Ninth Australian Conference Of Celtic Studies – Call For Papers

The Ninth Australian Conference Of Celtic Studies
University of Sydney
27-30 September, 2016

Submissions are invited for twenty-minute papers addressing any scholarly aspect of Celtic Studies, including, but not limited to, the areas of: archaeology, folklore, history (including modern diaspora history), language, literature (including literature in English) and music. Abstracts of up to 250 words should be emailed to Professor Jonathan Wooding: jonathan.wooding@sydney.edu.au The final date for abstracts to be received will be Monday 2 May 2016. Acceptances will be communicated on Monday 16 May 2016. Potential contributors in need of earlier acceptance (for funding applications &c.) may request it with their submissions. Potential participants are invited to have their names added to a conference database from which we will send updates and reminders of approaching deadlines.

The 2016 Australian Conference of Celtic Studies is jointly sponsored by the Foundation for Celtic Studies of the University of Sydney and the Humanities Research Centre of the Australian National University. All sessions will be held on University of Sydney’s Main Campus in Camperdown, Sydney.

Those receiving this announcement are encouraged to make its contents known to anyone else who might be interested.

Cistercians, Chronologies, and Communities: The Legacies of Constance Hoffman Berman – Call For Papers

Cistercians, Chronologies, and Communities: The Legacies of Constance Hoffman Berman
Symposium in Honor of Constance Berman
Old Capitol Senate Chambers, The University of Iowa Pentacrest, Iowa City
May 20-21, 2016

Symposium Website

Students, friends and colleagues of Professor Constance H. Berman are invited to honor and celebrate her career at a symposium to be held on Friday and Saturday, May 20-21, 2016 in Iowa City. The theme of this symposium, “Cistercians, Chronologies, and Communities: The Legacies of Constance Hoffman Berman,” draws on a number of important threads in Constance’s work over the years.

In her books Medieval Agriculture (1986), The Cistercian Evolution (2000), Women and Monasticism in Medieval Europe (2002), and the forthcoming The White Nuns; edited volumes such as Medieval Religion: New Approaches (2005); and innumerable articles and conference papers, Constance broke new ground in medieval studies. As a scholar of the women, religion, and agriculture of the Middle Ages; as a member of the pioneering generation which helped to foreground the study of medieval women on university campuses and in scholarly works; and as an inspiration for another generation of medievalists, Constance has profoundly influenced her field.

The Symposium will be held in the historic Old Capitol Senate Chambers on the University of Iowa Pentacrest. On Friday evening, Constance will present a keynote lecture which reflects on her career and on the future of the field. On Saturday, the symposium will begin at 9:00am and end at 4:00pm; it will be followed by a reception and dinner.

If you plan to attend, please register using the form at this webpage by March 31, 2016: http://gradmed.org.uiowa.edu/bermansymposium

If you would like to present a paper at the Symposium, or propose a panel or roundtable discussion, please forward an abstract of 250-300 words to either yvonne-seale@uiowa.edu or heather-wacha@uiowa.edu by February 1, 2016.

Witchcraft & Emotions: Media and Cultural Meanings – Registration Open

Witchcraft & Emotions: Media and Cultural Meanings
University of Melbourne.
25-27 November, 2015

Convenors: Charles Zika, Laura Kounine, Sarah Ferber, Jacqueline Van Gent and Charlotte-Rose Millar

Information and Registration: http://www.historyofemotions.org.au/events/witchcraft-and-emotions

Witchcraft is an intensely emotional crime. The crime of witchcraft fundamentally concerns the impact of emotional states on physical ones. Anger, envy or hate of one person towards another could manifest itself in a variety of physical ailments and even death. In early modern Europe, women’s passions and lusts were sometimes said to make them more prone to witchcraft than their male counterparts. It was not just the witch who was intensely emotional: the Devil could also play the role of jealous lover or violent master. So too the families, relations, friends, and sometimes the community as a whole, would be drawn into the complex web of emotional claim and counter claim from which developed accusations and condemnations of witchcraft.

Yet despite the path-breaking work of Lyndal Roper and Diane Purkiss on the emotional self-representation and imagination of accused witches and their accusers, an emotional history of witchcraft remains relatively unexplored. This conference seeks to bring together scholars from a number of different fields, including history, art history and anthropology, to probe further into the relationship between witchcraft and emotions through an inter-disciplinary perspective.

Confirmed speakers include: Victoria Burbank (Anthropology, University of Western Australia), Johannes Dillinger (History, Oxford Brookes), Iris Gareis (Anthropology, Goethe University Frankfurt), Malcolm Gaskill (History, University of East Anglia), Eliza Kent (University of New England), Isak Niehaus (Anthropology, Brunel University), Abaigéal Warfield, (History, University of Adelaide), Jan Machielsen (History, University of Oxford), Patricia Simons (History of Art, University of Michigan), Julian Goodare (History, University of Edinburgh), John Taylor (Anthropology, La Trobe University), Deborah Van Heekeren (Anthropology, Macquarie University), Charlotte-Rose Millar (History, University of Melbourne), Laura Kounine (History, Max Planck Institute Berlin), Jacqueline van Gent (History, University of Western Australia), Charles Zika (History, University of Melbourne) and Sarah Ferber (History, University of Wollongong).

NB: There will be a free, public film screening of the 1922 film ‘Haxan: Witchcraft through the Ages’ at 7:30pm on Thursday 26 November in the Singapore Theatre, Melbourne School of Design (University of Melbourne), followed by a panel with Q&A.

This symposium is the first of two, the second of which will be held in Berlin in June 2016.

Writing from Below: Masculinities Special Issue – Call For Papers

Writing from Below calls for submissions for a special themed issue on queer and non-normative masculinities – the diversity of masculinities, the disruption of traditional hegemonic heterosexual masculinity, the masculine written and rewritten from below.

We seek critical and creative works in any publishable format or medium on any aspect of masculinity and/or its critique in art, society and culture. Do not be limited. Be brave. Play with form, style, and genre. We welcome submissions from across (and outside of, against and up against) the disciplinary spectrum.

Topics might include (but should not be limited to):

  • Representations of men and masculinity in popular culture (literature, cinema, television, media, gaming, music, sound art, theatre and drama, visual and plastic arts, etc.);
  • Masculinity and/as performance, embodiment, machismo;
  • The history of the concept of masculinity, in any period or place;
  • Masculinity, sexuality and sexual difference/dissidence, masculinity and pornography;
  • Male intimacy, and non-violent male-to-male physical contact;
  • Gay male culture, butch lesbian culture, or any variations thereof;
  • Chauvinism, sexism, homophobia and misogyny in heterosexual or homosexual male cultures;
  • Women in masculine/male-dominated cultures;
  • Masculinity, nationalism and transnationalism, postcolonial studies and critical race studies;
  • Masculinity and disability studies;
  • Masculine architectures, urban design and public spaces, or cultural and human geographies;
  • Perceptions of masculinity and its impact on men’s public health and/or mental health outcomes;
  • Masculinity and education, masculinity in childhood, adolescence and youth;
  • Masculinity and the law, male-male and male-female violence, criminology, or incarceration;
  • Masculinity and public policy, men and masculinity in politics, business, commerce, and industry;
  • Masculinity in academia, or male-dominated disciplines and the issue of inclusivity; and
  • The specific place of masculinity in the disciplines of gender, sexuality and diversity studies.

We are now open for submissions until 11 December, 2015.

Written submissions, whether critical or creative, should be between 3,000 and 8,000 words in length, and should adhere to the 16th edition of the Chicago Manual of Style. All submissions – critical, creative, and those falling in between; no matter the format or medium – will be subject to a double-blind peer review. Submit here: http://www.lib.latrobe.edu.au/ojs/index.php/wfb/author/submit/1

We are also seeking reviews of recent books, films, television, theatre, live or recorded music, artwork or exhibition, etc. We typically publish longer review-essays of between 1000 and 2000 words, and again encourage generic and stylistic experimentation. If you’re interested in reviewing for Writing from Below, please contact our managing editors.

For more information, for editorial enquiries, or questions about unusual submissions, please contact our managing editors:

Stephen Abblitt: S.Abblitt@latrobe.edu.au
Karina Quinn: K.Quinn@latrobe.edu.au

Medievalism, Religion and Imagined Pasts: A Workshop

Medievalism, Religion and Imagined Pasts: A Workshop
Convener: Clare Monagle, Macquarie University

Date: December 7, 2015
Time: 10:30am-4:00pm
Location: Royal Australian Historical Society, 133 Macquarie Street, Sydney
Registration: Registration is free, but rsvp to clare.monagle@mq.edu.au for catering purposes, by November 30.

Speakers: Marty Shichtman, Eastern Michigan University
Dark Tourism: Longing for a Nazi Middle Ages
Respondent: Ari Landers, Jewish Museum of Sydney.

Clare Monagle, Macquarie University
Medievalism and Modern Human Rights: Christianity, Personalism and Scholastic Thought
Respondent: Ian Tregenza, Macquarie University.

Louise D’Arcens, University of Wollongong
The Return of the Medieval in Michel Houellebecq’s Post-Secular France
Respondent: Govand Azeez, Macquarie University.

Bodleian Visiting Fellowships 2016-17 – Call For Applications

The Bodleian Libraries are now accepting applications for Visiting Fellowships to be held in 2016-17.

The Libraries encourage research that makes use of Bodleian Special Collections, an outstanding resource for scholarly study and discovery, containing rare printed books, classical papyri, medieval and renaissance manuscripts, literary, political and historical papers, archives, printed ephemera, and maps and music in both manuscript and printed form. Fellowships give applicants from outside of Oxford the opportunity to undertake an uninterrupted period of research with the Bodleian collections.

Application deadline: 14 December 2015.

For eligibility and selection criteria and other application information, please visit: http://www.bodleian.ox.ac.uk/csb/fellowships

ANZAMEMS PATS 2015: Medieval and Early Modern Digital Humanities – Livestream Details

The Canterbury PATS, entitled Medieval and Early Modern Digital Humanities, will be live-streaming on YouTube on 18 November.

You can join the live-stream at this link: https://youtu.be/hYb2GDxvIpk. Participants attending via live-stream will be able to engage in the discussion and questions via the commenting feature in YouTube, and by using the #ANZAMEMS hashtag on Twitter.

Ad Fontes, Ad Futura: Erasmus’ Bible and the Impact of Scripture – Call For Papers

Ad Fontes, Ad Futura: Erasmus’ Bible and the Impact of Scripture
HBU Theology Conference
Houston Baptist University
February 25-27, 2016

Conference Website

In celebration of the upcoming 500th anniversary of Erasmus’ Greek text and the Reformation, the Department of Theology at Houston Baptist University, in conjunction with the Dunham Bible Museum, is pleased to host the conference “Ad Fontes, Ad Futura: Erasmus’ Bible and the Impact of Scripture.” The conference will consider the textual and historical issues surrounding the development of the Bible, the Bible’s impact on society across the centuries, and the future of Biblical translation and interpretation.

Our keynote speakers include: Craig Evans (Houston Baptist University), Timothy George (Beeson Divinity School, Samford University), Herman Selderhuis (Theological University Apeldoorn) and Daniel Wallace (Dallas Theological Seminary).

The plenary talks are free and open to the public.

We also invite proposals for short papers from scholars and graduate students from a wide array of disciplines and topics, including:

  • The historical context, and textual tradition, of the Biblical canon
  • The history of the Greek text of the Bible
  • The social and/or cultural impact of the Bible in any historical period or location
  • The Bible and the history of the book
  • Modern Bible translations and translation practice
  • Textual and cultural issues concerning the Bible in the Digital Age

Anyone who is interested should submit a 300 word abstract on any relevant topic. The deadline for submissions is December 9, 2015. Send proposals to Jason Maston at jmaston@hbu.edu.

Making Early Middle English Conference – Call For Papers

Making Early Middle English Conference
University of Victoria
23-25 September, 2016

Past scholarly evaluations of the Early Middle English period (roughly ca. 1100-1350) have not been positive. In the Cambridge History of Medieval English Literature (1999), Thomas Hahn summarized the history of scholarship as a struggle with “one of the dullest and least accessible intervals in standard literary history, an incoherent, intractable, impenetrable dark age scarcely redeemed by a handful of highlights.” J.A. Bennett and G.V. Smithers found little to challenge “the traditional view that the reigns of William [the Conqueror] and his sons mark an hiatus in our literature” (Early Middle English Verse and Prose, 1968). Even when scholars depart from these paradigms, there is a tendency, as Christopher Cannon has observed, to view Early Middle English in terms of “profound isolation from immediate vernacular models and examples, from any local precedent for the business of writing English” (The Grounds of English Literature, 2004). For Hahn, the period has a reputation for “aridity and remoteness,” and for Cannon, the consequence is “literary history’s general sense that there is nothing there.” A reassessment remains necessary, especially to de-isolate English texts and genres of this period and (re)place them in their wider textual, linguistic, and cultural contexts. The Early Middle English period was in fact a time of intense change, experimentation, and production. Early Middle English literature juggles regional specificities, genres in process, and multilingual and multicultural interactions with verve.

This conference will explore Early Middle English, it historical and scholarly “making,” and its contexts. It takes as its topic the widest possible conception of the field: bracketed by the Norman Conquest and the decline of the English populace as a result of the Plague. This period was characterized by its multilingualism and interaction between four main literary languages (Latin, French, English, Welsh), as well as users of Greek, Hebrew, Irish, Old Norse, Arabic, and Dutch. It was a time that witnessed crusaders’ establishment and loss of the Holy Land and the presence of an active Jewish community in England (before their expulsion in 1290). The literary climate was rich in cross-linguistic and cross-cultural dialogue. New scholarship is revealing a diverse, and intellectually and aesthetically experimental, textual and literary landscape, and digital humanists and editors are presently working to meet the special challenges of access that have always existed for the period.

The organizers welcome papers that engage how Early Middle English as a field, as manuscripts, as texts, and as a multilingual phenomenon has been shaped and made, handled and mishandled. We are interested in talks that consider the historical, global, and multilingual situation of English literature and English manuscript production between 1100-1350, and we encourage ideas of Early Middle English as a network of experimental clusters. We are also interested in how the period has been fashioned in its post-medieval histories, from sixteenth-century antiquarian descriptions, to twentieth-century scholarly views of its “aridity and remoteness” (to quote Thomas Hahn in the Cambridge History of Medieval English Literature), to its current new “making” in digital archives. Scholars from a range of disciplines, working on a range of genres and languages related to the production of English literature and “Englishness” in the period 1100-1350, should feel free to submit proposals for sessions or papers.

Topics to consider include but are not limited to:

  • the multicultural and international contexts of Early Middle English
  • the multilingual contexts of Early Middle English (including Englishes, Latin, French/Anglo-Norman, Hebrew, Welsh, etc.)
  • the history of the field and boundary problems (e.g., between Old English and Early Middle English, between England and France, between disciplines, etc.)
  • manuscript studies
  • access to and creation of resources (digital resources, editions)
  • pedagogical challenges around Early Middle English
  • concepts of nativeness in Early Middle English and related literature
  • the role of women and gender in Early Middle English (as a field or a corpus)

The conference will take place at the University of Victoria, located on southern Vancouver Island in beautiful British Columbia, Canada. University of Victoria boasts world-class Digital Humanities programs, a thriving undergraduate major and honours program in Medieval Studies, and a fine teaching collection of medieval manuscripts and documents. The conference will include presentation of Special Collections materials, workshops on the challenges of creating digital resources for Early Middle English, a presentation by the directors of the NEH-funded Archive of Early Middle English project, and keynote addresses by scholars working on the multilingual situation of twelfth- and thirteenth-century England. Dependent on grant funding, some subsidies may become available for those who would otherwise find it difficult to attend.

Please email proposals, as well as queries or expressions of interest, to both organizers by 15 December 2015: Adrienne Boyarin (aboyarin@uvic.ca) and Dorothy Kim (dokim@vassar.edu). Abstracts for 20-minute papers should be no longer than 300 words; session proposals (a session description/rationale and a list of proposed speakers who have confirmed their willingness to attend) should be no longer than 500 words; expressions of interest, queries, and ideas for non-traditional formats are also welcome. Please include your name, research area, and affiliation (if applicable) in all correspondence.

Anne L. Poulet Curatorial Fellowship 2016–18 – Call For Applications

The Frick Collection is an art museum consisting of more than 1,100 works of art from the thirteenth to the nineteenth century displayed in the intimate surroundings of the former home of Henry Clay Frick. The residence, with its furnishings and works of art, has been open to the public since 1935. It is considered one of the world’s most perfect museums. Of equal distinction is its sister institution, the Frick Art Reference Library (founded in 1920), an internationally recognized research library that is one of the world’s most complete resources for the study of Western art.

The Frick Collection is pleased to announce the availability of a two-year predoctoral fellowship for an outstanding doctoral candidate who wishes to pursue a curatorial career in an art museum. The fellowship offers invaluable curatorial training and provides the scholarly and financial resources required for completing the doctoral dissertation. Internationally renowned for its exceptional collection of Western European art from the early Renaissance through the end of the nineteenth century, The Frick Collection – complemented by the equally significant resources of the Frick Art Reference Library – offers a unique opportunity for object-based research. The fellowship is best suited to a student working on a dissertation that pertains to one of the major strengths of the collection and library. The Anne L. Poulet Curatorial Fellow will have an opportunity to work with curatorial and educational staff on research for special exhibitions and on the permanent collection. Other curatorial training responsibilities include participation in the organization of the annual Symposium on the History of Art, a two-day event co-sponsored with the Institute of Fine Arts, New York University; the preparation, in coordination with a curator, of a focus exhibition or display around a work of art in the Collection; and participation in the daily administrative routines of a small museum. The Fellow will have a place of study, access to the collections and library, as well as introductions to New York City museums and libraries. Frick curators and conservation staff will be available for consultation on the dissertation. The Fellow will be expected to give a public lecture on his or her topic. The Fellow will divide his or her time between the completion of the dissertation and activities in the Curatorial Department.

Applicants must be within two years of completing their dissertations. The Fellow will receive a salaried stipend of $37,750 per year and a travel allowance. The term will begin in September 2016 and conclude in August 2018. Applications must include the following materials:

  1. A cover letter explaining the applicant’s interest in the fellowship and his or her status in the Ph.D. program. The letter should include a home address, phone number, and email address.
  2. An abstract, not to exceed three typed pages double-spaced, describing the applicant’s area of research.
  3. A complete curriculum vitae of education, employment, honors, awards, and publications.
  4. A copy of a published paper or a writing sample.
  5. Three letters of recommendation (academic and professional).

Please submit application materials to pouletfellowship@frick.org. Letters of recommendation should be sent to this address directly from recommenders. PDFs of signed letters on university or business stationary are preferred. The application deadline for the fellowship is January 18, 2016. Finalists will be interviewed. The Frick Collection plans to make the appointment in early April.

For full information, please visit: http://www.frick.org/careers/fellowships.