Monthly Archives: June 2014

Lyell-Bodleian Research Fellow in Manuscript Studies – Call For Applications

Lyell-Bodleian Research Fellow in Manuscript Studies
Weston Library, Bodleian Libraries, Oxford
Grade 7: £29,837 – £36,661 p.a.

The Bodleian Libraries, in association with the board of electors to the James PR Lyell Readership in Bibliography, propose to appoint a postdoctoral research fellow in manuscript studies from 1 October 2014, or as soon as possible thereafter, for a fixed-term of 3 years. The Fellowship is offered concurrently with the non-stipendiary Dilts Fellowship at Lincoln College.

The Fellow will undertake research on any aspect of the Canonici collection of Medieval and Renaissance manuscripts in the Bodleian, which is named after their Venetian collector Matteo Luigi Canonici (1727-1805/6). Research proposals will be invited from any area of manuscript specialism, including the study of texts (Latin, Greek, and vernacular), script, decoration and illustration, codicology (including binding), and provenance (including the history of libraries).

Previous experience of contributing to publications and presentations is essential, as is an interest in the work of the libraries, and desire to contribute to its work.

Only candidates who will have submitted their doctoral theses by the closing date will be considered; proof of submission will be required if a candidate has not been awarded their doctorate by the time of interview.

Applications are to be made online. You will be required to upload a supporting statement as part of your online application. CVs will not form part of the selection process.

Applicants are also asked to arrange for two references to be sent to the Bodleian personnel office using the email address: personnel@bodleian.ox.ac.uk. Letters must be received by the closing date for your application to be complete. Your referees should not be related to you.

Only applications received online before 12.00 midday on 21 July 2014 can be considered.

This advert is available at http://tinyurl.com/ku9e5t7 which also provides a link to the further particulars.

Casebooks Project Editor (Research Assistant/Associate) – Call For Applications

The Department of History and Philosophy of Science at the University of Cambridge seeks to appoint an Editor to work on The Casebooks Project: A Digital Edition of Simon Forman’s and Richard Napier’s Medical Records, 1596-1634 (http://www.magicandmedicine.hps.cam.ac.uk).

The Casebooks Project is making one of the most extensive surviving sets of medical records in history publicly available. It combines the highest level of scholarship with cutting-edge digital humanities. Casebooks is directed by Dr Lauren Kassell and has been funded by a series of major awards from the Wellcome Trust.

The successful candidate will join the project team to work full-time transcribing and coding Richard Napier’s casebooks. He or she will also contribute to academic, educational and public engagement activities from time to time.

It is essential for candidates to have: an aptitude for detailed, systematic work, the ability to read difficult handwriting, and be capable of working both independently and as part of a team

The following would be desirable:

  • Expertise in early modern history, especially the histories of medicine, religion, astrology and the family
  • Proficiency in seventeenth-century palaeography
  • At least rudimentary Latin
  • Experience of XML and TEI

We will train the successful applicant in the necessary skills to do this work.

This would be an ideal position for a recent graduate planning to pursue a career in history or digital humanities, or a postdoctoral scholar seeking experience working on a major collaborative project.

Once an offer of employment has been accepted, the successful candidate will be required to undergo a health assessment.

Fixed-term: The funds for this post are available until 30 June 2017

Salary: £24,289-£36,661

Please ensure that you upload the following:

  1. A covering letter, stating why you want to work on Casebooks and what makes you a good candidate for this job
  2. An up-to-date cv, including any publications

Schedule

  • Closing Date: 11 July 2014
  • Shortlisting: 16 July 2014
  • Interviews: 7 August 2014 (videoconferencing will be available where required)

To apply: http://www.jobs.cam.ac.uk/job/4143

For more information about the Casebooks Project:
http://www.magicandmedicine.hps.cam.ac.uk and the HPS Department: www.hps.cam.ac.uk.

Any queries should be emailed to hpsjobs@hermes.cam.ac.uk or you can contact us on: 01223 334540.

Petition – Save the Warburg Institute

There is currently a petition from the Friends of the Warburg calling upon the University of London to withdraw their legal challenge of its own deed of trust concerning the care and integrity of the Warburg Institute. Possible results of this action include the dispersal of the library, or its relocation abroad.

There is more information on the history of this important library and research institution and the threats it faces in the Times Higher Education:

The future of a “unique and extraordinary” library saved from Nazi Germany lies in the balance after the University of London launched a legal action to challenge its deed of trust.

The Warburg Institute, which holds about 350,000 books in its Bloomsbury premises, was originally established in Hamburg by Aby Warburg (1866-1929), an intellectual whose brilliance has been compared to that of Sigmund Freud. More.

You can add your signature to the petition here https://www.change.org/en-GB/petitions/petition-save-the-warburg-institute. They already have almost 3500 and are aiming for 5000.

Attending to Early Modern Women – Call For Papers

Attending to Early Modern Women: It’s About Time
Milwaukee, Wisconsin
June 18-20, 2015

Conference Website

Taking as its inspiration the fact that 2015 marks the 25th anniversary of the first Attending to Early Modern Women conference, the ninth conference, “It’s About Time,” will focus on time and its passing, allowing us to archive our achievements, reflect on the humanities in the world today, and shape future directions in scholarship and teaching. The conference will be held at the University of Wisconsin-Milwaukee School of Continuing Education in the heart of downtown Milwaukee, within easy walking distance of the lakeshore, the Milwaukee Art Museum, the Milwaukee Public Museum, and the Amtrak station. Conference attendees will stay in the near-by and newly renovated Doubletree Hotel. Attendees will also have the opportunity to participate in a special pre-conference seminar on Wednesday June 17 at the Center for Renaissance Studies at the Newberry Library in Chicago. The conference will retain its innovative format, using a workshop model for most of its sessions to promote dialogue, augmented by a plenary session on each of the four conference topics: taxonomies of time, commemoration, temporalities, and pedagogies.

For full conference details including a detailed CFP please visit: http://www4.uwm.edu/letsci/conferences/atw2015/

Proposals for workshops that address the conference themes may now be submitted, to atw-15@uwm.edu. Deadline: September 30, 2014.

Learning through Practice in the Arts and Humanities: A Workshop for Lecturers and Researchers

“Finding the Fourth Dimension: Learning through Practice in the Arts and Humanities: A Workshop for Lecturers and Researchers with Dr Bridget Escolme”

Date: Friday 25 July 2014
Time: 9:30am – 5:30pm
Venue: Rehearsal Room, Upstairs from the foyer, The Arts Centre, ANU

Would you like some tools for exploring speech, gesture, movement, space, or interaction in relation to your subject content as a teacher or researcher? ‘Finding the Fourth Dimension’ is a one-day workshop that aims to promote working methods from drama and the visual arts for wider application. To lead the workshop we host Dr Bridget Escolme (Queen Mary, UL) who, as a lecturer, performer, theatre director, and published scholar in early modern studies, brings insight into the application and benefits of practical work with texts. The workshop will also feature a panel of speakers: Dr Rob Conkie (La Trobe), Dr Suzanne Moss (ANU), and Dr Penelope Woods (UWA) who will reflect on their recent, practice-led research and teaching projects in drama and the visual arts.

Who: The workshop is specifically pitched for academic lecturers, researchers, and intending HDR students in literature and languages-related fields. You do not need to be an artist, performer, or drama expert to participate. All you need is comfortable clothes for practical activities and a curiosity about how practical work might assist you to find the ‘fourth dimension’ in your field of inquiry.

Participant numbers will be capped at 20, so please complete the required registration soon at: http://doodle.com/6x2dq8vwbzth7t93


As a means of inducting new researchers into practical methods of research in the Arts and Humanities, the ANU School of Literature, Languages and Linguistics is offering a $200 bursary to assist with travel and accommodation costs for one Honours (or intending postgraduate student) to participate in the Workshop.

To apply please send a 200 word response to the question below to kate.flaherty@anu.edu.au. Please use ‘Workshop Bursary’ as your subject line and include your institutional affiliation and status.

How will participation in the ‘Finding the Fourth Dimension’ Workshop assist you in your intended postgraduate research project?

Applications are due by Friday 4 July 2014.
The successful applicant will be notified on Monday 7 July 2014.

Enquiries: kate.flaherty@anu.edu.au

ANZSA Postgrad Workshop and Bursaries

The Australian and New Zealand Shakespeare Association announces additional provisions to postgraduates participating in the ANZSA 2014 conference via a half day workshop and competitive postgraduate bursaries.

ANZSA Postgraduate Workshop (01 October 2014)

Postgraduate students attending the 12th biennial conference of the Australian and New Zealand Shakespeare Association (ANZSA), “Shakespearean Perceptions,” are also invited to participate in a free postgraduate workshop on 1 October, at the University of Southern Queensland. The workshop will be facilitated by Emeritus Professor Helen Ostovich (McMaster University) and Professor Evelyn Tribble (University of Otago).

Part 1: Interdisciplinarity: Some Practical Guidelines (1 hour)

Prof. Evelyn B. Tribble (Otago)

Literary & performance studies have a long history of appropriating or borrowing from other disciplines in developing new methodology: psychoanalytic criticism and historicist criticism are only two examples of such cross-disciplinary borrowing. But working across disciplines is often problematic; it is notoriously difficult to gain a full understanding of the target discipline, and there are many examples of ‘cherry-picking’ a cognate discipline, or preferring only those studies that seem to uphold one’s pre-existing beliefs (a form of confirmation bias, if you will).

How do researchers map disciplines other than their own? What are the best approaches to working across disciplines or, for that matter, taking on a new sub-field of one’s own discipline (e.g. theatre history).

Workshop facilitators will talk about their own practices and examine one or two case studies, circulated in advance. Participants will be invited to bring particular examples from their own research for discussion.

Part 2: Performance and Digital Editing (2 hours)

Prof. Emeritus Helen Ostovich (McMaster)

This workshop will focus on Shakespeare’s Merchant of Venice and Wilson’s The Three Ladies of London. Both plays should be read beforehand. Topics include:

  • What did Shakespeare do with his source and why;
  • How to find background on Jews and Turks: the case of Dr Lopez and varied responses to it; the role of ‘hidden Jews’ in early modern London; foreigners in early modern London;
  • View of Italians and other foreigners in early modern London;
  • Performance as research: foreigners attempting to speak English in Haughton’s An Englishman for my Money; the Italian in Three Ladies of London (in the trial scenes); perhaps French princess’s conversation with her nurse about learning English in Henry V, etc.;
  • Options for digital editions: voice over, film clips, traditional word-searches on LEME, full streaming video of productions, etc.

Queries should be directed to the postgraduate workshop coordinators, David McInnis (mcinnisd@unimelb.edu.au) and Brett D. Hirsch (brett.hirsch@uwa.edu.au).


ANZSA Conference, “Shakespearean Perceptions,” Postgraduate Bursaries

Postgraduate students who are presenting papers at the 12th biennial conference of the Australian and New Zealand Shakespeare Association (ANZSA), “Shakespearean Perceptions,” are invited to apply for an ANZSA postgraduate bursary to assist with the cost of travel to the conference. Bursaries will be awarded on a competitive basis and are scaled on the basis of distance from the venue (up to $750 for recipients travelling from Perth or outside Australia, $500 from Adelaide, Melbourne, Hobart or Australian destinations of similar distance, $250 from Sydney, and $150 from Brisbane). Delegates whose point of origin is less than 100 km from Toowoomba will be ineligible to apply.

It will be a condition of receipt of a bursary that the recipient attend the postgraduate workshop at the University of Southern Queensland (1 October, 2014). Applicants must have been accepted to present at the conference prior to submitting an application. All interested postgraduates are reminded that the final call for papers for the conference closes on 27 June, 2014. Bursaries will be available in the form of a reimbursement cheque upon arrival at the postgraduate workshop–funding is not available in advance of travel.

To apply, send a CV (maximum 3 pages) and a 250 word statement addressing the benefit that attendance at the conference will give to the applicant’s research goals. Applications should be sent to: Shakespeare.Symposiums@usq.edu.au.

Closing date for applications for bursaries will be 18 July.

For more details about ANZSA 2014, see the conference website: http://conference.anzsa.org

Visualizing Chaucer Project

The Visualizing Chaucer Project seeks to capture post-medieval illustrated versions of Chaucer’s work. The project provides annotations for books containing illustrated versions of Chaucer’s writings and organises these images by character/work for easy accessibility. The intention is to make these images readily accessible, where copyright allows, for teachers, students, and scholars interested in the afterlife of Chaucer’s works.

Visualizing Chaucer was developed by Kara L. McShane and supported by the Rossell Hope Robbins Library Fellowship in the Digital Humanities.

Visualizing Chaucer is prepared and published in the Rossell Hope Robbins Library, a special medieval collection in the University of Rochester’s Rush Rhees Library

To access the Visualizing Chaucer Project please follow this link: https://d.lib.rochester.edu/chaucer

Othello’s Island: Third Annual Conference – Call For Papers

Othello’s Island: Third Annual Conference
Nicosia, Cyprus
20-22 March, 2015 (with optional trip on 23 March)

Conference Website

Now in its third year, this annual conference brings together speakers from a wide variety of disciplines and from all over the world to discuss not only Levantine history, culture and society in the Mediaeval and Renaissance periods, but wider apects of this period in history including its enduring legacy. This might include looking at medieval travelogues and Shakespeare’s poetry and plays, as well as art and architectural history of the Byzantine, Western Medieval and Muslim worlds, religious and social relations and much much more.

Possible topics for the conference could include:

  • Diverse aspects of medieval and/or renaissance historical and/or cultural studies
  • Aspects of Byzantine historical and/or cultural studies
  • Aspects of Ottoman or other Muslim states historical and/or cultural studies
  • Art, literature and other aspects of culture from the medieval and renaissance periods
  • Connections between late Antiquity and the medieval period
  • Christian and Muslim interactions and/or comparative studies
  • The Mediterranean as a factor in medieval and renaissance history and/or culture
  • Shakespeare and/or other writers of the medieval and/or renaissance periods
  • Continuing legacies of the medieval and renaissance culture in the modern period
  • The West, the Mediterranean and the Levant
  • Other aspects of the medieval and/or renaissance periods

Possible Session (Strand) Organisers
(please note early deadline for strand organisers)

​We invite expressions of interest from individuals, groups or organisations interested in convening specific strands within the conference.

Sessions are defined as comprising at least three papers on a common theme. Once your theme and session title is agreed we will advertise it with a Call for Papers specific to your session strand, but the decision on whether to admit any papers submitted to your strand will remain with you. We also ask that where possible you canvas your contacts to submit paper proposals for your session.

If you are interested in proposing a session or strand please contact Dr Michael Paraskos at michael@artcyprus.org before 30 September 2014.

Call for Papers from Individuals
(later deadline for individuals – but we advise early submission)

If you are interested in giving a talk at the conference please submit a proposal for a paper. Standard papers are 20 minutes long, followed by 10 minutes for questions.

We are very open minded on the topic of papers, so if you have an idea for a presentation that is not covered by the suggestions given above please feel free to submit a proposal, or contact us first to discuss the idea.

Proposals for papers should comprise a cover sheet showing:

  1. ​Your title (eg. Mr, Ms, Dr, Prof. etc.) and full name
  2. Your institutional affiliation (if any)
  3. Your postal address, e-mail address and telephone number
  4. The title of your proposed paper

​With this you should send a proposal/abstract for your paper of no more than 300 words and a copy of your CV/resume to mparaskos@mac.com with the subject line OTHELLO 2015.

All papers must be delivered in English.

The deadline for submissions is 31 January 2015. Early submission is strongly advised. We aim to have a decision on the acceptance of papers within four weeks of submission.

Quadrivium X

Quadrivium X
University of Birmingham
7th-8th November, 2014

Website

Quadrivium’s tenth event will be held at the University of Birmingham on November 7th and 8th, 2014. Quadrivium is an annual research, careers, and skills training event for postgraduates and early career researchers of medieval and early modern textual studies.

Keep up to date with programme and registration information by following Quadrivium on Twitter: https://twitter.com/Quadrivium_UK

The Afterlife Of Cicero – Call For Papers

The Afterlife Of Cicero
The Warburg Institute
7–8 May, 2015

The Warburg Institute, the Institute of Classical Studies and the Department of Greek and Latin at University College London will be hosting an international conference on the afterlife of Cicero in London on 7–8 May 2015, organised by Peter Mack, Gesine Manuwald, John North and Maria Wyke.

We invite 40-minute papers about the impact of Cicero’s writings and personality on intellectual and cultural history, on the visual arts, philosophy, politics, rhetoric and literature. Since so much of Cicero’s writings is extant, they cover a wide variety of genres and topics, and we are also able to get a glimpse of his personality from his letters, Cicero has had an enormous influence on western culture. By examining a diverse series of significant case studies, the conference aims to make a contribution to assessing Cicero’s impact more fully. Papers dealing with any period between late antiquity and 1900 will be especially welcome. Aspects of particular interest include Cicero’s role for early Christian writers, in the middle ages, in the Ciceronian debate, for the American founding fathers and the French revolution, for the development of modern democracies and political rhetoric and in (early-)modern literature.

The conference will take place in the Warburg Institute; the proceedings will be jointly published by the two Institutes as Supplements to the Bulletin of the Institute of Classical Studies. We shall ask the authors for publishable versions of the papers three months after the conference.

If you have a suggestion for a paper that you would like us to consider, please submit a title, an abstract (of up to 300 words) and a brief CV (up to one page) by 11 July 2014 to: Jane Ferguson, The Warburg Institute, Woburn Square, London WC1H 0AB or warburg(at)sas.ac.uk.