Monthly Archives: January 2017

Mary Jaharis Center: Grants 2017-18 – Call For Applications

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce its 2017–2018 grant competition. Our grants reflect the Mary Jaharis Center’s commitment to fostering the field of Byzantine studies through the support of graduate students and early career researchers and faculty.

Mary Jaharis Center Dissertation Development Grants target graduate students who have completed all coursework, language requirements, and exams necessary to advance to Ph.D. candidacy. Grants are meant to assist with the costs of travel associated with the development of a dissertation proposal in the field of Byzantine studies broadly conceived, e.g., travel to potential research sites, museum collections, research and special collections libraries. The goal of these grants is to assist students in refining their initial ideas into a feasible, interesting, and fundable doctoral project.

Mary Jaharis Center Dissertation Grants are awarded to advanced graduate students working on Ph.D. dissertations in the field of Byzantine studies broadly conceived. These grants are meant to help defray the costs of research-related expenses, e.g., travel, photography/digital images, microfilm.

Mary Jaharis Center Publication Grants support book-length publications or major articles in the field of Byzantine studies broadly conceived. Grants are aimed at early career academics. Preference will be given to postdocs and assistant professors, though applications from non-tenure track faculty and associate and full professors will be considered. We encourage the submission of first-book projects.

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center, with any questions.

For full information and to apply, please visit: http://maryjahariscenter.org/grants/.

Deadline is February 1, 2017.

Shakespeare and the Pedagogies of Justice – Call For Papers

Shakespeare and the Pedagogies of Justice

Shakespeare scholars regularly encounter social justice issues in the material that we study and teach. Most often in the classroom our engagement with such issues takes the form of thematic identification and critical parsing. Yet we struggle to form more direct, material connections between coursework and social justice work. This book is for professors of early modern literature who want to heighten the intellectual impact of their courses by thoughtfully using their classrooms as laboratories for social formation and action. Much as Paolo Freire sought to reformat the relationship between teachers and students through his “pedagogy of the oppressed,” we are seeking productive ways of reformatting the relationship between students and this challenging material–ways that move them and us toward social action. We invite chapters that describe and model the doing of social justice work with and through early modern texts, and that claim the academic (not merely social) benefits of integrating social justice work into courses. To rethink the syntax, we might say we are interested in how social action can grow out of the pedagogical tools we employ in the early modern classroom. Bad pedagogy can produce quietism, but we hope to trace some ways in which an alive classroom can spark social change. To that end, we are especially interested in essays that do not approach teaching a single text so much as introduce methodologies, curricula, and assignments that integrate early modern texts with doing social justice.

Topics may include:

  • Social justice topics courses
  • Service learning
  • Community engagement
  • Evidence and truth in a post-truth world
  • Teaching in the anthropocene
  • Inclusive pedagogies
  • Students as knowledge producers
  • Teaching at an HBC, women’s college, native college, community college
  • The global Renaissance
  • Teaching performance as social justice
  • The scholarly implications of social justice pedagogy
  • Multiple and competing “Renaissance world pictures”
  • Implications of post-modern ontologies on pedagogy
  • The classroom as a community, laboratory, incubator, and change agent

For consideration please send a chapter abstract (500-1000 words), bio (~250 words) and CV (<4 pp). Deadline for abstracts is 27 January, 2017; completed chapters expected by 15 December, 2017.  Please send full set of materials to both Hillary Eklund, Loyola University New Orleans hceklund@loyno.edu and Wendy Beth Hyman, Oberlin College whyman@oberlin.edu.

Dreams, Memory and Imagination in Byzantium – Registration Open

Dreams, Memory and Imagination in Byzantium
Australian Association for Byzantine Studies 19th Conference
Monash University Law Chambers (555 Lonsdale Street, Melbourne)
24-26, February 2017

A reminder that registration is open and closes January 30; abstracts and programme are published.

Full details on the conference web site at http://www.aabs.org.au/conferences/19th

In the last two decades, the role of dreams, memory and the imagination in the ancient world and its cultural productions have come to receive increased attention, along with the importance of emotions in the Greco-Roman and medieval worlds. This conference will focus on the ways that the Byzantine imagination shaped its dreams and memories from the fourth to fifteenth centuries and the many ways in which these were recorded in the Byzantine world, in its historiography, literature, religion, art and architecture.

Guest speaker: Professor Derek Krueger, Greensboro University, North Carolina

Convenor: Dr Eva Anagnostou-Laoutides, School of Philosophical, Historical and International Studies, Monash University

Enquiries: conference@aabs.org.au

Lancaster University: Lecturer in Later Medieval British/European History – Call For Applications

Lancaster University
Lecturer in Later Medieval British/European History

Location: Lancaster
Salary: £33,943 to £46,924
Hours: Full Time
Contract Type: Permanent

The Department of History at Lancaster University seeks to appoint a lecturer in later medieval British or European history, roughly defined as AD 1200–1500.

You will be expected to offer courses for both undergraduates and postgraduates that will build on the department’s strong track record in attracting students interested in the history of this period. You should have an excellent record of teaching, research and publication as well as concrete plans for future projects and outputs. All specialisms will be considered, but preference may be shown for historians of state formation, frontiers, military history, material culture, private and everyday life.

Candidates whose research makes broad intellectual connections and/or spans more than one region or period while complementing the department’s existing strengths are of particular interest.

We welcome applications from people in all diversity groups.

For further information and to apply online please visit: http://www.jobs.ac.uk/job/AWH053/lecturer-in-later-medieval-british-european-history

Applications close on 20 January, 2017.

Fashioning Dress: Sewing and Skill, 1500-1850 – Call For Papers

Fashioning Dress: Sewing and Skill, 1500-1850
Conference and Historical Sewing Skills Workshop
University of Warwick
19 May, 2017

Keynote Speaker: Dr Chloe Wigston Smith (University of York)

Milliners, mantua-makers, tailors, stay-makers, dressmakers, and embroiderers – both professional and domestic – made up an a diverse, knowledgeable, and skilled workforce. Their handiwork lay behind the creation of magnificent court robes and elaborate embroidery, as well as shirts, shifts, aprons and petticoats. This conference aims to investigate the skills, techniques, and methods involved in manufacturing clothing – both for men and women. It also engages with the innovative methodology of garment reproduction, and will investigate questions around the usefulness of this approach, and how to present and disseminate such research findings.

The keynote and conference papers will be followed by an interactive workshop, during which participants will have the opportunity to examine reproduction garments at various stages in the making process, and to try their hand at contemporary sewing skills.

We welcome papers on topics such as:

  • The trades involved garment production (mantua-makers, tailors etc.)
  • Domestic sewing and production at home
  • Garment investigations
  • Women’s work and skill
  • Reproduction of dress as a methodology

Please email your 300 word abstract, along with a 100 word biography, to Serena Dyer at serena.dyer@warwick.ac.uk by 15 January, 2017.

This event is sponsored by the Institute of Advanced Studies, University of Warwick.