Entries to the British Records Association’s annual Janette Harley Prize close on 30 June. The prize is intended to generate interest in archives, and raise awareness of research and achievements in the world of archives. It is open to anyone, and applications are welcomed from individuals, on their own behalf or on behalf of others, and from representatives of organisations.
The prize of £350 will be awarded for the best / most original piece of work published in a monograph, journal or magazine, or otherwise made publicly available, which has promoted “the preservation, understanding, accessibility or study of archives”. The winning entry will be announced following BRA’s Annual General Meeting and Maurice Bond Memorial Lecture, to be held in London on 13 November 2019.
The joint winners of the 2018 Harley Prize were Julie Halls and Allison Martino, for their article “Cloth, Copyright, and Cultural Exchange: Textile Designs for Export to Africa at The National Archives of the UK”.
Further information about the prize, including details of how to enter, can be found on the BRA web-site: https://www.britishrecordsassociation.org.uk/the-janette-harley-prize/british-records-association-janette-harley-prize/
Proposals are invited for contributions to the edited essay collection, Nevertheless, She Resisted: Will and Consent in Medieval Rape Narratives.
As Amy Vines notes, rape in medieval literature often functions as a “chivalric necessity,” a means of articulating masculine identity that elides or ignores questions of female bodily sovereignty and autonomy of will in favor of the male protagonist’s development. Yet we also find instances where texts implicitly or explicitly call attention to the act of rape as a violation of female will—whether in dread of the act, in the face of its perpetration, or in its aftermath—or explore the nature of consent and its often problematic conditions or interpretation.
Building on recent work by scholars such as Vines, Elizabeth Robertson, Christine Rose, Suzanne Edwards, and Carissa Harris, this essay collection seeks chapters of 6000-9000 words exploring narratives of resistance in medieval literary portrayals of rape or coercive sex. In what ways might we see such narratives recentering female will and consent? What different modes of resistance to sexual violence do they articulate? To what extent do they return agency to survivors of sexual violence? In what ways do these narratives arouse or disarm resistance on the part of female readers? How might we make issues of will and consent more legible in these texts? Most importantly, what might it mean to read from the woman’s subject position, resisting the masculinist hermeneutic that has largely dominated medieval studies?
Proposals of 300-500 words should be submitted by e-mail to Alison Langdon at email@example.com. Deadline for proposals is 31 August 2019. Notification of accepted proposals will be made by 30 September 2019, with complete chapters due by 1 June 2020. The volume has been invited for submission to Medieval Institute Publications for its new Premodern Transgressive Literatures series.
The new Cambridge Elements Series on ‘Shakespeare and Pedagogy’ is seeking submissions of innovative scholarship of 20,000-30,000 words for peer-reviewed publication. This collection synthesises theory and practice, with original pieces of research as well as dynamic, practical engagements with learning contexts. It aims to facilitate explorations, interventions and provocations:
- Explorations deliver extended, research-based analyses and pursuits of ideas, processes and practices.
- Interventions present practical engagements with learning contexts, may involve teachers or practitioners as collaborators, and will speak in direct terms to real teaching situations.
- Provocations offer critiques of practice and policy, reimagined or reoriented approaches, propositions of alternatives and urgent manifestoes.
Submissions might fall into one of these categories or represent a blend of them.
More information is on the Shakespeare Reloaded website: http://shakespearereloaded.edu.au/research/cambridge-elements-series