Category Archives: cfp

CFP: Forum on Early-Modern Empires and Global Interactions

The Forum on Early-Modern Empires and Global Interactions (FEEGI) invites paper proposals for its fifteenth biennial conference, to be held April 19-20, 2024 at the John Carter Brown Library, Providence, RI. This conference marks the 30th anniversary of FEEGI, which we will celebrate by returning to the JCB, where the founding meeting took place.

FEEGI conferences investigate the histories of places and people touched directly and indirectly, advantageously or catastrophically, by the process of enhanced global interactions that commenced in the fifteenth century. Our conferences provide an opportunity for exchanges about the circumstances, causes, and consequences of increased global interaction in the early modern period (roughly 1450 to 1850). We welcome proposals exploring political, economic, and socio-cultural interactions from a variety of fields and perspectives. We encourage interdisciplinary approaches.

One hallmark of FEEGI conferences is the creation of a space for comparative thinking and intellectual exchange among scholars across traditional temporal, geographic, and imperial boundaries. To promote such dialogue the Program Committee configures panels to make deep thematic connections, and all our sessions are plenary.

FEEGI members may submit proposals for individual papers no later than 30 September 2023 on http://www.feegi.org/conferences. (Details on membership can be found on http://feegi.org/membership.html ). Submissions should include a 200-400 word abstract as well as a brief (1-2 page) CV. We welcome submissions from advanced graduate students. 

Graduate students papers accepted for the program will be eligible for consideration for the FEEGI prize for best presentation by a graduate student. Additionally, in collaboration with Itinerario: Journal of Imperial and Global Interactions, FEEGI offers the FEEGI/Itinerario article prize. The paper awarded this prize receives a “fast-track” to publication in Itinerario. For further details, including the timeline, please contact FEEGI’s Vice-President.

For more information, please visit the FEEGI website (www.feegi.org) or contact Ernesto Bassi, FEEGI Vice-President & 2024 Program Chair, at feegi2024@gmail.com.

FEEGI 2024 Program Committee:
Danna Agmon, Virginia Tech
Alejandra Dubcovsky, University of California Riverside
Kristie Flannery, Australian Catholic University
Faisal Husain, Penn State
Tessa Murphy, Syracuse University
Ernesto Bassi, Cornell University

CFP: Metropolitan Museum Journal

The Editorial Board of the peer-reviewed Metropolitan Museum Journal invites submissions of original research on works of art in the Museum’s collection.  

The Journal publishes Articles and Research Notes. All texts must take works of art in the collection as the point of departure. Articles contribute extensive and thoroughly argued scholarship, whereas research notes are often smaller in scope, focusing on a specific aspect of new research or presenting a significant finding from technical analysis. The maximum length for articles is 8,000 words (including endnotes) and 10–12 images, and for research notes 4,000 words with 4–6 images. 

The process of peer review is double-blind. Manuscripts are reviewed by the Journal Editorial Board, composed of members of the curatorial, conserva­tion, and scientific departments, as well as scholars from the broader academic community.

Articles and Research Notes in the Journal appear in print and online, and are accessible in JStor on the University of Chicago Press website.

The deadline for submissions for Volume 59 (2024) is September 15, 2023.

Submission guidelines: www.journals.uchicago.edu/journals/met/instruct

Please send materials to: journalsubmissions@metmuseum.org

Questions? Write to Elizabeth.Block@metmuseum.org

Inspiration from the Collection: www.metmuseum.org/art/collection

View the Journal: 
http://www.journals.uchicago.edu/loi/met

CFP: Conference of the Perth Medieval and Renaissance Group

Perth Medieval and Renaissance Group 2023 Annual Conference
FATE AND FORTUNE
UWA, Saturday 21 October 2023

Renaissance thinkers were interested in moral philosophy, and they found inspiration in both ancient and medieval sources. How should one conduct themselves to be happy and useful within society? What will the future bring for us in a time of deep transformation?

An image of a new world to be discovered; changed perspectives in astronomy and medicine; Renaissance humanity wondered whether they were able to influence their path in life, whether their decisions were dependent on a free will—as Pico della Mirandola stated in his Oration on the Dignity of Man—or were but the choice of an omnipotent God, as Catholics, and even more strongly Protestants, each emphasised. The role of Providence would become prevalent across European culture, from visual art to Shakespeare’s plays, gradually replacing the capricious Wheel of Fate which was equally central to medieval thought.

This conference will broadly discuss themes concerning human destiny and the possibility of executing our own will, placed within the attempt to acquiesce to, to acquire, or to enforce a vision of peace and harmony within the constant social and political metamorphosis of the Renaissance, and of the world today.

Perth Medieval and Renaissance Group Incorporated welcomes abstracts which address the theme of ‘Fate and Fortune’ in the medieval and Renaissance periods including:

● Representations of Providence, of destiny, or of doom in literature and literary works.
● Paintings and sculpture relating to fate, divine or otherwise.
● Philosophical works or analyses of Fate and Fortune, or those relating to ethics and utopias.
● Astrology, which enjoyed a blooming during the Renaissance much as it has today, with people turning to psychics, magic, and the stars to search for answers to important questions.
● Political writings depicting the perfect ruler, a utopian vision, or condemning contemporary tyranny.
● Social ideals that valorised the reception of an ancient wisdom, from the Stoics, Plato, Aristotle, or others.
● Educational ideas inspired by Renaissance or classical philosophy, such as liberal and postcritical education.

We welcome abstracts for twenty-minute papers. We particularly welcome submissions from undergraduate, honours, and postgraduate students, even if beyond the scope of the conference theme.

The conference will take place in hybrid form. Please specify in your submission whether you would attend in-person or online.

Please send abstracts of 150–200 words with your affiliation and a short (up to 50 words) biography to the conference subcommittee at pmrg.committee@gmail.com by 21 August 2023.

For further details, please see https://conference.pmrg.org.au/

CFP: Tenth Australian Conference of Celtic Studies

The Tenth Australian Conference of Celtic Studies will be hosted by Celtic Language Teaching and Research, School of Art, Communication and English, The University of Sydney from Monday 25 September to Wednesday 27 September 2023 in person at The University of Sydney and online.*

Conference Committee:
Dr Pamela O’Neill
Professor Daniel Anlezark
Murray-Luke Peard

Keynote speakers:
Dr Elizabeth Boyle, Maynooth University
Professor Mark Byron, The University of Sydney

Call for Papers
Papers are invited on any topic falling within the academically recognised discipline of Celtic Studies.  Papers taking a comparative or reception approach to areas within
Celtic Studies are also welcome.  Papers will be of 20 minutes’ duration follow by
10 minutes’ question time.

Abstracts of up to 300 words (accompanied by a bio of up to 100 words) should be sent to Dr Pamela O’Neill pamela.oneill@sydney.edu.au by Monday 24 July 2023.

Offers of grouped papers or non-traditional sessions such as round-tables will also be considered, with a preferred duration of 90 minutes.  Scholars intending to offer such sessions are encouraged to contact Dr O’Neill informally in the first instance.

Acceptances will be issued by 31 July 2023.  Requests for earlier acceptances for the purpose of funding applications, travel arrangements, etc, will be accommodated
wherever possible.

It is intended that a subsequent publication in memory of Anders Ahlqvist, inaugural Sir Warwick Fairfax Professor of Celtic Studies at the University of Sydney, will include a number of papers from the conference.

*Online sessions will take place in the early evening Sydney time, to facilitate international participation, and will be projected in the conference room for those attending in person.

CFP: Australian Early Medieval Association

The Australian Early Medieval Association has announced that the call for papers for this year’s conference is now open. The dates of the conference will be 28-29 September 2023 and the deadline for abstract submissions is 15 July 2023. Submissions may be in the form of individual papers of 20 minutes duration, themed panels of three 20‐minute papers, or Round Tables of up to six shorter papers (total of one hour). All sessions will include time for questions and general discussion.

The theme of this year’s conference is ‘The Natural and the Unnatural in the Early Medieval World’. The conference will be held in a hybrid format, with in-person attendance at The University of Sydney as well as online attendance.

Keynotes will be given by Dr Elizabeth Boyle (Maynooth University) and Professor Roland Fletcher (The University of Sydney).

The full text of the CFP may be viewed on the conference website.

CFP: Australasian Association for Byzantine Studies

Byzantium: Empire of the Sea

Papers are invited for the 21st Conference of the Australasian Association for Byzantine Studies, University of Queensland, St Lucia Campus, Brisbane, June 2-5.

Conference Program (subject to revision):
June 2 – Opening Reception at Milns Museum & Empires of the Sea Exhibition Launch, 5 pm
June 3 – Fryer Library Greek Papers of Lady Diamantina Roma Bowen & Lord Bowen
June 4 – AABS Papers, Keynote Lecture by Professor Georgia Frank (Colgate) & Dinner
June 5 – AABS Biennial General Meeting & AABS Papers

Call for Papers:
Send abstracts of 150-200 words maximum, for 20 minute papers. Submissions should include name, institution or affiliation, and, if relevant, a short letter of application for a $500 AABS Student Bursary to attend the conference from Australia or New Zealand.
Deadline for submission April 1, 2023, e-mail for submission conference@aabs.org.au

Byzantium was an empire on, and of, the ancient Mediterranean and Black seas. Romans of this ‘late’ empire inherited a political, military and cultural system of waterborne trade and interconnections centred on the harbour city of Byzantium. Constantine’s new capital city of Constantinople swiftly replaced Rome as the Mediterranean entrepot of goods from east and west, building on the foundations of Byzantium, once the ideal Greek emporium. We seek papers engaging with this topic on any level of analysis, from history to hagiography, the city to the empire, and from letters, art and iconography to harbour architecture or fishermen’s saints. Papers could consider (among other topics) Severan Byzantium, the Greek colony or Istanbul; maritime aspects of the Roman empire centred on Constantinople from the 4th to the 15th centuries; or Byzantium’s legacy in the Black Sea, on the Aegean islands, in the Italian maritime republics, or along the rivers, bays and coasts to her northeast, south or west.

Paper topics might include:
Naval warfare, the Roman Navy, Greek Fire, galleys, sieges of Constantinople
Harbours of Byzantium, trade goods, merchants, ship-building, maps, cartography
Seafaring traditions, St Nicholas, the Panagia, fishermen, pagan/Christian festivals
Metaphors in sermons, hymns, novels, poetry etc. drawn from the sea
Islands, e.g. Proconnesus for marble, Cyprus, Crete, Malta, Kythera
Relations with the Kievan Rus, the Varangian Guard, Vikings, Slavs, rivers of the north
Relations with Arabs, Jews, Egyptians, Church of the East, Turks, etc.
Relations with Venice, Genoa, Pisa, Italians, immigrants, explorers
Products of the sea like fish, shellfish, shells, dyes, seabirds (and attitudes to them)
Positive and negative associations of the sea in Greek literature, fantastical seabeasts
Pirates, slaves, hostages, Crusaders, Military orders travel, letter carriers, the Post

Convenor: Dr Amelia R. Brown (UQ)

CFP: ANZSA 2023 Conference in Sydney, 7-9 December 2023

Call for Papers

‘Shakespeare Beyond All Limits’ 

7–9 December 2023 

At The University of Sydney and the State Library of NSW

http://conference.anzsa.org/

The Australian and New Zealand Shakespeare Association (ANZSA) is delighted to announce its next conference will be ‘Shakespeare beyond all Limits’, hosted by The University of Sydney from 7–9 December 2023. We are now inviting proposals for scholarly papers and panels.

Our keynote speakers are:

  • Ewan Fernie (Chair, Professor and Fellow of the Shakespeare Institute; and Culture Lead of the College of Arts and Law, University of Birmingham, UK), courtesy of the Institute for Humanities and Social Sciences, the Australian Catholic University
  • Urvashi Chakravarty (Assistant Professor, University of Toronto Scarborough, Canada)

2023 is the four-hundredth anniversary of the publication of one of the most influential books of all time, Mr William Shakespeare’s Comedies, Histories and Tragedies (1623), known subsequently as the First Folio. This conference, ANZSA’s first since the COVID-19 pandemic, represents an exciting opportunity for Shakespeare researchers, educators and practitioners to gather together in person in Sydney for a scholarly exploration of this remarkable book and all things Shakespearean from his time to ours.

The conference theme, ‘Shakespeare beyond all limits,’ derives from Ferdinand’s declaration of his love for Miranda in The Tempest (3.1.71–73): ‘I / Beyond all limit of what else i’th’world, / Do love, prize, honour you.’ In our case, we use the phrase to signify the astonishing reach and impact of Shakespeare through the ages and invite scholars to share their insights on the texts and contexts, limits and liberties, uses and problems, and appropriations and transformations associated with his name and works.

Day 1 of the conference will be held at the State Library of New South Wales (Sydney) and include papers with a particular focus on the First Folio and Shakespeare book history. The State Library holds Australia’s only copy of the First Folio (1623), as well as a copy of the Second (1632), Third (1664) and Fourth Folios (1685). We invite scholars researching these editions or others to submit papers for the conference to be included in the program for Day 1. The State Library First Folio is viewable on the State Library NSW (Shakespeare’s First Folio) website and all four State Library Folios are viewable on Internet Shakespeare Editions (Facsimile Viewer). For Day 1, in addition to papers on the Library’s Folios, we are interested in presentations on early-twentieth-century activities around the Shakespeare Tercentenary in Australia (1923) and the printing and publishing of the Folios. Day 1 will also include a postgraduate and early career researcher masterclass and, in the evening, a Public Lecture at the Library, by Professor Fernie.

Days 2 and 3 of the conference will be held on the main campus of the University of Sydney and include papers on our broad theme of ‘beyond all limits.’ On Day 3 (Saturday) we will also include papers with a particular focus on Education and so we enthusiastically encourage teachers and educators at schools and universities to submit abstracts on educational topics.

Please send proposals (250 words max.) for papers (20 mins) and panels (3-4 papers of 15-20 mins each), with a speaker biography (100 words max.) to: 

huw.griffiths@sydney.edu.au or liam.semler@sydney.edu.au 

by 30 June 2023. Huw and Liam are happy to answer any queries about the conference.

Please check the ANZSA website for Conference updates.

CFP Royal Spectacle and Court Performance: Medieval and Early Modern Perspectives

Royalty has often been accompanied by spectacle, ritual, and excess. Monarchs have exploited public space to exert authority, express anger or encourage love, deploying high-profile and fantastic rituals or displays to communicate with their publics. Clothing, accessories, gifts, food, and other materials have been used to build friendships, negotiate social hierarchies, or to convey displeasure. Art, statuary, monuments and buildings, as well as the more ephemeral prints, ribbons, or household goods, have been used as propaganda and to further a performance of power. Art and material goods were often part of elaborate performances at court, on stage, in the press, or on the street, where spectacle was embodied and communicated as identity, power and privilege. Such activities were replete with emotion, as courtiers sought to build or
negotiate relationships, encourage awe or affection, and promote appreciation of systems of monarchical power and divine right. This workshop explores royal spectacles and court performances in the medieval and early modern world and now calls for papers that speak to this theme.

Topics can include but are not limited to:
Displays of monarchical power or identity
Court performances and interactions
Fashion diplomacy and dress
Gift-giving, hospitality and generosity
Abundance and excess
Ephemeral displays
Print power and the monarch in the public sphere
The audiences for monarchical displays and court performances
Displays of emotion and the capacity of performance to promote feeling
Drama, theatre, and literary court performances
Medieval and Early Modern spectacles in the modern era
Gender, race, class as spectacle

Deadline for proposals 30 April 2023.
Please email proposals to courtlyperformances@gmail.com

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Call for Proposals for a Special Issue of Gender & History: Gendered Segregation and Gendering Segregation

Gender & History is an international journal for research and writing on the history of gender and gender relations, including (but not limited to) masculinity and femininity.

This Special Issue will examine segregation, broadly understood, exploring how segregation has reflected and constructed gender across time and space. This Special Issue welcomes submissions from scholars studying any country or region, and any historical period, including the classical, medieval, early modern, and the modern.

Segregation is the physical, cultural, or legal separation of groups on the basis of self- or external demarcations of difference and can be observed in many different, but by no means all, human societies of the past. Gendering segregation is a fruitful lens to interrogate relations of power and to do so in spatial settings such as homes, communes, schools, religious institutions, workhouses, prisons, leisure facilities, or others. Additionally, analysing the gendering of segregation—within premodern and modern societies and throughout the world—opens routes towards more capacious understandings of important themes of inquiry such as histories of sexuality, labour, science and technology, politics, feminism, and social identities.

This issue examines how and why segregation has been used as a tool for constructing and policing gender boundaries, at the intersection with race, age, status, class, functionality, ethnicity, religion, sexuality, nationality or other historical ideas of human identity and categorization. We particularly welcome studies on transgender and/or non-binary aspects of the presence – or absence – of segregation in past societies. This issue understands segregation as both a framework of control through imposing binarity and as an individual strategy. We also welcome investigations of how and why gender segregation has been used as a coping mechanism and a strategy of subversion. We also seek to critically engage with scholarly narratives such as the ‘separate spheres’ paradigm.

Possible topics include, but are not limited to:
• Segregation through and of labour
• Segregation and race
• Scientific and legal logics of segregation
• Segregation in the home
• Segregation in education
• Segregation in sports
• Segregation over the life course
• Segregation as a political strategy
• Self-imposed segregation
• Segregation as a religious practice
• Segregation and urbanism
• Segregation and colonialism

Interested colleagues are asked to submit a 500-word abstract and a brief biography (250 words) by email no later than 31 May 2023 for consideration. Please submit materials to genderandhistory@sheffield.ac.uk.

Abstracts will be reviewed by the Special Issue editors and successful authors will submit full drafts (6,000- 8,000 words) ahead of participation in a hybrid colloquium, which will be held in Bonn, Germany, in partnership with Research Area E (Gender and Intersectionality) of the Bonn Center for Slavery and Dependency Studies. We hope to be able to fund travel and accommodation for all participants. After the colloquium, the editors will select contributions to proceed through the journal’s peer review system. As with any submission, there is no guarantee of publication.

The Special Issue will be edited by Drs. Daniel Grey, Lisa Hellman, Julia Hillner, and Rachel Jean-Baptiste.

Special Issue Timeline
Abstract Proposals to SI editors: 31 May 2023.
Decisions communicated: 1 July 2023.
Draft papers submitted for circulation: 15 March 2024.
Colloquium: 25-27 April 2024.
Full submissions submitted for peer review: 1 September 2024.
Contributions in progress to G&H Editors: 1 March 2025.
Edited MS, illustrations and permissions: 31 May 2025.
Publication: October 2025.
Further information on Gender & History can be found here.

Call for Proposals for a future themed issue of Parergon, specifically for 2025 (42.2) – proposals due TUESDAY 28 FEBRURAY 2023

CALL FOR PROPOSALS FOR THEMED ISSUE

Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies (Inc.)

www.parergon.org

The journal Parergon, in print since 1971, regularly produces one open issue and one themed issue annually.

Recent and forthcoming themed issues include:

  • 2018, 35.2 Translating Medieval Cultures Across Time and Place: A Global Perspective, guest-edited by Saher Amer, Esther S. Klein, and Hélène Sirantoine
  • 2019, 36.2 Practice, Performance, and Emotions in Medieval and Early Modern Cultural Heritage, guest-edited by Jane-Heloise Nancarrow and Alicia Marchant
  • 2020, 37.2 Representing Queens, guest-edited by Stephanie Russo
  • 2021, 38.2 Children and War, guest-edited by Katie Barclay, Dianne Hall and Dolly Mackinnon
  • 2022, 39.2 Cultures of Compassion in Medieval and Early Modern Literature and Music, guest-edited by Diana Barnes

We now call for proposals for a future themed issue, specifically for 2025 (42.2)

Parergon publishes articles on all aspects of medieval and early modern studies, from early medieval through to the eighteenth century, and including the reception and influence of medieval and early modern culture in the modern world. We are particularly interested in research which takes new approaches and crosses traditional disciplinary boundaries.

Parergon asks its authors to achieve international standards of excellence. Essays should be substantially original, advance research in the field, and have the potential to make a significant contribution to the critical debate.

Parergon is available in electronic form as part of Project Muse (from 1983), Australian Public Affairs – Full Text (from 1994), Wilson’s Humanities Full Text (from 2008), and Gale Academic One File (from 2008); it is included in the Clarivate Analytics Master Journal List of refereed journals and in the European Reference Index for the Humanities (ERIH), and is indexed for nine major database services, including ABELL, IMB and Scopus.

Themed issues contain up to ten essays, plus the usual reviews section. The guest editor is responsible for setting the theme and drawing up the criteria for the essays.

Timeline

Proposals for the 2025 issue (42.2) should be submitted to the Editors by Tuesday 28 February 2023.

Proposers are advised to review the full submission guidelines for essays at: https://parergon.org/submissions.html

Proposals should contain the following:

  1. A draft title for the issue.
  2. A statement outlining the rationale for the issue.
  3. Titles and abstracts of all the essays.
  4. A short biographical paragraph for the guest editor(s) and for each contributor.

Proposals will be considered by a selection panel drawn from the Parergon International Editorial Board who will be asked to assess and rank the proposals according to the following criteria:

  • Suitability for the journal
  • Originality of contribution to the chosen field
  • Significance/importance of the proposed theme
  • Potential for advancing scholarship in a new and exciting way
  • Range and quality of authors

Guest editors will be notified of the result of their application by the beginning of April 2023.

The Editorial Process

Once a proposal has been accepted:

The guest editor(s) will commission and pre-select the essays before submitting them to the

Parergon Editors by an agreed date.

The guest editor(s), in consultation with the Parergon editors, will arrange for independent and anonymous peer-review in accordance with the journal’s established criteria.

Occasionally a commissioned essay will be judged not suitable for publication in Parergon. This decision will be taken by the Parergon Editor, based on the anonymous expert reviews.

Essays that have already been published or accepted for publication elsewhere are not eligible for inclusion in the journal.

Parergon’s Accessibility

Parergon is available in electronic form as part of Project MUSE (From Volume 1 (1983)), Australian Public Affairs – Full Text (from 1994), and Humanities Full Text (from 2008)

Parergon is included in the Clarivate Analytics Master Journal List of refereed journals and in the European Reference Index for the Humanities (ERIH), and is indexed for nine major database services, including ABELL, IMB and Scopus.

Parergon has an Open Access policy. Authors retain their own copyright, rather than transferring it to Parergon/ANZAMEMS; and can make the “accepted version” of their article freely available on the Web.

Please send enquiries and proposals to the Editors, Prof Rosalind Smith and Prof Sarah Ross at editor@parergon.org.

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