Western Australian Premier’s Book Awards 2016 – Entries for Non-Fiction Category Now Open

Have you published a work of non-fiction in the past two years? Why not enter it into the Western Australian Premier’s Book Awards?

Non-fiction ($15,000)
For a work of Non-fiction which may include biography, autobiography, history, natural history, literary criticism and other works of social, political or topical interest.

This category attracts a prize of $15,000 and could even win the Premier’s Prize of $25,000.
For more information, please visit: http://pba.slwa.wa.gov.au

The closing date for entries in all categories is 5pm (WST) Friday, 29 January 2016.

10th International Conference of the Taiwan Association of Classical, Medieval and Renaissance Studies – Call For Papers

The 10th International Conference of the Taiwan Association of Classical, Medieval and Renaissance Studies
National Pingtung University, Taiwan
21-22 October, 2016

Human civilization often entails various kinds of encounters. One of the most fundamental is interpersonal contact from which friendship, animosity, and companionship are born. In Aristotle’s Nicomachean Ethics, friendship is defined in terms of ethical virtues, while in patristic writings friendship refers to a shared sense of being children of the one Father and brothers in Christ. From the Renaissance down to the modern era, there have been engaging discussions about forbidden friendships. In contrast, hostile feelings, especially jealousy and hatred, have long been favorite topics for writers such as Shakespeare who draws from the book of Proverbs in Julius Caesar and Othello to represent how the kisses of an enemy may be profuse.

On a broader scale, encounters can also be examined with reference to the contacts among different cultures and subsequent ideological transmission, conflict, hybridity, assimilation, and transformation. Ever since Classical Antiquity, communication between the East and the West has triggered a series of crucial cultural exchanges and interfaith interactions that can be inexhaustible subject matters for profound deliberation and academic research.

In addition to investigations into encounters in human societies, surveys of cross-species and eco-critical perspectives are welcomed so as to stimulate dialogue on environmental problems from both the viewpoints of the exploiters and the exploited. This discourse may help elucidate how human beings envision environments as their companions or adversaries and how human preconceptions determine the literary representation of human-animal and human-environment relationships. Therefore, aside from conventional approaches, this conference also aims to look at how the works of pre-modern environmental advocates square with the more popular drama, poetry, and even political discourse of the time and how these matters form an important part of literary, cultural, social, and environmental histories.

Within the purview of human contacts with the physical world, we would also welcome studies concerning engagement with nonphysical entities–the demonic and the heavenly—to shed light on the supernatural or transcendental perception of human encounters via different religious beliefs.

Within this four-stratum framework, this conference aims to proffer a forum for investigating human encounters that engender affection and enmity.

Topics for consideration may include (but are not limited to):

  • Philosophy of friendship in various cultures
  • Friendship from Classical Antiquity to the Renaissance
  • Forbidden friendship & homosexuality
  • Male friendship and female friendship
  • Friendship and patronage
  • Friendship and betrayal
  • Affiliation and politics
  • Human-nonhuman relationships
  • Humanism vs. anthropocentrism
  • Environmental encounters
  • Pre-modern environmental imagination
  • Representation of landscape and dreamscapes
  • Environmental impact on human psychology
  • Utopian imagination and new world order
  • Cross-species encounters
  • Bestiary and animal studies
  • Cross-boundary encounters
  • Wars and cultural encounters
  • Commerce and cultural encounters
  • Cosmography and the human world
  • Cosmology east and west
  • Pilgrimages and healing environments
  • Exorcism vs. healing practices
  • Interfaith encounters
  • Religious notions of friendship and relationship

TACMRS cordially invites papers that reach beyond the traditional chronological and disciplinary borders of Classical, Medieval, and Renaissance Studies. Please submit abstracts of 250 words and a one-page CV to Sandra Yu or Phoebe Yang at 2016tacmrs.nptu@gmail.com with a subject line stating “Submission for the 10th TACMRS Conference” by 3 February, 2016.

For more information, please visit the 2016 TACMRS Conference website: http://www.english.nptu.edu.tw

Discipline and Excess: A Graduate and Early Career Conference – Call For Papers

Discipline and Excess: A Graduate and Early Career Conference
Faculty of English, University of Cambridge
Friday, April 15, 2016

We invite paper proposals for Discipline and Excess, a conference which seeks to consider questions relating to boundaries and their transgression until 1750. The theme invites diverse interpretations of “discipline”—moral, religious, cultural, aesthetic, generic, geographic—in papers which explore the realms of penance and perfection, challenge the orderliness implicit in systems of knowledge, or examine the nature of punishment and retribution. The conference is aimed at early career scholars and graduate students from a range of academic fields. Discipline and Excess is organized by the M.Phil programs in Medieval, Renaissance, and 18th-Century Literature at the Faculty of English. Our external respondent will be Dr. Helen Barr, Associate Professor at the University of Oxford.

Papers should be a maximum of 20 minutes. Please email 250-word abstracts (text only, no attachments) by 1 February, 2016 to disciplineandexcess2016@gmail.com. Possible topics may include:

  • Crime and Punishment
  • Bounds of the Mind
  • Feast and Fast
  • Disciplining the Body
  • Exceeding the Page
  • Intertextuality
  • Sin, Play, Transgression
  • Rhetorical Limits
  • Disciplinary Boundaries
  • Material Excess

Black + White + Grey: The Lives + Works of Eric Gill + Robert Gibbings – Now Online

The Eric Gill and Robert Gibbings exhibition that ran at the University of Otago’s Special Collections Library from June to August, 2015, is now available as an online exhibition. Eric Gill was the creator of many of the fonts we use today, but also was involved with the Arts and Crafts movement which was strongly medievalist in inspiration.

To view the online exhibition, please visit: http://www.otago.ac.nz/library/exhibitions/gillandgibbings

Research Fellow: Center for the History of Emotions (Music & Conciliation) – Call For Applications

Research Fellow: Center for the History of Emotions (Music & Conciliation)

Work type:
Full-time fixed-term position available from 18 March 2016 for 24 months.
Location: Parkville
Melbourne Conservatorium of Music, Faculty of VCA and MCM
Salary: $64,863 – $88,016 p.a. plus 9.5% superannuation

The Australian Research Council Centre of Excellence for the History of Emotions (CHE) is a major research initiative which fosters collaboration between researchers and industry partners from different disciplines and institutions across Australia and internationally.

In collaboration with the Faculty of VCA and MCM, the Centre seeks to appoint a music research fellow to contribute to research projects in the History of Emotions, as they relate to the topic of music and the development of emotional community, specifically multicultural understanding and conciliation. The project will sit between the Performance and Shaping the Modern programs of the Centre of Excellence’s work. This work will also be part of a new partnership between CHE and Multicultural Arts Victoria (MAV). Working together with Professor Davidson and the directorship of MAV, the successful candidate will explore the deployment of music in multicultural understanding as it relates to personal, religious and political areas of conflict and the processes leading to its resolution.

You will have a PhD in a relevant discipline, a strong record in research and a developing publication profile, familiarity with research trends in the history of emotions, knowledge of the appropriate language(s) and linguistic skills required for the research project and a demonstrated capacity for multidisciplinary and collaborative research. Experience in public speaking and experience in organising symposia and conferences are desirable.

Applicants must provide a detailed application that addresses the position description and selection criteria; a curriculum vitae and a list of publications. The research project will manifest itself as contemporary case studies of communities in Melbourne who deploy music for conciliation in multicultural contexts.

Close date: 15 January, 2016.

For full information and to apply, please visit: http://jobs.unimelb.edu.au/caw/en/job/886891/research-fellow-centre-for-the-history-of-emotions-music-conciliation?platform=hootsuite

Myth and Emotion in Early Modern Europe Symposium – Registration Open

Myth and Emotion in Early Modern Europe Symposium
Upper East Room, University House, Professors Walk, The University of Melbourne
10 March, 2016

Registration: http://ecommerce.arts.unimelb.edu.au/product.asp?pID=131&cID=10
Convenors: Dr Gordon Raeburn (CHE, The University of Melbourne) & Dr Katherine Heavey (The University of Glasgow)
Speakers: Dr Gordon Raeburn (CHE, The University of Melbourne), Dr Katherine Heavey (The University of Glasgow), Associate Prof. Cora Fox (Arizona State University), Dr Diana Barnes (UQ), Dr Brandon Chua (UQ), Dr Kirk Essary (UWA)
More information: http://www.historyofemotions.org.au/events/myth-and-emotion-in-early-modern-europe/?date=2016-03

During the sixteenth and seventeenth centuries, the Greek and Roman classics became increasingly central to the European literary imagination, being referenced, translated, adopted and reshaped by a huge range of authors. In turn, current criticism of early modern literature is ever more concerned with the period’s reception and appropriation of the classical past. Greek and Roman myths held a two­fold appeal for authors: they were ‘known’ stories, culturally iconic and comfortingly familiar to the educated reader, but readerly knowledge could also be manipulated, and the myths reshaped in emotionally provocative and iconoclastic ways. This one day symposium at the University of Melbourne will be an investigation into early modern use of classical myths, asking how myth was used both ‘privately’, to excite emotional effect, and ‘publically’, to respond to political, religious, or social events. This symposium will focus on how and why myth was used specifically to excite and manipulate emotional responses in early modern readers and audiences: responses that might run counter to the original, classical focus of such stories.

Voyage to the Moon – Performance and Masterclass

Voyage to the Moon
Melbourne Recital Centre
15,16,18,19 February, 2016

Presented in partnership with Musica Viva, Victorian Opera and the ARC Centre of Excellence for the History of Emotions.

Info & Tickets: http://www.victorianopera.com.au/what-s-on/season-2016/voyage-to-the-moon/ and http://www.historyofemotions.org.au/events/voyage-to-the-moon-melbourne/?date=2016-02

A 16th century knight Astolfo travels to the heavens, his destination, the Moon. His quest, to find a cure for his friend, the great warrior Orlando who has fallen into a deep madness. The moon is, as Astolfo discovers, home to many lost things including Orlando’s sanity. But before he can save his friend, he must first convince the all-powerful Selena, Guardian of the Moon, that Orlando is indeed worth saving.

Legendary Australian playwright and director Michael Gow together with renowned musicologist and conductor, the late Alan Curtis reimagine the epic 16th century poem Orlando Furioso. Part new work, part baroque pastiche, Voyage to the Moon will feature old and new text with existing 18th century music performed by a period ensemble.

One of the greatest Australian sopranos, Emma Matthews assumes dual roles as both the all-powerful Selena, Guardian of the Moon, and the mad Orlando while leading Australian mezzo Sally-Anne Russell is the loyal knight Astolfo. Former Victorian Opera emerging artist Jeremy Kleeman sings the role of Magus, with Victorian Opera’s own Head of Music Phoebe Briggs conducting from the harpsichord.

A Free Baroque Music Masterclass is associated with this event – details here: http://www.historyofemotions.org.au/events/baroque-music-performance-emotions-insights/?page=1

State Library of NSW: Australasian Rare Books Summer School – Course and Lecture of Interest

The 11th Australasian Rare Books Summer School (1-5 February, 2016), will be running three intensive five-day courses, a two-day short course, and a number of public lectures presented by leading experts.

For full details of all courses on offer at the Australasian Rare Books Summer School, including fees and how to apply, please visit: http://www.sl.nsw.gov.au/events/docs/4608_PLE_RareBooks_SummerSchool2016_A4web.pdf

The following course and public lecture, may of interest to members:

The Book in the Renaissance

Date: 1-5 February, 2016
Time: 9 am – 5 pm daily
Venue: Mitchell Library, State Library of NSW

This course is a comprehensive introduction to the history of the book in early modern Europe, from the beginning of the fifteenth century to the middle of the seventeenth. Drawing on the State Library’s collections, students will learn to ‘read’ a Renaissance book, both as a physical object and as a carrier of cultural values. We will examine how these books were produced, how they were distributed, and how they were used by those who bought and read them. Topics include:

  • the transition from manuscript to printed book
  • the mechanics of early printing
  • famous scholar-printers
  • editing and correcting
  • woodcuts and engravings
  • typeface and its meaning
  • the popular print
  • bindings
  • the Renaissance book trade
  • censorship
  • the formation of libraries, both individual and institutional
  • marginalia as clues to reading practices and information management
  • researching a Renaissance book, using both print and online sources

The course is intended for special collections librarians, collectors, booksellers, and scholars and graduate students in any field of Renaissance studies.

COURSE TUTOR
Dr Craig Kallendorf, Professor of English and Classics, Texas A&M University, has taught book history at the undergraduate and graduate levels for 30 years. He is the author or editor of 20 books and almost 150 articles and reference entries, with a focus on the relationship of the book as physical object to the content it carries.



“Books As Carriers of Relationships”, Dr Craig Kallendorf (Texas A&M University)

Date: Thursday, 4 February, 2016
Time: 6 pm – 7 pm
Venue: Metcalfe Auditorium, Macquarie Street building, State Library of NSW

We tend to think of books as carriers of ideas, but books were made by people for people.

This talk will identify some of the relationships involved in creating books in the Renaissance — between author and publisher, among author, publisher, and editor, and between publisher and distributor — before settling on two kinds of relationships that were especially important in this period.

Classic texts provided the foundation of education in the Renaissance, with schoolmasters mediating between the authors of their textbooks and the students who read them. Evidence of this approach
to reading can been seen in the margins of books from the era.

Not all books were circulated freely in the Renaissance, and the relationships between clerical censors and the writers, publishers, distributors, and readers of books will also be discussed.

The talk will focus on books as objects that carry the evidence of these relationships, with some closing thoughts on the dangers that digitisation poses for recovering this kind of information.

UWA Extension 2016 – Three Courses of Interest

UWA Extension has announced a great program of short courses and events hosted at The University Club of Western Australia in 2016.

The following three courses run by Professor Susan Broomhall may be of interest to members:

The insider’s guide to Versailles

Date: Saturday 30 April, 2016
Time: 9:30am – 12:30pm [1 session, 3 hours total]
Venue: UWA Crawley Campus
Cost: $55

Take a peak inside the exclusive world of Versailles, a lavish palace complex that housed the cream of the French aristocracy during the ancient regime. Discover the history, politics, the intrigues, and the garden and palace spaces where monarchs, elites and commoners mingled. We will explore the music, art, literature and enlightenment philosophies that shaped a fantasy world and stoked a revolution.

Join historian Professor Susan Broomhall for this illuminating and enjoyable seminar.

More info: https://www.extension.uwa.edu.au/course/CCDR001


The insider’s guide to the Dutch Golden Age

Date: Saturday 28 May, 2016
Time: 9:30am – 12:30pm [1 session, 3 hours total]
Venue: UWA Crawley Campus
Cost: $55

Spices, silks, gold, silver, tulips and porcelain arrived in Dutch society in the seventeenth century via the Dutch East India Company and were celebrated in vibrant artistic styles that captured the spirit of the Golden Age.

Join historian Professor Susan Broomhall for this absorbing seminar. We will explore the immense international power of the trading companies (reaching as far as the western Australian coast in 1616, under Dirk Hartog), the beauty of Dutch art and porcelain, the story of its political emergence and role of key women and men in the dynasty whose name, Orange-Nassau, is forever linked with this nation and its sporting colour.

More info: https://www.extension.uwa.edu.au/course/CCDR002


The insider’s guide to Renaissance Florence

Date: Saturday 25 June, 2016
Time: 9:30am – 12:30pm [1 session, 3 hours total]
Venue: UWA Crawley Campus
Cost: $55

Discover the cultural politics of power in Renaissance Florence, focusing on the House of Medici, the banking family and political dynasty that first began to gather prominence under Cosimo de’ Medici and went on to produce four Popes and two regent queens of France.

This interactive and rewarding seminar, presented by historian Professor Susan Broomhall, will explore the city spaces, processions and buildings of Brunelleschi, the music of Dufay, as well as artworks of Lippi and Botticelli, the literature of Machiavelli and the birth of humanism.

More info: https://www.extension.uwa.edu.au/course/CCDR003

Fate and Fortune in Renaissance Thought – Call For Papers

Fate and Fortune in Renaissance Thought: A One-Day Colloquium
University of Warwick
27 May, 2016

Keynote address: Dilwyn Knox (University College London).
Respondent: Stephen Clucas (Birkbeck, University of London)

The aim of the colloquium is to explore the significance of the concepts of fate and fortune in Renaissance thought. While having a significant medieval background in theological texts and in The Consolation of Philosophy and other philosophical treatises, these concepts received new interpretations during the Renaissance period. The cause was a renewed interest in Cicero’s treatises, as well as in Alexander of Aphrodisias and Stoic philosophy. On the other hand, the question of fate and fortune seems to be closely related to religious disputes of the sixteenth century.

Hopefully, the colloquium will contribute to a better understanding of these concepts and their crucial role in the history of Renaissance thought. Despite some valuable publications on the topic, a number of its aspects still remain unclear. The interdisciplinary character of the conference would allow to explore the place of fortune and fate in religious, philosophical and artistic contexts in the Renaissance.

A number of fundamental questions will be addressed including:

  • The classical tradition and its contribution to the (re)consideration of these concepts in the Renaissance
  • Renaissance Stoicism and the reception of Alexander of Aphrodisias
  • Religious controversies in the sixteenth century and the disputes on free will, fate and fortune in theological texts.
  • Determinism
  • Fate and fortune in respect of controversies on astrology and magic in the Renaissance
  • The image of fate and fortune in Renaissance art

Please send a title and abstract of no more than 250 words as well as a one-page CV to O.Akopyan@warwick.ac.uk no later than 1 February, 2016.