Monthly Archives: December 2013

The Metropolitan Museum of Art and the Guggenheim Offer 474 Free Art Books Online

The Guggenheim had made 99 art catalogues available for free online, while the Metropolitan Museum of Art offers a whopping 375 free art books and catalogues overall.

For more information, please visit this link: http://www.openculture.com/2013/08/free-the-metropolitan-museum-of-art-and-the-guggenheim-offer-474-free-art-catalogues-online.html

Free Palaeography App for Mobile Devices

Those members who have Apple or Android devices may be interested in a newly released app that is designed to help you with your medieval palaeography.

The origins of this app lie in online exercises in palaeography developed for postgraduate students in the Institute for Medieval Studies at the University of Leeds in West Yorkshire, U.K. The aim is to provide practice in the transcription of a wide range of medieval hands, from the twelfth to the late fifteenth century.

Apple users: https://itunes.apple.com/app/medieval-handwriting/id734335308
Android Users: https://play.google.com/store/apps/details?id=com.agbooth.handwriting.medieval

National Gallery of Victoria – Two Exhibitions of Interest in 2014

A couple of exhibitions on show in 2014 at the National Gallery of Victoria which may interest members:

Italian Masterpieces From Spain’s Royal Court
16 May 201431 Aug 2014

The holdings of Italian art in the Museo Nacional del Prado, Madrid are unique and unrivalled in museums outside Italy.  Drawn from its magnificent collection, this exhibition of over 70 paintings and 30 drawings presents a rich selection of works spanning 300 years of Italian art, from the early sixteenth to the eighteenth centuries.

More than 70 artists are represented including Raphael, Correggio, Titian, Tintoretto, the Carracci, Poussin and Tiepolo.  The exhibition reflects the taste of the Spanish Royal Court whose Kings and Courtiers avidly collected Italian art.  Successive rulers also commissioned works directly from the artists in Italy or enticed them to Spain to work in the Royal Household.  Many of these works are at the heart of the Prado’s collection and have never before left Spain.

The exhibition is organised by Museo Nacional del Prado, Madrid in association with the National Gallery of Victoria and Art Exhibitions Australia.

For full details please visit: http://www.ngv.vic.gov.au/whats-on/exhibitions/exhibitions/italian-masterpieces-from-spains-royal-court-museo-del-prado-madrid


Bushido: Way of the Samurai
4 Jul 201430 Nov 2014

Bushido explores the fascinating world of the samurai who were the warriors, rulers and aristocratic elite of Japanese society for more than 800 years.

From the 12th century through to the end of the Edo period in 1868 the Shogun, regional lords and their warrior retainers (all samurai in their own right) ruled the country and lived to a strict code of ethics. This military aristocracy aspired to a life of spiritual harmony that not only perfected the art of war but also embodied an appreciation of the fine arts that established their life as an art form itself. Throughout these tumultuous times of war and peace samurai virtues of honesty, courage, benevolence, respect, self-sacrifice, self-control, duty, and loyalty combined with their passion for a cultural lifestyle not only established social stability, but also cultivated a legacy of art and culture in Japanese society that continues to this day.

Bushido: Way of the Samurai will focus on samurai as both warriors and men of refined culture. It will showcase the attire of the samurai in the form of armour, helmets, swords and equestrian equipment. It will display the cultural pursuits of samurai in the form of Noh costumes, calligraphic scrolls, lacquer objects and tea utensils and re-live the legacy of bushido through representations of samurai in large screen paintings, dramatic woodblock prints and noble studio photographs.

For full details please visit: http://www.ngv.vic.gov.au/whats-on/exhibitions/exhibitions/bushido-way-of-the-samurai

Crowns and Colonies: Monarchies and Colonial Empires – Call For Papers

Crowns and Colonies: Monarchies and Colonial Empires 
Department of History, School of Philosophical and Historical Inquiry, University of Sydney
11-13 June, 2014

Keynote address: Professor Miles Taylor, Director of the Institute for Historical Research, University of London, on Queen Victoria and India

From the time of Alexander the Great and the Roman Caesars down to the empire of Queen Victoria and beyond, monarchism and imperialism have often been linked – indeed, republican colonial empires have been notable exceptions in international history. Napoleon III dreamed of constructing an ‘Arab kingdom’, Victoria was proclaimed Empress of India, King Leopold created his own realm the Congo, and Italy’s King Victor Emmanuel III was named Emperor of Ethiopia. Even today the Commonwealth of Nations is bound together by the figure of the British monarch, and the Danish queen reigns over Greenland and the Faeroe Islands.

Outside of Europe, as well, monarchs ruled over disparate peoples, their hereditary and often sacred positions bringing together under a crown the empires of China, Japan, the Ottoman state and several pre-colonial African empires. Non-Western monarchs – Zulu chieftains, Indian maharajahs, Emperor Haile Selassie, the king of Korea among others – were themselves often displaced by imperial conquest. Nationalist movements sometimes campaigned for the restoration of dynasties, at other times for abandonment of ‘feudal’ rule.

This international conference, and a proposed collection of essays commissioned from participants, explores the links between crowned rulers and their colonial possessions. Paper proposals are invited on any historical period or region.

Themes may include but are not limited to:

  • different theories of kingship in relation to colonial empire;
  • royal initiatives in colonial expansion and patronage of colonial expeditions, chartered companies and learned societies;
  • the legal position and prerogatives of monarchs in colonial systems;
  • interventions by monarchs in colonial politics and governance;
  • royal visits to colonies (and visits by colonial rajas, sultans and other rulers to colonial metropoles);
  • royal personages in the colonial military and administration; representations of monarchs in colonies (statues, buildings, artwork) and commemoration of royal births, anniversaries and deaths; royal honours, decorations and investitures;
  • movements for the restoration of indigenous dynasties abolished by colonial authorities;
  • the repercussions of metropolitan and nationalist republicanism and dissolution of monarchies in the colonial world;
  • and links between former colonies and monarchies (as in the Commonwealth).

Please send proposals of papers by 15 February 2014 to: Professor Robert Aldrich and Dr Cindy McCreery: Click here to email

Please include the following:

  1. Your academic or professional affiliation and full contact details (email, telephone and postal address)
  2. The title of your proposed presentation
  3. A 250-word abstract
  4. A one-page cv or list of your major publications

Please note that there will be no registration fee for the conference. There will be a conference dinner at participants’ own expense.

ARC Centre of Excellence for the History of Emotion Workshop: Praise of Passion in the Renaissance and Reformation

The ARC Centre of Excellence for the History of Emotions (Europe 1100-1800) presents:
Praise of Passion in the Renaissance and Reformation worshop

Date: Friday 24 January 2014
Time: 10.30am-12.30pm
Venue: Level 7 Common Room, Arts West, The University of Melbourne
For more information: contact Jessica Scott at Tel: +61 3 8344 5152 or jessica.scott@unimelb.edu.au

Reading, the first chapter of Strier’s The Unrepentant Renaissance (“Against the Rule of Reason”). This workshop will consider defenses of passion in the Renaissance and Reformation, and the different values that are ascribed to emotions in tragedy. King Lear will be our starting-point.

Speaker: Professor Richard Strier, Frank L. Sulzberger Distinguished Service Professor Emeritus from the English Deptartment, Divinity School, and the College of the University of Chicago.

Richard Strier is the author of The Unrepentant Renaissance from Petrarch to Shakespeare to Milton (2011) – which won the Robert Penn Warren-Cleanth Brooks Award for Literary Criticism — Resistant Structures: Particularity, Radicalism, and Renaissance Texts (1995); and Love Known: Theology and Experience in George Herbert’s Poetry (1983). He has co-edited a number of interdisciplinary collections including, most recently, Shakespeare and the Law: A Conversation Among Disciplines and Professions (with Bradin Cormack and Martha Nussbaum); Writing and Political Engagement in Seventeenth-Century England (with Derek Hirst); Religion, Literature and Politics in Post-Reformation England, 1540-1688 (with Donna Hamilton); The Theatrical City: Culture, Theatre and Politics in London, 1576-1649 (with David L. Smith and David Bevington); and The Historical Renaissance: New Essays in Tudor and Stuart Literature and Culture (with Heather Dubrow). He has published essays on Shakespeare, Donne, Luther, Montaigne, and Milton, and on formalism and twentieth-century critical theory.

Comitatus: A Journal of Medieval and Renaissance Studies – Call For Papers

Comitatus: A Journal of Medieval and Renaissance Studies, published annually under the auspices of the UCLA Center for Medieval and Renaissance Studies, invites the submission of articles by graduate students and recent PhDs in any field of medieval and Renaissance studies.

Submissions should be sent as e-mail attachments to Dr. Blair Sullivan, sullivan@humnet.ucla.edu.

Submission Deadline for Volume 45 (2014): 1 February 2014.

The Comitatus editorial board will make its final selections by early May 2014.

Landmarks in Printing: from Origins to the Digital Age – Call For Papers

Landmarks in Printing: from Origins to the Digital Age
St Bride Library, London
13-14 November 2014

In 2014, the Printing Historical Society will commemorate its fiftieth anniversary and its role in the encouragement of printing history. To celebrate this milestone, the Society will host several events, foremost of which is a two-day conference on the theme of ‘Landmarks in Printing: from origins to the digital age’.

The Society invites papers that cover all aspects of the printing arts and industry, including the cultural, practical and technical achievements of the craft. It is anticipated that papers will consider not only the history of the subject, but also its theory and practice and will be drawn from a wide body of speakers that may include printers, graphic designers, typographers, publishers, papermakers, librarians, collectors, booksellers, bookbinders and historians of all relevant fields.

Papers are welcome from scholars, practitioners or students. Applicants should submit a 300-word proposal in Word format, together with a short curriculum vitae. All applications and questions to PHS Honorary Secretary, Francis Cave: francis@franciscave.com

Closing date: 12:00-noon, 28 February, 2014.

Art Gallery of NSW – Two Exhibitions of Interest in 2014

A couple of exhibitions on show in 2014 at the Art Gallery of NSW may interest members:

The Lost Prince and the Winter Queen
Royal Portraits from the National Portrait Gallery, London
3 Jul – 28 Sep 2014

In association with the Australia’s most prestigious portrait prize – the Archibald Prize – the Gallery has partnered with the National Portrait Gallery, London to bring to Australia two exceptional 17th-century portraits of royals Henry Frederick, Prince of Wales and Elizabeth of Bohemia, children of James I.

Full details: http://www.artgallery.nsw.gov.au/exhibitions/lost-prince-winter-queen


European Prints and Drawings 1500-1900
28 Aug – 2 Nov 2014

This selection of some 150 works on paper from the Gallery’s fine collection of European prints and drawings reveals the story of the graphic arts in Europe from the late 15th century to the dawn of the 20th century.

Full details: http://www.artgallery.nsw.gov.au/exhibitions/european-prints-and-drawings-1500-1900

Celtic Students Association Annual Conference – Call For Papers

The Association of Celtic Studies Students of Ireland and Britain
Second Annual Conference
University of Aberystwyth
Saturday 22nd March 2014

The aim of the Association is to bring together students of Celtic from across the different Celtic languages and countries, in order to promote and defend the discipline and the languages themselves. We seek to encourage the study of these languages by students, and to emphasise the interdisciplinary and multi-lingual nature of Celtic Studies as an academic field.

We invite proposals for 15-minute papers on any subject relating to the Celtic languages and their attendant literatures and cultures from students of Celtic or related disciplines, both postgraduate and undergraduate.

Papers may be presented in any of the Celtic languages or English. Simultaneous translation will be available for Welsh, Irish and Scottish Gaelic, and anyone who would like to present in Breton, Manx or Cornish is asked to provide a written English translation of their paper which will be given to attendees if needed to enable them to follow it.

Abstracts should be no more than 200 words in length, and should be submitted by December the 20th. To submit, or for more information, please contact celtic.students.assoc@gmail.com

PIMS Diploma Programme in Manuscript Studies – Call For Applications

The Pontifical Institute of Mediaeval Studies, in conjunction with the American Academy in Rome, is proud to offer a new Diploma Programme in Manuscript Studies. A complete description of the curriculum, as well as details about eligibility and application, can be found at our website.

The fourth year of the programme will be held in Toronto from 3 June to 11 July 2014. The courses to be offered are “Codicology” and “Textual Editing.” For further details please see our flyer. The deadline for applications is 1 February 2014.