Monthly Archives: August 2015

Feast or Famine? What Presence did the Bible Really Have in Medieval Spiritual Writings? – Call For Papers

Feast or Famine? What Presence did the Bible Really Have in Medieval Spiritual Writings?
The Society for the Study of the Bible in the Middle Ages Session
International Medieval Congress 2016

Leeds, UK
4-7 July, 2016

I am an independent scholar with a doctorate from Cardiff University. I have been asked to put together a session for The Society for the Study of the Bible in the Middle Ages for IMC Leeds 2016 (4-7 July). The Leeds theme next year is: Food, Feast and Famine. The SSBMA session will look at how the Bible is used – or not – in medieval works with the title: Feast or Famine? What presence did the Bible really have in medieval spiritual writings?

Obviously Langland uses the Bible prolifically but other spiritual writers regularly include the Bible either with explicit quotation or – frequently – through implicit references which they anticipate that their audience will identify. Conversely, Chaucer employs the Bible prodigiously but is currently considered by some to be a secular poet. Bible usage by medieval writers regularly goes unrecognised yet these biblical sources are vitally important for any interpretation of medieval works. However, if Bible use is a ‘feast’, did medieval writers have greater knowledge of Latin than is currently surmised? What does Bible use tell modern scholars about medieval literacy and education? Are there other significant implications arising from this apparently profuse Bible use? I am looking for papers that seek to identify and analyse exactly how great a presence – or absence – the Bible has in medieval spiritual works.

Although the session submission deadline is 30 September, I would need to receive any abstracts (100 words for a 20-minute paper at Leeds) by 21 August at the latest because, if I do not accept the proposal, it would give people time to submit for the General Sessions deadline at Leeds (31 August). I also need a moderator. Please reply to gail.blick@btinternet.com.

Shakespearean Transformations: Death, Life, and Afterlives – Call For Papers

Shakespearean Transformations: Death, Life, and Afterlives
7th Biennial British Shakespeare Association Conference
University of Hull
8-11 September, 2016

Conference Website

Keynote speakers:

  • Susan Bassnett (University of Warwick)
  • Andrew Hadfield (University of Sussex)
  • Michael Neill (University of Auckland)
  • Claudia Olk (Free University of Berlin)
  • Barrie Rutter (Northern Broadsides)
  • Tiffany Stern (University of Oxford)
  • Richard Wilson (Kingston University)

‘Remember me!’ commands the ghost of Hamlet’s father at a moment in English history when the very purpose of remembrance of the dead was being transformed. How does the past haunt the present in Shakespeare? What do Shakespeare’s works reveal about the processes of mourning and remembrance? Shakespeare breathed new life into ‘old tales’: how do his acts of literary resuscitation transform the material he revived and what it signifies? This major international conference will investigate the ways in which Shakespeare remembered the past and we remember Shakespeare.

The 400th anniversary of Shakespeare’s death offers us a timely opportunity to reflect upon the continuation of his life and art diachronically, spatially from the Globe across the globe, and materially on stage, page, canvas, music score, and screen. How does Shakespeare continue to haunt us? The second strand of the conference focuses on Shakespeare’s literary, dramatic, and transcultural afterlives. The conference thus also seeks to explore the various ways in which Shakespeare’s ghost has been invoked, summoned up, or warded off over the past four centuries.

Topics may include, but are not limited to:

  • Shakespearean transformations: borrowing/adaptation/appropriation/intertextuality
  • Shakespeare and death
  • Speaking to/of and impersonating the dead in Shakespeare
  • Shakespeare, religion, and reformations of ritual
  • Shakespeare and memory/remembrance
  • Shakespeare and time: temporality/anachronism/archaism
  • Shakespeare and early modern conceptions of ‘life’
  • Emotion and embodiment in Shakespeare
  • Performing Shakespeare: now and then
  • Transcultural Shakespeare
  • Critical and theoretical conceptions of/engagements through Shakespeare
  • Textual resurrections: editing Shakespeare
  • Rethinking Shakespearean biography
  • Enlivening Shakespeare teaching
  • Shakespeare in a digital age

The conference will be held in the official run-up to Hull’s year as the UK’s City of Culture in 2017. The programme will include plenary lectures, papers, seminars, workshops, and performances at Hull Truck and the Gulbenkian Centre. There will also be special workshops and sessions directed towards pedagogy.

We welcome proposals for papers (20 minutes), panels (90 minutes), or seminars/workshops (90 minutes) on any aspect of the conference theme, broadly interpreted. Abstracts (no more than 200 words) should be sent to bsa2016@hull.ac.uk by 15 December 2015.

Participants must be members of the British Shakespeare Association at the time of the conference. Details of how to join can be found here: www.britishshakespeare.ws

ANZAMEMS Member News: Olivia Formby – Thoughts on the PATS @ UQ, July 2015

Olivia Formby, History MPhil Candidate, University of Queensland

For a select group of postgraduate students, ANZAMEMS 2015 carried on with a one-day Postgraduate Advanced Training Seminar (PATS) on Monday 20th July, chaired by Dr Denis Collins (UQ). This was an incredible opportunity to exchange ideas on a more intimate level with the conference keynote speakers Professors Alexandra Walsham (University of Cambridge), Laura Knoppers (Notre Dame University), and Jessie Ann Owens (UC Davis). Each of the keynotes spoke to a different theme which related to our areas of postgraduate research, before leading a general discussion on the historical and methodological “problems” of that theme.

Professor Alexandra Walsham began the day with an expert presentation on the theme of “religion,” an intrinsic aspect of the medieval and early modern worlds, and one that she warns must not be ignored. The danger of post-confessional, Enlightened history in a highly secularised Western world is that it can become difficult to take seriously the dynamism of religious beliefs in the past. As historians, it is important to remain aware of our own biases, in order to avoid the terrible “condescension of posterity.” But even as we acknowledge the reality of religious belief – and unbelief – in the past, how can we access it, particularly through often highly-mediated sources? As a group, Walsham led us to examine two extracts from fifteenth-century heresy trial depositions and, by “reading between the lines,” we were able to dissect some interesting ideas about genre, heresy and the fluid, complicated nature of religion in quite a short space of time!

The theme of “representations” was presented by Professor Laura Knoppers, who framed her discussion around the power and uses of literary, visual and material representations in the past. This was a complex theme, and relevant to all of our work with primary source material. Knoppers asked, “What is the problem of representation?” Certainly, as with understanding religious beliefs in the past, the “problem” often stems from our modern view-point. Socio-political context and communal/individual memory were essential to the interpretation (and therefore the power) of representations in the past, and so it is important for historians to place representations – whether in the form of a woodcut or a poem – as closely in their contemporary setting as possible, before discerning their “meaning.” Knoppers had us compare the regal portraits of Charles II and Louis XIV in order to realise the many little ways in which a single representation might establish relationships, authority and identity.

The final theme, and perhaps the most contentious, was that of “emotions,” expertly negotiated by Professor Jessie Ann Owens. A popular topic in the ANZAMEMS 2015 program, the history of emotions is a relatively new field, and still grappling with questions of definition and methodology. As historians begin to agree that emotions were expressed and experienced differently in the medieval and early modern past (as compared with the present), the central issue becomes our ability to adequately historicise our discussion of emotions, or rather “passions” or “sensibilities” or “humours,” as well as to access intangible and individualised feelings in the sources. Owens led an active discussion of methodology, with Barbara Rosenwein’s “emotional communities” as the starting point.

After these thematic presentations, we were given the privilege of presenting a brief report of our postgraduate research and to receive direct feedback from the expert keynotes on our topics, sources and methods. Their advice was invaluable. Visiting Professor Graeme Boone (Ohio State University) also called upon us to ask ourselves “What is at stake?” in our research, to vocalise our central thesis question, and to draw from it an answer which resonates with us, in order to remain relevant academically and engaged personally. PATS was definitely an experience that I will be taking with me into the rest of my research degree.

Reflections on Magna Carta in Australasia Postgraduate Symposium – Call For Papers

Reflections on Magna Carta in Australasia Postgraduate Symposium
University of Canterbury, Christchurch, New Zealand
1 December 2015

The New Zealand Historical Association and the Magna Carta 800 Committee for New Zealand will host a series of panels at the NZHA’s biennial conference (2-4 December). The organisers have also planned a postgraduate symposium dedicated to Magna Carta and its legacy to be held on Tuesday 1 December.

There are a number of travel bursaries available to assist students outside of the University of Canterbury. These will be distributed according to the needs of the applicant and distance travelled.

We invite papers with an interdisciplinary focus within (but not limited to) history, medieval history, political, legal and Maori studies that discuss the historical context of the charter, its influence on social and legal history, and its continued relevance to Australasian law and society.

Expressions of interest and/or paper titles, a 200-word abstract, and 50-word biography should be sent to: magnacartauc@gmail.com by 20 August 2015.

ANZAMEMS Member News: Olivia Formby – Thoughts on the 10th ANZAMEMS Conference @ UQ, July 2015

Olivia Formby, History MPhil Candidate, University of Queensland

If the 10th Biennial Conference of the Australian & New Zealand Association for Medieval & Early Modern Studies (ANZAMEMS) had a theme, it might have been “diversifying.” As a postgraduate delegate, I was privileged to attend papers which not only stemmed from a diverse range of disciplines, including history, philosophy, literature, art history, religion, and music, but which also transcended the traditional boundaries of those disciplines to offer new insights into our study of the past.

The first keynote address by Prof. Jessie Ann Owens of UC Davis on “Cipriano de Rore and the Musical Representation of Emotion” set the dynamic tone of the conference. A Professor of Music, this was Owens’ first foray into the history of emotions and, by her own account, has produced new ideas for her current work on de Rore. Indeed, Day One was marked by a variety of innovative and interesting papers on such topics as pregnancy, poetry, and providence. In the evening, the Welcome Reception held at the UQ Art Museum was the perfect opportunity to begin networking with the other delegates, many of whom had traversed the globe to be there, from places as close as New Zealand, and as far as Scotland. The Reception revolved around the current Wunderkammer exhibition (open until 13th September), an eclectic collection of cultural curiosities from the Medieval and Early Modern worlds, and an apt mirror of the colourful and diverse ANZAMEMS 2015 program.

Day Two was opened by Prof. Laura Knoppers, Professor of English at Notre Dame University, with her keynote address entitled “‘Draw our Luxury in Plumes’: Andrew Marvell and the Aesthetics of Disgust.” This paper was highly evocative of Restoration England and thoroughly entertaining in its reading of Marvell’s raunchier satires. After morning tea, I was honoured, and not a little nervous, to be giving my own (very first) conference paper on “The Emotional Responses of Ordinary Villagers to the Eyam Plague, 1665-1666.” This opportunity to present my research to, and alongside, a broad and highly engaged academic community was invaluable. Although I enjoyed a wide range of panels throughout the conference, I happily found my own niche on Day Two in the next panel session on Early Modern “Sickness and Health.” The day ended with a relaxed Postgraduate Drinks gathering at the Red Room, sponsored by the School of Historical and Philosophical Inquiry and UQ ANZAMEMS Chair. It was wonderful to meet fellow students in various stages of postgraduate life, and to share many other conference “firsts.”

The final keynote address was delivered on Day Three by Prof. Alexandra Walsham, Professor of Modern History at the University of Cambridge on “Domesticating the Reformation: Material Culture, Memory and Confessional Identity in Early Modern England.” This fascinating paper, accompanied by spectacular images, explored how items of Delftware formed domestic religious identities in Reformation England through the appropriation of print and image, and was a highlight of ANZAMEMS 2015. Possibly the most diversifying element of the conference was the presence of researchers from the Australian Research Council Centre of Excellence for the History of Emotions (ARC CHE), who formed a total of six panels, including two on Day Three. These panels centred on a single concept, such as “facial feeling” or “religious dislocation,” but incorporated multiple disciplinary approaches in their investigation of this still-burgeoning field. In the afternoon, I joined my fellow postgraduates for a round table on “Career Options” which discussed the challenges of the “traditional” tenure-track career, as well as alternative avenues for postgraduates including publishing, teaching, and librarianship. In the evening, I had the pleasure of attending the Conference Dinner at Customs House, courtesy of ARC CHE which sponsored the tickets of thirty honours and postgraduate students. This was a lovely evening, accompanied by the music of The Badinerie Players, who matched their arrangements to four of the conference papers, including Owens’.

The final two days of ANZAMEMS were filled to the brim with papers that spanned the breadth and depth of the Medieval and the Early Modern, from an emotional history of “Moravian Missions and Slavery in the Caribbean” to a study of “Women and Religious Mendicancy in the thirteenth and fourteenth centuries.” Day Four culminated in the inaugural meeting of the Maddern-Crawford Network, so-named for two great women in our field, and so-formed as a collective network for female academics in what is still a male-dominated profession. This round table generated a lively sense of dialogue and community, which I am sure will burn into the future.

As ANZAMEMS 2015 came to a close on Saturday 18th July, I was able to reflect on the many exchanges that had taken place, the invigorating discussion of research and ideas, as well as the new networks I had formed with other postgraduates and academics that will surely be an amazing future resource. Twitter will be a useful tool for maintaining many of these connections and, indeed, was itself a site of diverse academic exchange during the conference for anyone following the official hashtag: #ANZAMEMS2015. This was a conference of Medieval and Early Modern studies that was diversifying – and energising – in its international, open-themed and interdisciplinary form.

Early Modern Women: An Interdisciplinary Journal: Women and Science Issue – Call For Papers

The next Forum for Early Modern Women: An Interdisciplinary Journal, Vol. 11, issue 1, to be published October, 2016, will be on women and science.

Topics to be considered may include any subject that addresses the activity of women in science (including medicine), natural philosophy, or natural history broadly conceived in the period from 1350 to 1750. Forum pieces may consider, for example, women as scientists in any field, the influence of women as patrons of scientists and academies, or the scientific study of gender.

Proposal on related topics are welcome. Please send an abstract of 300 words to either mlindemann@miami.edu or msuzuki@miami.edu. We will respond promptly. The completed Forum essays of approximately 3000-3500 words will be due on January 15, 2016.

Gender and Emotion – Call For Papers

Gender and Emotion
Gender and Medieval Studies Conference 2016
The University of Hull
6–8 January, 2016

The grief-stricken faces at Edward’s deathbed in the Bayeux Tapestry; the ambiguous ‘ofermod’ in The Battle of Maldon; the body-crumpling anguish of the Virgin witnessing the Man of Sorrows; the mirth of the Green Knight; the apoplectic anger of the mystery plays’ Herod and the visceral visionary experiences of Margery of Kempe all testify to the ways in which the medieval world sought to express, perform, idealise and understand emotion.

Yet while such expressions of emotion are frequently encountered by medievalists working across the disciplines, defining, quantifying and analysing the purposes of emotion and its relationship to gender often proves difficult. Are personal items placed in early Anglo Saxon graves a means for the living to let go of, or perpetuate emotion, and how are these influenced by the body in the grave? Do different literary and historical forms lend themselves to diverse ways of expressing men’s and women’s emotion? How does a character expressing emotion on stage or in artwork use body, gender and articulation to communicate emotion to their viewer? Moreover, is emotion viewed differently depending on the gendered identity of the body expressing it? Is emotion and its reception used to construct, deconstruct, challenge or confirm gender identities?

This conference seeks to explore the manifestations, performances and functions of emotion in the early to late Middle Ages, and to examine the ways in which emotion is gendered and used to construct gender identities.

Proposals are now being accepted for 20 minute papers. Topics to consider may include, but are not limited to:

  • Gender and emotional expression: representing and performing emotion
  • The emotional body
  • Philosophies of emotion: theory and morality
  • Emotional objects and vessels of emotion
  • Language and emotion and the languages of emotion
  • Preserving or perpetuating emotion
  • Emotions to be dealt with: repressing, curtailing, channelling, transforming
  • Forbidden emotion
  • Living through (someone else’s) emotion
  • The emotions of war and peace
  • The emotive ‘other’
  • Place and emotion
  • Queer emotion

We welcome scholars from a range of disciplines, including history, literature, art history, archaeology and drama. A travel fund is available for postgraduate students who would otherwise be unable to attend.

Please email proposals of no more than 300 words to organiser Daisy Black at d.black@hull.ac.uk by the 7 September, 2015. All queries should also be directed to this address. Please also include biographical information detailing your name, research area, institution and level of study (if applicable).

ANZAMEMS Member News: Lindsay Dean Breach – Thoughts on the 10th ANZAMEMS Conference @ UQ, July 2015

Lindsay Dean Breach, Doctoral Candidate, University of Canterbury

Australian & New Zealand Association for Medieval & Early Modern Studies (ANZAMEMS) did a amazing job with the 10th Biennial Conference. It is prudent to begin with thanks to those organisers behind the scenes. As Chris Jones said in his address: When things run smoothly; it’s easy to forget to say thank you. The University of Queensland was also a terrific venue. I speak from a New Zealand perspective when I say the weather was ‘fantastic’. However, comments about the weather speak to the international element of the conference. It is a testament to the esteem of ANZAMEMS that an Australasian event can attract so many international peers from as far away as Russia. Particularly because we often consider ourselves geographically isolated.

This was my first conference. My foremost concern is that the bar has been set very high. For me personally, this will be the conference against which I will judge future events. The conference boasted many wonderful papers and it was difficult to choose which to attend. The papers I did settle on were splendid. Each conveyed the labour of love of the presenter. It is important to me personally that the audience asks respectful questions and treats the presenter with the dignity they deserve. I was warned that similar academic events (clearly not ANZAMEMS events!) are often treated as opportunities to display arrogant ‘one-up-manship.’ Or worse still, professors attempting to assert their dominance over postgraduates (apparently such poor conduct happens!) to satisfy their egos. I am very happy to report this was not the case here. I did not witness a single example of undignified posturing by any member of ANZAMEMS.The conference was a friendly and safe environment of the kind that promotes learned discourse. To sum up briefly, the atmosphere was positive and audience participation was constructive.

I had the pleasure to attend papers on various subjects on medieval and early modern history. I learned a lot. To name a few, I attended a paper describing how modern conceptions of Frederick the Great as a ‘dandy’ did not impact upon his status as a King (Dr Bodie Ashton, University of Adelaide). Dr Michael Ostling (University of Queensland) expertly covered the de-mythologising of fairies and magic in an age of rationalism. Another paper described the passage of death as a pilgrimage and how the poems of Sir Walter Raleigh present this image (Cyril Caspar, University of Zurich). One paper, as part of a History of Emotions, described the impact of disfigurement on conveying emotions and pre-modern physiological understanding of the face (Dr Emily Cock, University of Adelaide). Finally, Erica Steiner (Independent Scholar) furnished an excellent paper on a ship called the hulc, which could be described as the workhorse of the British Isles. I attended many other worthy papers that I do not have space here to mention.

My own paper concerned the use, or early trust, in medieval English law. It stands as a challenge to the ‘accepted truth’ today, attributed to Pollock and Maitland, which holds the use as having emerged in response to England’s involvement in the crusades. My own panel concerned law and politics. There were numerous others panels that covered a variety of subjects such as theology, musicology, and politics. I initially approached the conference with some trepidation because I had the perceptible misfortune of being the first paper on the first day of the conference. As this was my first conference, it was an entirely new experience and I did not know what to expect. I admit to being nervous. However, I am glad to say that any thoughts of misfortune quickly evaporated. My chair did a wonderful job and I got excellent feedback. Next time, I know I can depend on the positive and supportive disposition of the ANZAMEMS membership.

The conference provided an amazing opportunity to meet experts in their field. It provided ample opportunity to exchange ideas in general discourse or in direct response to questions. Moreover, I arranged to co-publish an article with one member who I met at the conference. Therefore, the ability to exchange ideas is fundamental to the experience. ANZAMEMS facilitated the networking aspect of the conference with ample social gatherings. These proved to furnish closer relationships with existing colleagues and create new bonds with others. I am happy to say that I made a number of positive contacts and formed a number of friendships with people who I am keeping in contact with after the conference. I had no negative interactions.

Nothing ever runs perfectly and ANZAMEMS would do well to take the lessons it learned here and apply them to the next event in Wellington. I have no negative criticisms. The only room for improvement lies in the observance of the 20 minutes allocated to the papers. It is understandable when you get so many academics together that their passions shine through their papers. This is great but can mean papers may run over time. Even 10 minutes over time! The ability of chairs to control the exuberance of the speakers greatly varied. Part of the problem regarded perceptions of seniority. While not overtly an issue, it is clear that some chairs (namely postgraduates) were reluctant to stop their superiors (e.g. their supervisors). The clear lesson is that chairs should be of equal or of higher seniority to speakers.

In conclusion, the conference was one of the most positive experiences of my life. It is something I will never forget. It proved to be a superb academic experience and a wonderful opportunity to connect with others. Unfortunately for ANZAMEMS, the bar is now very high. Future organisers are faced with the expectations of a similar event. With that said: I look forward to see if the next ANZAMEMS conference in Wellington in 2017 can meet the standard now set.

ARC Centre of Excellence for the History of Emotions / UWA: War and Emotions Symposium

War and Emotions Symposium

Date: Monday 17 August 2015
Time: 10:00am – 5:00pm
Venue: Lawrence Wilson Art Gallery, The University of Western Australia
Contact: pam.bond@uwa.edu.au
Website: http://www.historyofemotions.org.au/events/war-and-emotions.aspx
Registration: Essential. Available on Eventbrite.

Presented by a collaboration of the ARC Centre of Excellence for the History of Emotions and UWA groups including the Centre for WA History, Lawrence Wilson Art Gallery, Institute of Advanced Studies and the History Discipline Group, as part of ‘UWAugust: Australians and War’, The University of Western Australia’s ANZAC Centenary commemorations coordinated by the Cultural Precinct through its WINTERarts program.

A one-day symposium exploring current research into emotions relating to war, various aspects of World War 1 and the ANZAC legend, and the experience of Australian soldiers returning from war. This will form the intellectual hub of ‘UWAugust: Australians and War’ program.

The symposium will include a Round Table discussion on ‘What the Great War has meant for Australia – then and now’, chaired by Professor Jenny Gregory (UWA). Other participants include Professor Louise D’Arcens (Wollongong), Dr Megan Cassidy-Welch (Monash), Dr Neil Ramsey (New South Wales) and professors Mark Edele, Jane Lydon, Andrew Lynch and Bob White (UWA).

A full program is available on the CHE website (link above)

The symposium will be followed by:

THE 2015 FRED ALEXANDER PUBLIC LECTURE
Professor Joy Damousi (The University of Melbourne)
Hell Sounds, Birdsongs and Zeppelins: Emotions, Memory and the Soundscape of the Great War
6:00pm Webb Lecture Theatre, G.21, Geography and Geology Building, UWA
Free but RSVP essential
http://www.ias.uwa.edu.au/lectures/damousi

The Futures’ Past – Call For Papers

The Futures’ Past
The University of Sydney Postgraduate Conference 2015
26-27 November, 2016

Conference Website

As historians, how our subjects speculate about their futures can provide a rich source of information about the past. How can we harness the hopes and fears people had about the future in our representations of past lives and their contexts? What do such thoughts and feelings tell us about the role of the future in shaping human narratives? With the past’s future and our own in mind the Department of History at the University of Sydney will be holding a two-day conference on the 26th and 27th November, 2015, for postgraduates and early career researchers interested in addressing these issues and impulses in history and other related disciplines. In this conference we hope to open up a discussion about the way in which we currently write our histories, and the subjects, values, themes and methods that we use. Accordingly, we invite abstracts from those working within history and related disciplines, which will inform us about the histories they are writing, and the ways that these histories are being informed by both past, present and future forces.

Papers will be 20 minutes, with ten minutes following for question time. Proposed theme or approach-based panels should include three papers. Each panelist should deliver a paper of twenty minutes with ten minutes of question time to follow.

Themes that your paper might address include:

  • The history and forms of history you are presently engaging with
  • How you use and write history in your own work
  • How present political, academic or social contexts influence the history you are writing
  • Changing trends in the history fields you are writing within, both in past and present forms, and how this has shaped your own work and interests
  • Interdisciplinary influences in your historical field
  • Different subjects or approaches to history that you are adopting, and how these might be shaped by past and present forces

In addition to these suggested themes, we also welcome other submissions related to history.

Abstracts for proposed papers should be no more than 200 words and must be submitted to our website by close of business on September 7, 2015, with an accompanying 50-100 word biography.
All proposals for panels, roundtable discussions, workshops or other novel formats are encouraged, and should be forwarded to: samantha.killmore@sydney.edu.au.

Any questions can be directed to organising committee at: historypgconference@gmail.com.