Category Archives: ANZAMEMS

ANZAMEMS PATS 2014 Report: Political Ideas in Medieval Texts

Dear members,

Amanda McVitty (Massey University), one of the postgrads who attended the recent ANZAMEMS PATS seminar on Political Ideas in Medieval Texts, held at Monash University (Oct. 2014), has sent me the following report (found below) compiled by participants of the PATS. It details the participants’ experience and what they gained from the seminar. Many thanks to Amanda for this. The report can also be accessed via the PATS page on the ANZAMEMS website.



Seminar Report: Postgraduate Advanced Training Seminar on Political Ideas and Medieval Texts, October 2014

A group of 12 postgraduates and early career researchers from universities across Australia and New Zealand were privileged to attend the recent ANZAMEMS Postgraduate Advanced Training Seminar on ‘Political Ideas and Medieval Texts: Methodologies and Resources’. The seminar was hosted at Monash University and facilitiated by Professor Constant Mews and Associate Professor Megan Cassidy-Welch of the Centre for Medieval and Renaissance Studies. An engaging group of speakers – Kriston Rennie (University of Queensland), Chris Jones (Canterbury University), and Clare Monagle (Monash) – addressed the theme of medieval political ideas across the three broad domains of law, literature, and theology.

The seminar considered a variety of approaches and methodologies for uncovering and analysing the political in sources that are not overt works of political theory or practice, but that nevertheless deal, either implicitly or explicitly, with questions of power and authority. Kriston Rennie kicked things off by putting a series of episcopal letters into dialogue with related legal texts. His approach offered a way into exploring political ideas underpinning the law, ideas that are not fixed but that shift over time through moments of innovation which are illustrated by deviations from the formula of legal language. This highlighted the importance of recognising what is formulaic in order to analyse more closely the potential political significance of those moments when the formula does not appear.

Chris Jones’ exploration of politics and literature used the chronicle genre to demonstrate that the canonical texts of medieval political theory may not be the only or even the best means to discover how contemporaries approached questions of power, consent, and legitimacy. His examples showed how authors writing from and for the ‘peripheries’ can offer us perspectives that differ in significant ways from the ‘centre’ of royal courts, political theorists and legal thinkers. Chris noted that the places where chronicles depart from standard tropes and narratives can often tell us much about the diversity of political views and voices. This session also sparked some productive discussion about the potential risks we run of reading the ‘political’ into texts where it was not originally present.

Finally, Clare Monagle’s discussion of politics and theology used a selection of Canons from Lateran IV to give us the opportunity to work through the very idea of ‘polis’. It was invaluable to spend some time teasing out the connections between politics and ethics, and returning to lingering questions about the nature of political community the location of political authority. Clare’s example of ‘finding’ Peter Lombard in Lateran IV was also a compelling lesson in recognising that even those texts that have been extensively analysed by scholars can still generate fresh interpretations and offer new insights.

The seminar was run in a workshop format that promoted a sense of collaboration, and allowed for plenty of conversation and exchange of ideas. Attendees were asked in advance to prepare a brief overview of their research and their expections of the seminar, and these were woven in throughout the day to foster real engagement. We weren’t merely being given ideas to contemplate, but were being asked to form and inform them from our own work.

One striking feature was the variety and richness of meanings of ‘political’ that participants brought to the table. There were social, cultural and gendered inflections of the term operating in our different working definitions, in addition to the legal, literary and theological angles that our presenters asked us to consider. A number of attendees were engaged directly with the history of medieval political ideas or with the practice of medieval politics, while others came from backgrounds in literary studies, cultural studies, and art history. For those attendees working with sources that are, at least in part, self-consciously political, it was useful to consider how other types of sources could be used to inform our understanding of medieval ideas about power. For others, it was valuable to think about how ‘politics’ and the political might be found anywhere, in genres and domains which have seemingly little communication with politics qua politics. For the attendees, these ranged widely, from letters, poems, chronicles, and early modern novels and fairy tales through to art, architecture, clothing, and other facets of material culture.

For everyone who attended, perhaps the most important theme raised in various ways over the course of the day was the need to constantly probe what we mean by ‘politics’ and the ‘political’. There was much fruitful discussion about the differences between ideology and politics, and the degree to which each must or can contain multiple voices. We were also alerted to the need to explore the distinctions between politics, ideology and the political imaginary present in our sources.

In one participant’s words, the best phrase to sum up this PATS would be ‘mutually enriching’. By gathering together scholars at various stages of their academic careers to foster collaboration and discussion, the seminar created an atmosphere conducive to open dialogue and intellectual risk-taking that can be rare in academic circles, the value of which should not be underestimated. For many of us, academic scholarship is an often-solitary pursuit. Having this opportunity to discuss our work and to share experiences and advice about pursuing medieval research in the southern hemisphere was not only intellectually stimulating, but also a genuine pleasure.

The PATS attendees would like to extend our gratitude to the presenters and facilitors for organising such a stimulating and valuable research seminar. We would also like to thank ANZAMEMS for their support, which included travel bursaries for out-of-state participants.

Amanda McVitty
PhD Candidate, Massey University
NZ Postgraduate Representative, ANZAMEMS

George Yule Prize – Deadline 28 February 2015

As you will all know, the deadline for submission of panels and individual papers for the ANZAMEMS conference in Brisbane, 14-18 July 2015, is 31 October. The executive committee encourages postgraduates to think about submitting a 3,500 word essay for the George Yule prize (and supervisors to encourage their students to do so). The deadline for this is 28 February 2015. Entries and queries should be submitted to Marina Gerzic: mgerzic@gmail.com

For further information on this prize, see: http://anzamems.org/?page_id=8

Call for proposals for a themed issue of Parergon (2016)

We now call for proposals for future themed issues, most immediately for 2016 (33.2).

Parergon publishes articles on all aspects of medieval and early modern studies, from early medieval through to the eighteenth century, and including the reception and influence of medieval and early modern culture in the modern world. We are particularly interested in research which takes new approaches and crosses traditional disciplinary boundaries. Themed issues contain up to ten essays, plus the usual reviews section. The guest editor is responsible for setting the theme and drawing up the criteria for the essays.

Proposals should contain the following:

  1. A draft title for the issue.
  2. A statement outlining the rationale for the issue.
  3. Titles and abstracts of all the essays.
  4. A short biographical paragraph for the guest editor(s) and for each contributor.
  5. An example of a completed essay if available. (This is not essential).

Time line
Proposals for the 2016 issue (33.2) are required by 30 January 2015, and completed essays by 30 January 2016 for publication in late 2016.

Preliminary expressions of interest are welcome at any time.

For full details, please see the CFP below

[gview file=”http://anzamems.org/wp-content/uploads/2014/10/CFProposals-for-Parergon-themed-issues-2016.pdf”]

ANZAMEMS Conference Panel: Facial Feeling – Call For Papers

Call for Papers for a panel session at Tenth Biennial ANZAMEMS Conference, to be held at the University of Queensland on the 14–18 July 2015:

Facial Feeling

How does the face signify or express emotion in medieval and early modern culture? Papers are invited for one or perhaps two multidisciplinary panels that would consider the face as a site of passionate or emotional feeling in medieval and early modern culture, whether in textual, visual or material form. How do medieval and early modern poets, dramatists, musicians, writers, thinkers, artists, philosophers and theologians conceptualise the face (human? divine? angelic? demonic? animal?) and its capacity to express, signify, or conceal emotion? How does the face “speak” to us? What is the relationship between iconic, indexical and individualised emotions?

Papers may wish to consider the following topics:

  • Emotional encounters between the faces of the human and the non-human, or faces of different ethnicities
  • The relation between text and image in the representation of emotion (e.g. banderoles expressing words or lyrics in visual images, emblem books, etc. )
  • Visual representations of the faces of the virtues, vices and passions (in manuscripts, printed books, woodcuts, painting, sculpture, stained glass, etc.)
  • Metaphors, similes, and other forms of rhetorical discourse about the face
  • Literary and dramatic descriptions and characterisations of facial emotion
  • Medieval and early modern philosophical, theological, scientific or medical discourse about the face

Preliminary inquiries are welcome, but the final deadline for a 200-word proposal and brief biographical note (not more than 50 words) is Monday, October 27th, Inquiries and/or proposals should be emailed to: sjtrigg@unimelb.edu.au.

ARC Centre of Excellence for the History of Emotions: http://www.historyofemotions.org.au/research/research-projects/speaking-faces-describing-the-facial-expression-of-emotion.aspx?tax_3140=3151&page=2

ANZAMEMS Conference website: http://anzamems.org/?page_id=186

ANZAMEMS Conference Panel: The Land and Landscapes of Emotion in War – Call For Papers

Call for Papers for a panel session at Tenth Biennial ANZAMEMS Conference, to be held at the University of Queensland on the 14–18 July 2015:

The Land and Landscapes of Emotion in War

The thematic relation of war to ideas of ‘the land’ is surpassingly long-lived: from the Medieval through the Romantic periods, war can – and must – be read in the natural landscape. In numerous medieval and early modern literary and historical texts, the ravages of war are recorded in descriptions of the wasteland: the land laid waste, or its agricultural potential futilely ‘wasted’, by the effects of war. Land itself can become a record of war, and a space in which war’s emotions can be inscribed and interpreted. We invite contributions of 20-minute papers to a session on the land and landscapes in war writing, focusing on the ways in which land represents, commemorates, or even rejects the desolation and destruction of war. We invite papers that pay particular attention to textual associations of the land with emotional affect, whether before, during or after wartime. In what ways might the emotions of war and the effects of violent conflict be written and read in the landscape? How and where can land itself be said to emote? What is the relationship between the physical land and earth, death or burial; or idealised land as patria, yearned for and lamented, as well as fought over or on?

Papers may wish to consider these or other aspects of the land and emotion in literary and historical records of war, from the medieval period up to the eighteenth century, and might include medieval or early modern versions of the classical and early medieval associations of land and war; or might approach the subject in post-1800 ‘medievalist’ or ‘early modernist’ texts, including, but not limited to, poetry, novels, theatre and film.

Wider topics linking war and land could address:

  • War in Georgic and Pastoral traditions
  • War burial and commemoration
  • ‘Waste’ and ‘wasted’ land: war and agriculture
  • ‘Grim war’ and ‘smiling peace’: land, embodiment and personification in war
  • Dispossession, depopulation and trauma in war
  • Bleeding earth: the land in civil war
  • Exile and nostalgia in war
  • Viewing the land at war / in war
  • War, nature and ecology
  • Weather, seasons and the ‘atmosphere’ of war
  • The cartographic / topographic imaginary of war
  • ‘Ownership’, use and possession of land in war
  • National landscapes of war

Please submit a 200-word proposal and brief biographical note (not more than 50 words) by Friday, October 24 to:

andrew.lynch@uwa.edu.au; stephanie.downes@unimelb.edu.au; or katrina.oloughlin@uwa.edu.au

Conference website: http://anzamems.org/?page_id=186
ARC Centre of Excellence for the History of Emotions: http://www.historyofemotions.org.au/research/research-projects/the-emotions-in-medieval-war-literature.aspx

ANZAMEMS Conference Panel: Representations of Masculinity Within the Medieval and Early Modern Period – Call For Papers

As a reaction to the implicit masculine gendering of history and literature up until the latter part of the twentieth century, gender-based studies of the medieval and early modern period have tended to focus on representations of femininity at the expense of masculinity. While this approach has been invaluable in exposing the way in which women have been marginalised and effaced across time, it risks obscuring some elements of both the constructed nature of masculinity and of historical representations of masculine/feminine binaries.

This panel seeks to explore the possibilities offered by an explicitly gendered focus on representations of masculinity within the medieval and early modern period. The panel will convene at the ANZAMEMS Tenth Biennial Conference at the University of Queensland on the 14–18 July, 2015: http://anzamems.org/?page_id=7.

Possible topics for papers include but are not limited to:

  • Masculinity and labour
  • Masculinity and race
  • Masculinity and violence
  • Masculinity and physiology
  • Masculinity and domesticity
  • Masculinity and honour
  • Masculinity and sexuality
  • Masculinity and kingship

If you would like to contribute a paper to this panel, please send a 250 word abstract for a 20 minute paper together a brief biography to deborah.seiler@research.uwa.edu.au by the 23 October, 2014. Please put ‘Masculinities Panel’ in the subject line.