on a number of themes, disciplines, subjects, and periods of medieval studies. We also welcome book reviews of monographs published or re-released in the past five years that are of interest to medievalists. For the fall issue we are highly interested in reviews of books which fall under the current special topic.

For our Fall 2014 themed issue, “Emotion and Affect,” we invite articles that engage with emotion and affect from a variety of disciplinary angles, including the depiction of emotions in medieval literature, history, philosophy, theology, and art. An article might address theoretical approaches to the study of emotion and affect, including history of the emotions, psychoanalysis, and affect theory. We would be happy to receive papers related to gender and feeling, emotion and politics, the rhetoric of affect, the relationship between emotion and memory, affective theology, and the role of emotions in material culture. Submissions examining emotion and affect in any medieval context are welcome. Most importantly, we seek engaging, original work that contributes to our collective understanding of the medieval era.

Contributions should be in English and roughly 6,000–12,000 words, including all documentation and citational apparatus; book reviews are typically between 500-1,000 words but cannot exceed 2,000. All notes must be endnotes, and a bibliography must be included; submission guidelines can be found here. Contributions may be submitted to hortulus@hortulus-journal.com and are due August 15, 2014. If you are interested in submitting a paper but feel you would need additional time, please send a query email and details about an expected time-scale for your submission. Queries about submissions or the journal more generally can also be sent to this address.

Grounding the Sacred Through Literature and the Arts – Call For Papers

Grounding the Sacred Through Literature and the Arts Conference
Australian Catholic University, Sydney
23-26 July, 2015

Conference Website

The Grounding the Sacred conference invites papers and presentations from artists, writers, musicians, academics and religious who are interested in the interplay between the arts and the sacred. The conference asks how literature and the arts can make the sacred tangible: do they enable us to touch the sacred? Do they offer a way of structuring our experiences of the sacred? Do they provide a common ground for people of different faiths – or none – to explore the ineffable? And where does creativity sit in relation to religion and the search for meaning? Are a sense of the sacred and the means to express it essential for human flourishing?

Abstracts of 250 words are invited for 20 minute papers and presentations that address the conference theme. They may be from creators talking about their work as it expresses the sacred; from researchers seeking to explain the relationship between creativity, religion and well-being; and from interpreters bringing to light the sacred dimensions of pre-existing creative works. Submissions should include the author’s name, affiliation, email address, title of abstract, body of abstract, and a short biography. Potential presenters who wish to have their work considered for inclusion in a special Australian issue of Literature and Theology should forward full papers.

Abstracts should be sent to Elaine Lindsay at slaconference@acu.edu.au by 27 February 2015.
Full papers intended for Literature and Theology are due by 13 March 2015.

Inquiries can be made of the conveners, michael.griffith@acu.edu.au or elaine.lindsay@acu.edu.au.

John Rylands Research Institute Visiting Fellowships – Call For Applications

The John Rylands Research Institute is a partnership between The University of Manchester Library and The University of Manchester to reveal and explore hidden ideas and knowledge contained within our world-leading Special Collections. We are creating an international community of scholars across many disciplines to support outstanding research and to bring this information to the wider public in exciting and innovative ways.

The Library¹s Special Collections count among the foremost repositories of primary sources in the UK, with research potential across an exceptionally broad array of disciplines. Candidates, whether in established academic posts or not, should at least hold a doctorate at the time of application.

Successful applicants will be reimbursed expenses up to £1,500 per month for up to 3 months, to cover travel, accommodation and living expenses during the Fellowship. All applications must be based strongly on the Special Collections of the University of Manchester Library.

Applications in the areas of Revolutions in Print, Religions and Science and Medicine are especially welcome, as are those that have the potential to result in high-profile publications. Fellowships can be taken up at a mutually agreed time between 1 January and 31st July 2015. Consideration will be given to exceptional candidates undertaking their fellowship at a future time.

The allocation of a grant will take place after the assessment of an application form by the Steering Group of the John Rylands Research Institute, which is advised by curators and experts from the relevant academic schools.

The deadline for applications will be 30 September 2014.

For full application details please see: http://www.library.manchester.ac.uk/jrri/opportunities/visiting-fellowships.

Five Centuries of Melancholia Exhibition

Five Centuries of Melancholia
30 August-30 November 2014
The University of Queensland Art Museum

The year 2014 marks the 500th anniversary of Albrecht Dürer’s engraving Melencolia I 1514. Taking its cue from the engraving, the exhibition explores five centuries of melancholy in art. From the Renaissance onward, melancholy has been invoked as a condition, perspective, and/or mood; melancholy has inhabited figures, objects and landscapes. In addition to Dürer, the international artists include Francisco Goya, Giovanni Battista Piranesi, Rembrandt Harmensz van Rijn, Jusepe Ribera and Odilon Redon, along with contemporary Australian artists such as Rick Amor, Destiny Deacon, Tracey Moffatt and Imants Tillers. Artworks are drawn from national and state institutions, and regional, university and private collections.

Curator: Dr Andrea Bubenik

Presented in partnership with the UQ Node, ARC Centre of Excellence for the History of Emotions (Europe 1100 – 1800).

Criminal Law and Emotions in European Legal Cultures: From 16th Century to the Present – Call For Papers

Criminal Law and Emotions in European Legal Cultures: From 16th Century to the Present
Center for the History of Emotions, Max Planck Institute for Human Development, Berlin
21-22 May, 2015

Keynotes:

  • Elizabeth Lunbeck (Vanderbilt University)
  • David Sabean (UCLA)

Roundtable Discussion

  • Dagmar Ellerbrock (MPIB/TU Dresden)
  • Terry Maroney (Vanderbilt University)

Legal institutions and jurists have often perceived themselves and promoted an image of their
role and activity as essentially ‘rational’. Yet, emotions have always been integral to the law,
particularly in the case of criminal law. Emotions were and are taken explicitly or implicitly into
consideration in legal debates, in law-making, in the codified norms and in their application,
especially in relation to paramount categories such as free will, individual responsibility and
culpability, or the aggravating and mitigating circumstances of a crime. Emotions could directly
or indirectly play a role in defining what conduct was legally relevant, worthy of legal
protection or in need of legal proscription; in why and how it was necessary to punish, and what
feelings punishment was meant to evoke.

Legal scholars in the past did not shun the complex relationship between law and emotions. Yet
it is in the last two decades that specialists from different disciplines, from law theory to
psychology, from philosophy to history, have shown an increasing and lively interest in
unravelling the role played by passions, feelings and sentiments in criminal law. Special
attention has been focused on three key areas: norms, practices and people.

This two-day conference seeks to historicize the relationship between law and emotions,
focusing on the period from the sixteenth century to the present. It aims to ask how legal
definitions, categorizations and judgments were influenced by, and themselves influenced,
moral and social codes; religious and ideological norms; scientific and medical expertise; and
perceptions of the body, gender, age, social status. By examining the period between the
sixteenth century and the present day, this conference also seeks to challenge and problematize the demarcation between the early modern and the modern period, looking at patterns and continuities, as well as points of fissure and change, in the relationship between law and emotions. In particular, it seeks to question the extent to which ideas about law and emotions fundamentally shifted around the eighteenth century—the traditional marker of the ‘modern’ period.

This conference will explore how legal professionals, as judges, prosecutors, defense attorneys
and other legal officials, handled different forms of knowledge about emotions in the practice of law, in accordance with, or in opposition to, general social and cultural attitudes and public
opinion. It will further investigate the presence and absence—and their meanings—of emotions
in the courtroom, as a fundamental aspect of criminal law practices. It will take into
consideration not only the emotions which were shown, expected and provoked but also the
ones which were repressed, controlled or proscribed by different legal actors and the public.
Finally it will also include analysis of how legal understandings of emotions were portrayed in
the media and in the wider society.

We invite submissions from scholars of different historical disciplines, working on early modern
and modern periods and particularly encourage proposals from scholars working on Northern,
Central and Eastern European countries, and the non-Western world. The conference will be held in English.

Accommodation and travel expenses for those presenting will be covered by the Max Planck
Institute for Human Development. If you are interested in participating in this conference,
please send us a proposal of no more than 300 words and a short CV by 1 October 2014 to cfp-emotions@mpib-berlin.mpg.de. Papers should be no longer than 20 minutes, in order to allow time for questions and discussion.

Convenors:

  • Dr. Laura Kounine, Center for the History of Emotions, Max Planck Institute for Human Development in Berlin
  • Dr. Gian Marco Vidor, Center for the History of Emotions, Max Planck Institute for Human Development in Berlin