Monthly Archives: July 2017

University or New England: Lecturer/Senior Lecturer in Early Modern European History – Call For Applications

University or New England: Lecturer/Senior Lecturer in Early Modern European History

Continuing, full-time position
$93,336 to $110,619 per annum (Lecturer Level B)
$114,074 to $131,360 per annum (Senior Lecturer Level C)
Plus 17% employer superannuation.Salary packaging options are available.

The University of New England in Armidale, Australia is a unique university, in the enviable position of boasting an excellent international reputation as well as being a leader in research and academic innovation. We aim to foster a constructive and engaged culture where creative ideas and innovation thrive.

The Discipline of History, School of Humanities at UNE is currently seeking a Lecturer/Senior Lecturer in Early Modern European [Continental and/or British]History [1400-1800].

About the role

As Lecturer/Senior Lecturer in Early Modern European History you will be active in securing grant funding for history projects, proactively contribute towards service roles within the school, interact with the New England community and promote historical engagement in the region. Core to the role is the ability to develop,coordinate and teach undergraduate and postgraduate units and courses on history, and to research and publish in the area of early modern European history [1400-1800].

Skills & Experience

The successful candidate will have a developing track record of research and publication, a demonstrated willingness to apply for grant funding, and will be looking to develop future research projects. They will beexperienced in, and familiar with, best practice in the teaching of history at tertiary level, with experience in and/or aptitudeforthe innovative use of technologies for the practise and teaching of history

Application deadline: 31 July, 2017.

For full details and to apply, please visit: https://www.timeshighereducation.com/unijobs/listing/58596/lecturer-senior-lecturer-in-early-modern-european-history

Against Conventions: Uncommon Social Roles of Women and Men from Early Modern Times to 1945 – Call For Papers

Against Conventions: Uncommon Social Roles of Women and Men from Early Modern Times to 1945
Historical Institute of the University of Wroclaw
30 November – 1 December, 2017

Conference Website

The Historical Institute of the University of Wroclaw hereby invites scholars and PhD students to join us for the international conference: Against Conventions. Uncommon Social Roles of Women and Men from Early Modern Times to 1945 to be held in Wroclaw, November 30th – December 1st, 2017. The organizers propose to use tools which the category of gender gives in humanistic and social studies. However, we would like to overcome present tendencies to separate studies related to women or men. We hope that during the meeting it will be possible to capture mechanisms occurred while undertaking tasks which were contrary to social norms from both „feminine”, and „masculine” perspectives. We are aware that definitely more women struggled with social boundaries. Nevertheless, we consider the reflection on men’s experience, who also faced such challenges, as equally important.

We encourage experienced researchers, young scholars, as well as PhD students to focus on the following issues:

A) METHODOLOGY-CURRENT STATE OF RESEARCH-PERSPECTIVES:

  • methodology of gender studies,
  • difficulties and obstacles in studies on social roles,
  • current state of research regarding social roles,
  • new themes and research perspectives;

B) ACTIONS AND MOTIVATIONS:

  • uncommon actions taken by women/men,
  • circumstances under which one might/was forced to play an untypical role, traditionally assigned to the opposite sex,
  • motivation to act against the formulaic schemes,
  • strategies for action,
  • factors determining success/defeat;

C) CONCEQUENCES:

  • behavior and emotions of people who were undertaking activities characteristic for the opposite sex,
  • “import” of attitudes resulted from traditional tasks in family and society to “new” roles,
  • reproducing models of behavior characteristic for the opposite sex,
    attitudes of people performing typical roles towards these women or men who were taking actions against the conventions,
  • mechanisms related to crossing the boundaries from comparative perspective (in different countries and cultures)

D) BELIEFS AND PERCEPTIONS:

  • division into „feminine” and „masculine” roles and changes in their perception,
  • attitudes towards women/men acting differently to adopted standards; consequences of the progressive emancipation of women,
  • characteristic of groups and individuals who tried to combat stereotypical thinking about roles of women and men in society: their strategies, motivation and results of actions,
  • who, for what purpose, by what methods and with what result tried to retain status quo in division into “feminine” and “masculine” social roles.

The aforementioned issues indicate the main directions of discussion, nonetheless we encourage to submit other proposals related to the main theme of the conference.

Your proposal should be submitted by August 30, 2017 via the registration form: https://docs.google.com/forms/d/e/1FAIpQLSdy6Z3Ny5jBuVLrMXbAEcfGvfZ2TahgmobFTjM-DFETW5a8BQ/viewform

State Library of NSW: Jane Austen 200 Events

It has been 200 years since Jane Austen died, and despite being penned over two centuries ago her works remain both in print and in style.

Join us for a series of events celebrating the life, work and times of this much-loved author Jane Austen.

Regency High Tea
Saturday, 22 July 2017 – 2pm to 3:30pm

Why We Should Still be Reading Austen
Tuesday, 18 July 2017 – 12:30pm to 1:30pm

Austen Aloud
Tuesday 18 July 2017 – 10:00 am to 4:00 pm

All Things Austen: Jane Austen Trivia Night
Friday, 21 July 2017 – 6pm to 8:30pm

For full details of all events, and to to book, please visit: http://www.sl.nsw.gov.au/janeausten200

Printing Colour, 1700–1830: Discoveries, Rediscoveries, and Innovations

Printing Colour, 1700–1830: Discoveries, Rediscoveries, and Innovations
Senate House, London
10–12 April, 2018

Conference Website

Keynote: Margaret Graselli (National Gallery of Art, D.C.)

Convenors: Elizabeth Savage (Institute of English Studies) and Ad Stijnman (Leiden University)

Eighteenth-century book and print cultures are considered to be black and white (with a little red). Colour-printed material, like William Blake’s visionary books and French decorative art, is considered rare and exceptional. However, recent discoveries in archives, libraries and museums are revealing that bright inks were not extraordinary. Artistic and commercial possibilities were transformed between rapid technical advances around 1700 (when Johannes Teyler and Jacob Christoff Le Blon invented new colour printing techniques) and 1830 (when the Industrial Revolution mechanised printing and chromolithography was patented). These innovations added commercial value and didactic meaning to material including advertising, books, brocade paper, cartography, decorative art, fashion, fine art, illustrations, medicine, trade cards, scientific imagery, texts, textiles and wallpaper.

The saturation of some markets with colour may have contributed to the conclusion that only black-and-white was suitable for fine books and artistic prints. As a result, this printed colour has been traditionally recorded only for well-known ‘rarities’. The rest remains largely invisible to scholarship. Thus, some producers are known as elite ‘artists’ in one field but prolific ‘mere illustrators’ in another, and antecedents of celebrated ‘experiments’ and ‘inventions’ are rarely acknowledged. When these artworks, books, domestic objects and ephemera are considered together, alongside the materials and techniques that enabled their production, the implications overturn assumptions from the historical humanities to conservation science. A new, interdisciplinary approach is now required.

Following from Printing Colour 1400–1700, this conference will be the first interdisciplinary assessment of Western color printmaking in the long eighteenth century, 1700–1830. It is intended to lead to the publication of the first handbook colour printmaking in the late hand-press period, creating a new, interdisciplinary paradigm for the history of printed material.

Abstracts for papers or posters are encouraged from historians of all kinds of printed materials (including historians of art, books, botany, design, fashion, meteorology, music and science), conservators, curators, rare book librarians, practising printers and printmakers, and historians of collecting. Transport and accommodation offered to speakers. Please submit abstracts for papers (20 minutes) and posters (A1 portrait/vertical) by 1 October, 2017 at http://www.bit.ly/PC1700-1830-Submit.

The Communities and Margins of Early Modern Scotland – Call For Papers

The Communities and Margins of Early Modern Scotland
St. Mungo’s Museum, Glasgow
20-21 October, 2017

Our aim is to provide a space for postgraduates, early career researchers, and academics to come together and facilitate lively discussion on narratives surrounding the concept of the ‘community’ and those who participated on the margins of early modern Scotland.

Possible themes may include, but are not limited to:

  • Gender relations and social stratification
  • Religious and political communities
  • Textual communities; scholars, poets, playwrights, book-sellers
  • Gaelic culture within and outwith the Highlands
  • Crime, conflict and cohesion within the community
  • Minority communities; the ‘othering’ of marginal sects
  • Scots on the periphery and abroad; identity formation

We welcome proposals for both 20 minute papers, and for panels consisting of no more than three papers. Abstracts of 300 words along with a brief biographical note should be sent to ‘scottishstudies2017@gmail.com’ by Friday 28 July, 2017.

Papers can be delivered in English, Scots or Scottish Gaelic. A limited number of travel bursaries will be made available.

Queensland University of Technology: Lecturer/Senior Lecturer Positions – Call For Applications

The School of Communication at Queensland University of Technology is in a phase of expansion and renewal and seeks up to three new Lecturers / Senior Lecturers who can contribute to the research programs in the Digital Media Research Centre; to the School’s undergraduate, postgraduate programs; and to the supervision of higher degree research students

 

  • Digital Journalism
  • Digital Media and Communication Studies
  • Digital Transformation in the Entertainment and Media Industries

Full details and the position description are available at the following link: https://tinyurl.com/qut-soc-lecturer

Application close 31 July, 2017.

New Directions in the Study of Medieval Sculpture – Call For Papers

New Directions in the Study of Medieval Sculpture
Henry Moore Institute, Leeds
16–17 March, 2018

Focusing on the materiality of medieval sculpture has proven crucial to its study and has expanded our historical understanding of sculpture itself. Whether monumental relief sculpture in stone, wooden sculptures in the round, sculpted altarpieces, ivory plaques or enamelled reliquaries, the possibilities for research on medieval sculpture now extend far beyond the established canon.

Contemporary medieval sculpture studies have opened the field to comparative and inclusive research that embraces the social, performative, gendered and ritual uses of medieval sculpture. These developments have inspired the organisers of the conference New Directions in the Study of Medieval Sculpture to reflect on the field and ask how do we investigate medieval sculpture today and what might come ‘after’ materiality?

This two-day conference seeks to assess and critique the state of the field on medieval sculpture and to investigate new directions, approaches and technologies for research. A consideration of the state of the field could be approached through, but is not limited to, the following topics:

  • Processes and techniques of medieval sculpture
  • The sensory experience of medieval sculpture
  • The ephemeral and intangible aspects of medieval sculpture
  • Medieval sculpture, photography and digital reproduction
  • Archives, casts and reconstructing medieval sculpture
  • Sculpture and medievalism
  • Historiography of medieval sculpture studies
  • Exhibition histories of medieval sculpture

This conference is hosted by the Henry Moore Institute, a centre for the study of sculpture, and is convened by Dr Elisa Foster, 2016-18 Henry Moore Foundation Post-doctoral Fellow.

Accommodation and reasonable travel expenses within the UK will be reimbursed.

Paper proposals should be sent via email to Dr Elisa Foster: elisa.foster@henry-moore.org by 30 September, 2017.

Grief and Consolation – Call For Papers

Grief and Consolation
IAS/UWA Classics and Ancient History/CHE Symposium
Institute of Advanced Studies, The University of Western Australia
15 September, 2017

More info: http://www.historyofemotions.org.au/events/grief-and-consolation
Submissions Deadline: 1 August, 2017
Submissions: Send to Lara O’Sullivan (lara.osullivan@uwa.edu.au)

Grief, particularly the grief associated with bereavement, has been a constant companion of humanity throughout the ages. But how are we best to deal with grief? Traditional rituals have had a part to play, but consolation for grief has also been sought through intellectual processes: through awareness and (self-) analysis of the emotional and cognitive responses to grief, and through the articulation of grief in language, music and the arts.

Held under the joint aegis of the Institute of Advanced Studies UWA, the Discipline of Classics and Ancient History at UWA, and the ARC Centre of Excellence for the History of the Emotions, this interdisciplinary colloquium proposes a broad exploration of grief, and of the strategies employed in the consolation grief across time and culture. Papers (of c. 20 minutes’ duration) are invited to engage with this theme, whether literary, musical, philosophical, medical or other perspectives.

The special guest at the colloquium will be Professor Han Baltussen, the Walter Watson Hughes Professor Classics at the University of Adelaide. Professor Baltussen will be visiting UWA in September as an IAS Visiting Professor; while in Perth, he will be working on his current project, which traces the emergence of the conscious treatment of grief in ancient Greek oratory, philosophy and medicine.

“Wearing Images”: Special Issue of Espacio, Tiempo y Forma – Call For Papers

We invite all members of the academic community to submit original manuscripts for the sixth issue of Espacio, Tiempo y Forma. Serie VII. Historia del Arte, New Era. Submissions in English, Spanish and French are welcome for the themed dossier. The deadline for submissions is December 1, 2017.

THEMED DOSSIER: “Wearing Images”
by Diane Bodart

“Wearing Images” is the title of the themed volume for the sixth issue of the journal that has recently entered a New Era. It will be guest-edited by Diane Bodart, David Rosand Assistant Professor of Italian Renaissance Art History at Columbia University of New York, who has proposed the following thematic framework for this special issue:

In the past decades, studies on the materiality and the efficacy of images, as well as the artistic and social practices related to them, have allowed scholars to explore how much images’ making, use, handling and display contributed to the activation of their powers of presence through their interaction with the viewer. Further, the growing interest in the articulation between the history of art and the anthropology of images has brought to light the close links between the art object and the body: in fact, if the body can be the medium of the animate art object, the art object can potentially act as a substitute of the animate body. But what happens when the body is not the medium but the support of a distinctive image, when it inscribes an image on its own surface, whether directly on the skin or through intermediary props such as clothing or corporeal parure?

Wearing Images aims to investigate the different modes of interaction between the image and the body that wears it in the Early-Modern period (between ca 1400-1800), when devotional, political, dynastic or familial images could be worn as medals, jewels, badges, embroidered garments or tattoos. During processions or public rituals, images could be carried in close contact with the body, as if they were part of it. Sometimes, the body could be entirely wrapped with images and transformed by them, for example through the adornment of armor or carnival costumes. The volume will address issues such as: the role of images worn on the body in the definition of identity, in the affirmation of group affiliation, and in the construction of the self; the apotropaic dimension and empowering effect created by the contact between the body and the image; the performativity of wearing images on the body in motion and the interaction that it engages between the image-bearer and the image-viewer. Attention will also be devoted to the depiction of the image-bearer, which introduces a potential structure en abyme into the pictorial composition through the inscription of an image within an image.

The volume Wearing images will consider original papers that investigate the act of inscribing and carrying images on the body in the Early-Modern period, through mediums such as tattoos, jewels, badges, garments, armor or shields. Contributions discussing the representation of images bearers in works of art are also encouraged. Papers can focus on a particular example or analyze a group of objects. There are no geographic restrictions for the volume, and while the chronology mainly concerns the Early-Modern period, comparative analyses with other periods are also welcome.

Please circulate this Call for Papers widely. Once you have registered and consulted the submission guidelines, please send your proposal on our online journal platform:

http://revistas.uned.es/index.php/ETFVII/index

http://revistas.uned.es/index.php/ETFVII/about/submissions

If you have any enquiries, please contact the journal editor, Inmaculada Vivas, serie7.revista-etf@geo.uned.es; for queries regarding the e-platform, contact Jesús López revista-etf@geo.uned.es

The British Library: Curator, Early Modern Collections – Call For Applications

The British Library
Curator, Early Modern Collections

Salary: £26,000 per annum
Location: St Pancras
Job Type: Fixed Term Contract: Full Time, Fixed Term for 6 months

The British Library holds an internationally renowned collection of early modern manuscripts and printed books. As Curator of Early Modern Collections, you will assist lead curators in the Department of Western Heritage Collections with preparations for an exhibition on sixteenth-century British History. You will also use your specialist knowledge to catalogue early modern manuscripts and will help to interpret and present the Library’s early modern collections through online resources and engagement with academic and general users.

With a post-graduate degree, or equivalent, in sixteenth-century British history, you will have research experience using early modern manuscripts and printed books and a personal area of expertise relevant to the British Library’s collection. Strong palaeographical skills, excellent written and oral communication skills in English and the ability to promote the collections to a wide range of audiences are essential.

Closing Date: 11 July, 2017.

For full details and to apply, please visit: https://britishlibrary.recruitment.northgatearinso.com/birl/pages/vacancy.jsf?latest=01001156