Category Archives: Prize

Shakespeare: Early-Career Essay Prize – Call For Applications

The editors of Shakespeare, in association with the British Shakespeare Association, are offering an annual essay prize. The winning entry will be published in Shakespeare and the winner will receive a copy of the volume (with 4 issues) in which the essay appears.

Submission Guidelines

The competition is open to research students and to early career researchers (who have held a PhD for no more than 2 years up to the submission deadline). Essays will be considered on any aspect of Shakespeare and will not exceed 6,000 words. Essays should be anonymised and submitted to https://mc.manuscriptcentral.com/rshk by 1 September 2015. The essays will be judged by a panel that will include the editors and members of the editorial board. The winner will be announced in December 2015.

In some cases, essays submitted by runners-up may also be published.

Sussex Samuel Prize – Call For Applications

The Sussex-Samuel Prize for Postgraduate Students is offered by the Australasian Universities Language and Literature Association (AULLA) to encourage postgraduate student participation in the broader scholarly community. The prize is awarded every two years for a paper presented at the AULLA Congress by a postgraduate student and judged by a panel within the Executive to be significant, innovative and accomplished. The applicant must be a currently enrolled postgraduate research student. The author of the winning paper will receive a prize of AUS$800, and the paper will be developed for publication in The Journal of Literature, Language and Culture. To be considered for the prize, the paper must be submitted as a 5000-7000 word essay on the Congress theme by midnight on 30 April 2015. If in the opinion of the selection committee no suitable essay has been submitted, the prize may not be awarded in that year.

In 2015 AULLA Congress is part of the inaugural Australian Literary Studies Convention to be held at the University of Wollongong in July. This is a landmark literary studies event that is being organised under the auspices of the Australasian Association for Literature, Association for the Study of Australian Literature and AULLA. The convention will bring together members of all the major Australian literary studies organisations to celebrate the vibrancy and diversity of literary studies in this country. The convention will serve as the 2015 Congress of AULLA and the theme is Literary Networks.

Literature is a meeting point for intersecting lines of thought and feeling about the world. As the German critic Theodore Adorno observes in his Aesthetic Theory: “Art is autonomous and it is not…. The great epics, which have survived even their own oblivion, were in their age intermingled with historical and geographical reportage.” Like its object of study, the discipline of literary criticism survives by making connections to other disciplines and to other ways of thinking and feeling about the world. Literary thinking, in this sense, is networked thinking. It is intermingled with other modes of discourse such as the philosophical, the linguistic, the political, the social, the geographical, the theological and the sexual.

We invite papers that engage with literature and literary criticism as a network where a network is understood very broadly as a group or system of interconnected people or things. Given that this conference seeks to bring together scholars who work in and between a variety of national literatures, literary, media and cultural histories, we encourage submissions that engage with and exemplify the rich variety of critical and creative practices currently being undertaken under the aegis of ‘literary studies’ in a contemporary Australian context.

For enquiries about or entries to The Sussex-Samuel Prize for Postgraduate Students contact jan.shaw@sydney.edu.au.

For full conference details including registration and submission of abstracts see the Literary Studies Convention website.

SAIMS/TMJ Essay Prize – Call For Applications

SAIMS invites entries for its annual Essay Competition, submitted according to the following rules:

1. The competition is open to all medievalists who are graduate students or have completed a higher degree within the last three years. For PhD students the time period of three years begins from the date of the successful viva, but excludes any career break. Any candidate in doubt of their eligibility should contact the Director of SAIMS at saimsmail@st-andrews.ac.uk.

2. A candidate may make only one submission to the competition.

3. The submission must be the candidate’s own work, based on original research, and must not have been previously published or accepted for publication.

4. Submissions are welcomed on any topic that falls within the scope of medieval studies.

5. The submission should be in the English language.

6. The word limit is 8,000 words, including notes, bibliography, and any appendices.

7. The text should be double-spaced, and be accompanied by footnotes with short referencing and a full bibliography of works cited, following the guidelines on the TMJ webpage: http://www.st-andrews.ac.uk/saims/tmj.htm. An abstract of 200 words should preface the main text.

8. The deadline for submissions is 31 March 2015.

9. The essay must be submitted electronically to saimsmail@st-andrews.ac.uk, in both Word and pdf formats, to arrive by the deadline.

10. The submission must be accompanied by a completed cover sheet and signed declaration; the template for this is available at http://www.st-andrews.ac.uk/saims/tmj.htm. The candidate’s name should not appear on the submission itself, nor be indicated in any form in the notes.

11. Decisions concerning the Competition lie with the Editors and Editorial Board of The Mediaeval Journal, who can, if they consider there to have been appropriate submissions, award an Essay Prize and in addition declare a proxime accessit. In the unlikely event that, in the judges’ opinion, the material submitted is not of a suitable standard, no prize will be awarded.

12. The value of the Prize is £500.

13. A candidate whose entry is declared proxime accessit will be awarded £100.

14. In addition to the Prize, the winning submission will be published within twelve months in The Mediaeval Journal, subject to the usual editorial procedures of the journal.

Any queries concerning these rules may be directed to the Director of SAIMS who can be contacted at:

Department of Mediaeval History, 71 South Street, St Andrews, Fife KY16 9QW
http://www.st-andrews.ac.uk/saims
saimsmail@st-andrews.ac.uk

Jo-Anne Duggan Essay Prize – Call For Applications

The Jo-Anne Duggan Essay Prize may be of interest to Honours, Masters and PhD students as well as Early Career Academics.

Due date for essays and/or creative works with exegesis: 1 March, 2015.

Prizes include:

  • $1000 for the winning essay; $250 for two highly-commended essays
  • Winning entry will be offered publication in the prestigious journal: Portal: Journal of Multidisciplinary International Studies
  • Winning and two highly-commended entrants will be invited to present their submissions at the Australasian Centre for Italian Studies (ACIS) biennial conference, The University of Sydney, 1-4 July, 2015.

Further information and Guidelines on the competition can be found of the ACIS homepage: http://acis.org.au/jo-anne-duggan-essay-prize.

Jo-Anne Duggan (1962-2011) was a great artist and a great friend of the Australasian Centre for Italian Studies (ACIS). Her artistic practice left what is arguably the richest and most compelling recent collection of photographs by an Australian artist to engage with Italian culture, history and art. Her work demonstrates not only artistic rigour and depth but also remarkable breadth, spanning from public spaces/places of Italian diaspora in Australia to enquiries into the re-contextualisation and museification of Renaissance art, from Australian archives of Italian migration to complex case studies on the legacy of the Gonzagas. In her research-led and interdisciplinary endeavour, Jo-Anne asked crucial questions and opened up original paths with regard to the construction of space/place, our relationship with the past and its reception, and the role of photographic art in mobilising and questioning the viewer’s gaze, starting from what she called her ‘postcolonial eye’.

Jo-Anne Duggan’s photographic work can be found at: http://www.colourfactory.com.au/gallery/artists-in-our-stockroom/jo-anne-duggan.

Jo-Anne Duggan’s publications (selection) can be found at: http://acis.org.au/jo-anne-duggans-writings.

International Medieval Society, Paris 2015 – Call For Papers

The International Medieval Society, Paris, 2015
Symposium 2015: Cities/Les Villes
Paris
25–27 June, 2015

Keynote Speakers: Emma Dillon (King’s College, London), Carol Symes (University of Illinois, Urbana-Champaign), and Boris Bove (Université Paris VIII).

The International Medieval Society, Paris (IMS-Paris) invites abstracts and session proposals for our 2015 symposium on the theme of cities in Medieval France. After the decline of late-antique cities in the course of the fifth and sixth centuries, a revival of cities began in the course of the eleventh century. This phenomenon, which profoundly transformed the dynamics of the West to our day, is a field of research that has been enriched in pace with archaeological discoveries and by new technologies that offer original perspectives and approaches. This symposium will approach new lines of investigation that will deepen our knowledge of medieval cities (11th – 15th centuries) not only in their cartographic and monumental dimensions, but also political and cultural ones.

The question of the construction of urban space could be explored in a variety of ways:

  • Through its material dimensions, consisting of different forms of cityscapes, its urbanism, and its architecture
  • Through uses of space and their performative function. For instance, the role of rituals and urban processions, how music and theater contribute to the establishment of urban space in its practical use and representations

We also wish to explore urban culture, which consists of material, intellectual, or spiritual culture, including:

  • The role of writing in the development of a literate, mercantile culture, and new modes of government
  • The daily lives of city dwellers: their lifestyles and patterns of consumption, their culinary tastes, etc.
  • The development of practices related to the rise of intellectual institutions (schools, universities, patronage, mendicants, etc.)

Finally, we wish to explore the question of visual representations of the city and in the city, notably:

  • The ways in which cities were represented in the Middle Ages, and how medieval cities are represented now
  • Models for cities and the role of imaginary cities in the construction of urban spaces

Proposals should focus on France between the eleventh and fifteenth centuries, but do not need to be exclusively limited to this period and geographical area. We encourage proposals and papers from all areas of medieval studies, such as anthropology, archaeology, history, economic and social history, art history, gender studies, literary studies, musicology, philosophy, etc.

Proposals of 300 words or less (in English or French) for a 20-minute paper should be e-mailed to communications.ims.paris@gmail.com no later than 30 January 2015. Each should be accompanied by full contact information, a CV, and a list of audiovisual equipment you require.

Please be aware that the IMS-Paris submissions review process is highly competitive and is carried out on a strictly blind basis. The selection committee will notify applicants of its decision by e-mail by February 26th 2014.

Titles of accepted papers will be made available on the IMS-Paris web site. Authors of accepted papers will be responsible for their own travel costs and conference registration fee (35 euros, reduced for students, free for IMS- Paris members).

The IMS-Paris is an interdisciplinary, bilingual (French/English) organization that fosters exchanges between French and foreign scholars. For the past ten years, the IMS has served as a center for medievalists who travel to France to conduct research, work, or study. For more information about the IMS-Paris and the program of last year’s symposium, please visit our website: www.ims-paris.org.

IMS-Paris Graduate Student Prize:

The IMS-Paris is pleased to offer one prize for the best paper proposal by a graduate student. Applications should consist of:

  1. symposium paper abstract/proposal
  2. current research project (Ph.D. dissertation research)
  3. names and contact information of two academic references

The prizewinner will be selected by the board and a committee of honorary members, and will be notified upon acceptance to the Symposium. An award of 350 euros to support international travel/accommodations (within France, 150 euros) will be paid at the Symposium.

Society for Medieval Feminist Scholarship Essay Prize – Call For Applications

The Society for Medieval Feminist Scholarship seeks nominations/ submissions for its annual prize for feminist scholarship on the Middle Ages. The 2015 prize will be for the best article that furthers the study of women and feminist values in Medieval Studies. The prize carries an award of $300.

The SMFS Awards Committee solicits nominations for articles and chapters from essay collections published in 2013 or 2014. Please note that only articles from 2013 and 2014 are eligible for the prize. The prize, which includes an award of $300, will be announced at the SMFS reception at the 2015 Medieval Congress at Kalamazoo. Self-nominations are acceptable.

All nominations must be received by January 1, 2015. Please email the nominated article/chapter along with a brief cover letter summarizing its merits and contributions to:

Prof. Sally Livingston
Department of Comparative Literature
Ohio Wesleyan University
Delaware, OH 43015
saliving@owu.edu

Magna Carta Project Student Essay Prize – Call For Applications

The Magna Carta Project, a collaborative multi-centre research project based in the UK, has established the J. C. Holt Undergraduate Essay Prize. Students wishing to enter should write 2000-2500 words (including footnotes) on one of the twelve set topics (see further details link below). A bibliography should be attached.

Entries should be emailed in PDF format to magnacartaessay@gmail.com no later than 1 March 2015. The writer of the best essay will receive £250. The winner will be announced at the Magna Carta Project conference in London, in June 2015.

More details are available by clicking here, and by visiting the Project’s website, here.

Jo-Anne Duggan Essay Prize – Call For Papers

Jo-Anne Duggan (1962-2011) was a great artist and a great friend of the ACIS. Her artistic practice left what is arguably the richest and most compelling recent collection of photographs by an Australian artist to engage with Italian culture, history and art. Her work demonstrates not only artistic rigour and depth but also remarkable breadth, spanning from public spaces/places of Italian diaspora in Australia to enquiries into the re-contextualisation and museification of Renaissance art, from Australian archives of Italian migration to complex case studies on the legacy of the Gonzagas. In her research-led and interdisciplinary endeavour, Jo-Anne asked crucial questions and opened up original paths with regard to the construction of space/place, our relationship with the past and its reception, and the role of photographic art in mobilising and questioning the viewer’s gaze, starting from what she called her ‘postcolonial eye’.

To honour her memory, ACIS http://acis.org.au/prize, with the generous support of Kevin Bayley, The Colour Factory http://www.colourfactory.com.au/gallery/artists-in-our-stockroom/jo-anne-duggan and the editorial committee of Portal: Journal of Multidisciplinary International Studies http://epress.lib.uts.edu.au/journals/index.php/portal, has established a biennial Jo-Anne Duggan Essay Prize to be awarded for the first time in 2015. The aim of the Prize is to foster and expand Jo-Anne’s rich creative, artistic and scholarly legacy in order to maintain enquiry into the nexus between creative practice and research, especially among younger/emerging scholars. The Prize is designed to keep Jo-Anne’s questions alive in order to continue to learn from her own answers.

The due date is 1 March, 2015 and prizes include:

  • $1000 for the winning essay; $250 for two highly-commended essays
  • Winning entry will be offered publication in the prestigious journal: Portal: Journal of Multidisciplinary International Studies
  • Winning and highly-commended entrants will be invited to present their submissions at the Australasian Centre for Italian Studies (ACIS) biennial conference, The University of Sydney, 1-4 July, 2015.

Full details on eligibility and submissions can be found at http://acisnet.files.wordpress.com/2014/06/guidelines-jo-anne-duggan-prize1.pdf.

George Yule Prize – Deadline 28 February 2015

As you will all know, the deadline for submission of panels and individual papers for the ANZAMEMS conference in Brisbane, 14-18 July 2015, is 31 October. The executive committee encourages postgraduates to think about submitting a 3,500 word essay for the George Yule prize (and supervisors to encourage their students to do so). The deadline for this is 28 February 2015. Entries and queries should be submitted to Marina Gerzic: mgerzic@gmail.com

For further information on this prize, see: http://anzamems.org/?page_id=8