Monthly Archives: September 2014

Newnham College, University of Cambridge – Two Junior Fellowships 2014/15

Newnham College, University of Cambridge
Junior Research Fellowships

The purpose of Junior Research Fellowships is to allow highly-talented women (fellowships at Newnham are restricted to women. These appointments comply with legislation on sex discrimination, relying on the Equality Act 2010, Schedule 22, and Article 3 of the College Charter) to pursue their research single-mindedly in a supportive academic environment. Fellowships are normally awarded to women just finishing their PhDs, or those in their first post-doctoral appointment.

Research Fellows are appointed for a period of three years, although many leave sooner if they are successful in gaining faculty appointments in Cambridge or elsewhere. Both selection panels use the concept of “research age” in judging how long a candidate has been active in research, so that time out of research for professional or family reasons will not be a disadvantage.

During their tenure JRFs have no other duties other than to pursue their research, but they may, if they wish, participate in College teaching. They are members of the College Governing Body, and may serve on other College committees.

The Fellowships carry a competitive stipend, plus accommodation in a college set or flat. An additional allowance is paid if the holder chooses to live in non-College accommodation. Fellowships may be also be awarded on a non-stipendiary basis to women who hold another post-doctoral appointment in the University or in a recognised University Partner Institution (UPI). Funds are available to support research costs, such as conference travel: all Research Fellows are also entitled to a one-off sum of up to £10K towards the cost of a research project, or towards running a Newnham-based research event, such as a conference or workshop.

We normally elect two women to Junior Research Fellowships each year, one in the Sciences (including Mathematics, Engineering and Psychology) and one in the Humanities and Social Sciences. However, for 2014/15 one Junior Research Fellowship will be offered in the Sciences, and two in the Humanities and Social Sciences.

The Humanities and Social Sciences Research Fellowship subjects are normally offered on a three-year rotation. However, for 2014/15 only, one Fellowship will be offered in the rotational subjects as listed below, and the second will be entirely open as to field within the Humanities and Social Sciences.

2014/15: Classics, Human, Social and Political Sciences (HSPS) (including Archaeology and Anthropology, Politics and International Studies, Social Sciences) Modern and Medieval Languages (including Theoretical and Applied Linguistics), Philosophy, Geography, History and Philosophy of Science.

Applications are currently being accepted, with appointment wef 1st October 2015.
The closing date for applications is Friday 31st October 2014.

Newnham research students in the whole field of the Humanities and Social Sciences are eligible for both Research Fellowships, regardless of the rotational listing.
For further information re: both Humanities Fellowships, and details of how to apply click here.

2015/16: Economics, English, Education, Business & Management, Land Economy, Music, Law.
(Applications will open in late summer 2015, with appointment wef 1 October 2016)

2016/17: History, Architecture, History of Art, Asian and Middle Eastern Studies, Divinity.
(Applications will open in late summer 2016, with appointment wef 1 October 2017)

ANZAMEMS Conference Panel: Representations of Masculinity Within the Medieval and Early Modern Period – Call For Papers

As a reaction to the implicit masculine gendering of history and literature up until the latter part of the twentieth century, gender-based studies of the medieval and early modern period have tended to focus on representations of femininity at the expense of masculinity. While this approach has been invaluable in exposing the way in which women have been marginalised and effaced across time, it risks obscuring some elements of both the constructed nature of masculinity and of historical representations of masculine/feminine binaries.

This panel seeks to explore the possibilities offered by an explicitly gendered focus on representations of masculinity within the medieval and early modern period. The panel will convene at the ANZAMEMS Tenth Biennial Conference at the University of Queensland on the 14–18 July, 2015: http://anzamems.org/?page_id=7.

Possible topics for papers include but are not limited to:

  • Masculinity and labour
  • Masculinity and race
  • Masculinity and violence
  • Masculinity and physiology
  • Masculinity and domesticity
  • Masculinity and honour
  • Masculinity and sexuality
  • Masculinity and kingship

If you would like to contribute a paper to this panel, please send a 250 word abstract for a 20 minute paper together a brief biography to deborah.seiler@research.uwa.edu.au by the 23 October, 2014. Please put ‘Masculinities Panel’ in the subject line.

Professor Graham Holderness – Early Modern Literature Forum Public Lecture

“Early Modern Literature Forum: The Arab Shakespeare Trilogy”, Professor Graham Holderness (University of Hertfordshire)
Date: Tuesday, 7 October 2014
Time: 4:00pm
Venue: Room 202A, Learning & Innovation Building, University of Queensland

This year will see the publication by Bloomsbury/Methuen Drama of Sulayman Al-Bassam’s The Arab Shakespeare Trilogy, which presents English-language versions of his three Shakespeare adaptations: The Al-Hamlet Summit (Hamlet), An Arab Tragedy (Richard III) and The Speaker’s Progress (Twelfth Night). Graham Holderness reviews the trilogy as a whole, considering the plays as political theatre, ‘arabized’ drama and globalized culture. Of interest to all those concerned with Shakespeare, transnational culture and relations between the West and the Middle East.


Graham Holderness has taught at the universities of Oxford, Swansea, Roehampton and Hertfordshire. Most of his 40 published books focus on Shakespeare, with particular interests in Shakespeare’s history plays, Shakespeare and the media, Shakespeare editing, Shakespeare and contemporary culture and transnational Shakespeare. Recent publications include Shakespeare in Venice (2009) and the innovative new biography Nine Lives of William Shakespeare (Bloomsbury, 2011). Influential publications include: D.H. Lawrence: History, Ideology and Fiction (1982); The Shakespeare Myth (1988); Shakespeare: The Histories (2000); and the trilogy Cultural Shakespeare: Essays in the Shakespeare Myth (2001), Visual Shakespeare: Essays in Film and Television (2002), and Textual Shakespeare: Writing and the Word (2003). Graham Holderness is also a novelist, poet and dramatist. His novel The Prince of Denmark was published in 2001; his poetry collection Craeft received a Poetry Book Society award in 2002; and his play Wholly Writ was recently performed at Shakespeare’s Globe, and by Royal Shakespeare Company actors in Stratford-upon-Avon.

The Early Modern Literature Forum is an opportunity for those working on English and European literature and drama, 1500-1800 (or in related fields, such as history, philosophy, music, or the history of art) to share research and engage in discussion about texts and issues of common interest. Regular fortnightly meetings will take place on Fridays at 4:00pm in Room 202A of the Learning and Innovation Building on the UQ St Lucia campus. For further information contact Ross Knecht (r.knecht@uq.edu.au) or Brandon Chua (b.chua@uq.edu.au).

Richard III: Histories — Transformations — Afterlives – Call For Papers

Richard III: Histories — Transformations — Afterlives
A one-day conference at De Montfort University, Leicester
Trinity House, The Newarke, Leicester
25 March 2015

Coinciding with the interment of King Richard III in Leicester, De Montfort University’s Centre for Textual Studies and Centre for Adaptations are co-hosting a one-day conference called “Richard III: Histories–Transformations–Afterlives”.

20-minute papers are invited on all topics related to:

  • The historical King Richard III
  • Dramatic/fictional Richards onstage and elsewhere
  • The genre of the history play in its own time and after
  • Textual problems in the editions of Shakespeare’s history plays
  • The relationship between history and tragedy then and later
  • How Richard III changes in adaptations
  • History plays and the shifting geographies of England, Great Britain, the United Kingdom and beyond.

Please send proposals for papers comprising titles and abstracts (100-300 words) to Prof Deborah Cartmell (djc@dmu.ac.uk) and Prof Gabriel Egan (gegan@dmu.ac.uk) by 15 January 2015.

The conference day programme and the registration fee include a private guided tour of the newly opened King Richard III Visitor Centre in Leicester city centre, which commemorates the discovery in 2012 of Richard III’s remains, just 200 metres from the De Montfort University campus.

Villa I Tatti Harvard Center for Italian Renaissance Studies – 2014 Essay Prize / Fellowships

The Villa I Tatti Harvard Center for Italian Renaissance Studies has just published the rules to apply for a prize for the best essay published in 2014. The application form is now live.

The Villa I Tatti Harvard Center for Italian Renaissance Studies has changed the eligibility rules. For the first time, advanced PhD students can apply, and the new deadline is February 14 2015.
Here is the link to the application form: https://itatti.slideroom.com/#/Login and to the webpage with more information: http://itatti.harvard.edu/research/grants/best-essay-junior-scholar-prize

There are also six types of VIT Fellowships, and all applications are now live. The list also includes a new Fellowship (Tobey) and another Fellowship in its second year (VIT-RCAC). All are listed on the VIT homepage: http://itatti.harvard.edu. Application for all is via Slideroom: https://itatti.slideroom.com/#/Login

Heroes – Heroizations – Heroisms: Transformations and Conjunctures from Antiquity to the Modern Day – Call For Papers

Heroes – Heroizations – Heroisms
Transformations and Conjunctures from Antiquity to the Modern Day
Freiburg, Germany
19–20 November, 2015

The discussion in history and the cultural sciences usually views heroic figures and their deeds as manifestations of human autonomy and agency. The planned conference confronts this viewpoint with the question of how the heroic is intertwined with material objects across various epochs and cultures. The goal is to gain a new perspective on assumptions concerning heroic agency and inquire into the relevance of current theoretical approaches (such as actor network theory, assemblage theory, new materialism) for discussions on the heroic as well as on the challenge the heroic presents for the material turn.

By virtue of their physicality, heroic figures themselves have a material dimension that influences their actions. But the capacity for heroic agency is also linked to the world of things and determined in a positive and a negative sense by artefacts and other objects, technologies, and media as well as their structures. The basic thesis of the conference is that the capacity for heroic agency manifests itself in charged assemblages of human and nonhuman protagonists, in the complex interactions between heroic figures and the influence of things they make use of, take action against, or even fuse with: from Hercules’ club to “machine heroes.” The conference invites papers focused on history, society, aesthetics, and the media that explore the following central aspects of this premise:

1) Things as conditions, extensions, and potentialisations of heroic agency: How dependent are heroic figures on their material attributes (weapons, armour, other implements)? Are things what make the hero into a hero in the first place? What material attributes are associated with the charisma of heroic figures? How and under what conditions do things and technologies serve to extend or augment the capacity for heroic agency? When and how do such extensions become catalysts for characterising the heroic? Is it possible to make out historical trends for such processes?

2) Things as resistance to and limitation of heroic agency: Under what circumstances are the possibilities of heroic agency limited by material circumstances? What natural objects or artefacts must heroes clash with to prove their exceptional abilities? What does it mean when heroes are confronted with the agency of artefacts or natural objects? How do technological and scientific innovations affect the possibilities of heroic agency (e.g., weapons of mass destruction or surveillance technologies that limit autonomous agency)? Which technologies tend to promote individual heroism and which collective heroism? Under what social or political conditions did or does this happen? Can heroism be paid for or rewarded by material means?

3) Things as modifications, optimisations, or substitutions of the hero’s body: How does the materiality of the hero’s own body limit his or her capacity for agency, and how is it possible to compensate for this limitation through modification of the hero’s body? How far do imagination and reality go in this respect? When and with what consequences for our understanding of the heroic does the body of the hero finally itself become a thing (machine heroes, cyborgisation) and at what point is the hero substituted entirely by things (drones instead of soldiers)?

4) Things as heroes: Can nonhuman agency be heroised or become the hero’s antagonist? Under what circumstances and with what intentions are things themselves heroised in reality or in the imagination?

The conference will be held in English and German (with translations).

Please send your abstract of up to 300 words by 15 November 2014 to info@sfb948.uni-freiburg.de.

Lecturer In English 1550-1750 – Call For Applications

Keele University – School Of Humanities
Lecturer In English 1550-1750

Salary: £33,242 Grade 7a, p.a.
Hours: Full Time
Contract: Permanent
Job Ref: AC14/29
Closes: 22 October 2014

We are seeking to appoint a Lecturer with research interests in literature of the period 1550-1750, who will join a successful and established group of researchers and teachers. The appointment will cover teaching responsibilities focused in the early modern period, but would be expected to contribute to a range of undergraduate modules. The ability to teach poetry would be a particular advantage. The ability to contribute to American literature modules would also be an advantage. We welcome applications that show an interest in feminist, queer, and postcolonial methodologies. S/he will contribute to the Faculty’s submission to the next Research Excellence Framework.

Informal enquiries may be addressed to: Dr James Peacock, Programme Director in English and American Literature, email: j.h.peacock@keele.ac.uk

For full post details and to apply, please visit: http://tinyurl.com/AC14-29

New Perspectives on Gerald of Wales: Texts and Contexts – Call For Papers

New Perspectives on Gerald of Wales: Texts and Contexts
Harvard University
10-11 April, 2015

Gerald of Wales, also known as Giraldus Cambrensis or Gerald de Barri, is one of the most widely referenced authors of the twelfth century, and an important source of information for life in the insular medieval world. Much of his work, however, remains understudied, with scholarly focus usually limited to his works on Ireland and Wales, while his religious and other writings remain almost untouched. Recent scholarship on the complete manuscripts of his works by Catherine Rooney at the University of Cambridge, however, as well as recent studies on his ethnographic writings and the vernacular transmission of his work, has opened up new possibilities and renewed interest in his life and writings, including several forthcoming new editions. This conference seeks to bring together scholars of Gerald of Wales from around the world, considering this remarkable writer in his own right, both in the context of the twelfth century and throughout the later Middle Ages, stimulating new dialogue and allowing a platform for new work in the future.

This conference invites papers on any aspect of Gerald’s writing, especially welcoming new approaches to his religious writings; the transmission of his work in manuscript, including the construction of stemma; his relationship to other writers of the twelfth century, whether scholastic, historical or otherwise; his relationship with the Angevins; and the legacy of his reception in vernacular languages.

The conference will be hosted by Harvard University’s Department of Celtic Languages and Literatures and the Standing Committee on Medieval Studies. We are pleased to announce that our plenary addresses will be given by Robert Bartlett (University of St Andrews) and Huw Pryce (Bangor University). Potential presenters should submit an abstract of no more than 250 words to harvardgerald@gmail.com by 31 October 2014. Presentations should be no more than 20 minutes in length.

English Broadside Ballad Archive

The University of California’s English Broadside Ballad Archive is a fantastic project, with a dedicated team making broadsides available to everyone.

The project provides high-quality ballad sheet facsimiles of the ballads as well as facsimile transcriptions (which preserve the ballad’s original ornament while transcribing its unfamiliar typeface into easily readable modern print). In addition, they supply recordings of the ballads whenever a tune is extant, extensive cataloguing of the ballads, including cataloguing of their illustrations or woodcut impressions, TEI/XML and MARC records, and both basic and advanced search functions that allow readers easily to find collections or individual ballads as well as their constituent parts or makers by a variety of means. They also offer background essays on the various ballad collections included in EBBA and on ballad culture generally as well as other helpful ballad resources.

For more information, visit the English Broadside Ballad Archive website: http://ebba.english.ucsb.edu.

University of Auckland: Funded MA Opportunities – “Shakespeare’s Theatre Games”

The University of Auckland, School of Humanities
Two MA scholarships in Drama 2015

Shakespeare’s Theatre Games
Supervisor: Prof. Tom Bishop

Seeking applicants for TWO (2) MA scholarships in Drama in 2015 on some topic related to early modern (1500-1642) dramatic performance practice.

Applicants will work on researching and exploring the work of early modern performers, producing a research portfolio of written and performance work to be decided in consultation. The project will include active performance and a full-production programme working on early modern drama both solo and with other students. Choice of performed work will be made in consultation. Possibilities for written work include:

  • the history of some aspect of early modern English performance
  • clowning and comic skills in sixteenth century English drama
  • the history of a key individual performer or company in the early modern English theatre

Applicants are strongly encouraged to contact the supervisor in advance of the deadline to discuss their proposed research.

The scholarships cover:

  • fees at the University of Auckland for full-time enrolment in the MA in Drama
  • a tax-free stipend totalling $16,000 for the year (to be paid out in monthly intervals across the period of enrolment)
  • practical training and production work with Dr. Ira Seidenstein, world-renowned clown teacher and mentor.

Applications are due by email to Tom Bishop (t.bishop@auckland.ac.nz) no later than 30 November 2014. The successful candidates will be notified by 7 December 2014. The successful candidate will have until 14 December to take up the scholarship offer and must be fully enrolled in the MA programme in Drama at the University of Auckland no later than 1 March, 2015.

Applications must include the following:

  1. A copy of the applicant’s official academic record (to be verified by the University of Auckland once the application is successful)
  2. A letter applying for the place including a description of areas of interest and experience and plans for research and performance
  3. A letter of reference in support of the application, sent confidentially to the supervisor by the referee (by post or email)

Applicants should note the following:

  1. Applications will be assessed on the candidate’s academic record, experience with drama and research potential, and the quality of the referee report. The supervisor may request an interview with applicants by Skype, telephone or in person
  2. Applicants may receive the scholarship as soon as they are fully enrolled in the MA programme at the University of Auckland. They are expected to be resident in Auckland for the duration of their enrolment, aside from any agreed periods of research travel.
  3. The scholarship is offered for a period of one year. Applicants are expected to have completed within this period. If additional time is required, the applicant will have to bear any additional costs
  4. In order to take up the offer, the successful applicant must meet all requirements for admission into an MA in Drama at the University of Auckland. The scholarship will not be paid out until the successful applicant is fully enrolled in the MA
  5. To remain eligible for the scholarship, the successful applicant must fulfil all the requirements of on-going enrolment in an MA in Drama at the University of Auckland. The scholarship may be terminated if the applicant does not make satisfactory progress
  6. As per University of Auckland policy, the amount of additional work the applicant may undertake either inside or outside the University shall not exceed a total of 500 hours in the scholarship year
  7. The scholarship cannot be held concurrently with any other scholarship either from within or outside the University of Auckland
  8. The scholarship may be terminated if the applicant fails to meet the above conditions.

For further information, please contact:

Tom Bishop
Email: t.bishop@auckland.ac.nz
Phone: +64 9 373 7599 ext 87841.